ADSactly Literature: The advantage of being a child

in #literature5 years ago


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The advantage of being a child

Hello, friends of @adsactly

There are days when you don't want to get out of bed, out of the house, out of your nest. You feel that getting out means making a superhuman effort and there are days when you have neither spirit nor strength, so you stay. Surely you check your cell phone, the TV programs, or simply take the book you left on your bedside table and open the book where you left off.

That's what happened to me these days: I didn't want to leave the room and I stayed reading a book of stories by the Venezuelan writer José Balza. José Balza is one of the best contemporary Venezuelan storytellers. He has won the National Literature Prize and other literary prizes. Although he writes essays, it is as a narrator of novels and short stories where he has stood out the most. Of all the stories I read that day, I reflected on one. The story is called Líneas.

Líneas (Lines) is a short story about a girl's discovery in her father's library. Although it is a very simple story, I think there is a depth to its message. Let's try to get into this story.


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It all begins when the father has hurried back to the apartment and Morelita, the daughter, stops playing to go after him:

The man leaned over Morelita and she abandoned her bears and followed him to the library. The girl saw him leave the briefcase and the folders on the low tables; he said something to her as he put the jacket on the desk chair, just loosened the tie and went to the bathroom.

In this part of the story, the narrator describes the moment in which the father arrives, the actions that he carries out when he arrives and, especially, makes us pay attention to the aspect of the girl that is so important for this story.


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Already inside the library and alone:

Morelita put away the dark briefcase; for a three-year-old girl it was already a sign of dignity: she smiled at herself and looked at the door.

We discovered that the girl is three years old, that although there are very few of them, they are enough for her to have a certain ease in walking and doing some things. Morelita leaves the father's briefcase aside for a reason. We sense that she has already been scolded or told not to play with him; moreover, when the narrator tells us that the girl looks at the door, we perceive that there is a certain fear that the parents will come in and discover her by checking:

Then he saw the folders; he opened the first one and found inside it pieces of magazines and photographs, identical to the ones he has seen: in the album, in dad's books, even in the receipt screen.


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The girl details things she has interacted with before, images, magazines, so there is no surprise in her. There is no discovery. However, within all those common and familiar things, Morelita discovers something that leaves her paralyzed:

This time it wasn't the completely white leaves that Mom gives her to fill with colors, nor photos of animals or dolls. Sweetly, attentively, the girl sat down on the carpet. She had in her hands the only novelty of the living room and of the day.

Inside the father's objects and papers, the girl finds something that makes her stay silent, be still; something that awakens her curiosity and amazement. It is not the white leaves she usually uses to make drawings, nor the images with which she usually plays and listens to stories:

Half an hour later, when Mom and Dad were coming for lunch, they laughed when they saw the tranquillity of their little daughter... Nobody discovered in Morelita's hands a sheet of paper, common, unused, different from all the others for her: a white sheet with slight blue and parallel stripes.


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This beautiful ending is the one that leaves us looking inward. On the one hand, we see the life of adults summarized in the behavior of parents: half an hour to get home, half an hour to eat, half an hour to get back to work. The adult man is a being without truce and without time; a machine that works perfectly according to certain interests and in some moments. On the other hand, children are beings that have not yet been contaminated by society. The child's gaze is one of the most beautiful of all.

When we see Morelita surprised by a simple striped leaf, we understand that as adults we have lost the ingenuity of that look, the capacity to marvel, to rejoice in small things, to be surprised. The innocence of a child is a vitality and an inexhaustible force.


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There is an Isaac Newton quote that says:

"I have been a little boy who, playing on the beach, found from time to time a thinner pebble or a prettier shell than normal. The ocean of truth stretched out, unexplored, before me."

The child with every discovery he makes, however tiny, is happy. He feels that there is an interesting and unexplored world to discover. All of us were children, although unfortunately we no longer remember it. It would be worth it to see the world as they do it, perhaps then we would not wake up some days with much fear to live.


See you soon. Remember to vote for @adsactly as a witness and join our server in discord. Until a next smile. ;)

BIBLIOGRAPHICAL REFERENCE

José Balza (2004). La mujer de espaldas y otros relatos. Monte Ávila Editors: Venezuela.

Written by: @nancybriti

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A beautiful and simple story that you bring us in your post, @nancybriti. I didn't remember that Balza story; its very title is already interestingly ambiguous. Thanks for introducing it to us.
I believe that the gaze (innocence, candor) of the child can never be recovered after childhood. Perhaps what we will be able to nourish in ourselves is attention, the contemplation of the world, which is in childhood, but which could be done in us because it is almost inherent to man. And to discover (rediscover) then the faint and almost invisible lines that cross us.
Greetings.

I like the poetic way in which you describe the true gaze, which is to contemplate and feel what has been looked at. Sometimes we pass our eyes through things, but we don't really see it. It would be worthwhile not only to look outside, but inside ourselves to know how we react to what we see. Thank you for your comment, @josemalavem

@nancybriti, Childhood, this word is close to many hearts because these are those days when we go for the endless opportunities and we live so passionately that whole world becomes ours.

But our life move forward with many Transitions. And with that many becomes more limited and the world of imagination and passion like free bird move towards lessen and lessen with passing time. But definitely this is one phase which we want the most but we will never get that opportunity once again. Stay blessed.

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The idea is not to go back to childhood, but to keep the child we all carry inside. To feed every beautiful, joyful feeling that makes us happy. The child is happy with so little! Only the man, in his inexhaustible career against time forgets that happiness is not outside, but in each one of us. Thank you for your comment.

Welcome and these are absolutely true words. Inner happiness will reflect happiness in outside world and vice versa.

And we have to carry our inner child so that no matter less or more we can move forward enthusiastically and cheerfully. Stay blessed.

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Beautiful publication and excellent review of this story by José Balza, @nancybriti. Children are a source of ingenuity, sincerity and tenderness. As adults we should keep that spirit of joy for life, of surprise and emotion before the simplest things. It would be a good and healthy way to go through life in the midst of a society that often suffocates us and distances us from the true pleasure of living. I loved the images with which you illustrated your post.

This story seems very nice to me, those topics catch my attention because I write reflections. I will have to read that book, it is a very good reflection, being children is the most beautiful stage of our lives and we have enough to learn from them. I like Venezuelan literature and even recently I read "Memories of Mama Blanca" by Teresa de la Parra and I am currently reading "Dead Houses" by Miguel Otero Silva. Thank you for sharing this beautiful story with us.

I'm glad you like Venezuelan literature! I'm also a fan and a student of it. Those novels you mention are extraordinary. Soon I will make a post with Casas muertas. Thank you for reading and commenting.

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