The Abysmal Biscuit (Finish The Story #50 Entry)

in #foxtales5 years ago (edited)

Opening by @f3nix

The awareness of the box's contents dripped slowly in Joelle's mind, coagulating like a graceless Rorschach's blot. Bones. Tiny tapered bones, standing out against the mahogany bottom.

The unusual item jolted on the worn chair, reacting to the vibrations of the old diesel-powered train. The convoy, the last of his lineage, still fulfilled its duty along the Brașov-Sighișoara route allowing students to return to their homes every weekend. To the rhythm of joints and sleepers, the whiteness of the remains continued to dance tremulously before the eyes of the young woman as the frames of her glasses slipped slowly from her nose.

In a tinkling clink of bracelets, the student closed the lid of the box and moved away as far as possible from it, crushing herself against the seat's padding. The lazy air of the air conditioner stuck to the bottom of her dry throat an acrid plastic taste.

And then she saw him. The old passenger had returned and was staring at her through the windows that led from the corridor of the car to the cabin. She listened to her own scream erupting and fill the cramped cab.

"I didn't want to scare you, young lady."

"N-not scared. No worries, sir." Somehow, Joelle managed to gather the few polite words her manners demanded. She could not have said how long he had been watching and if he had seen where curiosity had taken her. The glasses, temples up in the air, laid on the seat beside her.

The old man was tall and lanky, his burnished skin resembled the ancient scales of a dragon. Dressed in work trousers and a raw cotton shirt, he gave the impression of being one of those peasants whose families had inhabited the Carpathians for centuries.

Joelle's gaze passed involuntarily from the man to the funeral urn disguised as a biscuit tin: the representation of a merry-go-round in a lacquered colored wood and graceful workmanship. The children were swirling with their bent busts, perhaps because of the speed of the carousel. Their mouths were wide open and their hands clung to the poles skewering the horses. With a lump in her throat, she remembered the fleeting memory of just a few hours before, when a train was huffing at the central station and a gentle old man asked her help because he couldn't open the cabin door. She felt like something ruined down from her lungs to her guts.

"I see that you like my craft." In the silence, she could detect the old man's fingers caressing the box inlays.

"It's adorable. A gift for a grandchild?" Joelle realized only now that the object was his only baggage. In the warm twilight, the colors of lacquered wood seemed even more lively. The conifers thickened on the sides of the train, sliding quickly to the edges of her field of vision.

"Oh. A gift, says the young lady. Like a toy, perhaps?" The old man's eyes were two black bottomless pits. His gaze had slowly become vitreous like that of a deep-water fish, yet at the same time penetrating.

"Yes, a toy. I like how you see it, miss." The passenger continued, his voice getting thinner.

Only then, Joelle realized where they were heading: the train had just passed the old mill and would soon pass through the tunnels beneath the mountain.

"You may have noticed how I depicted all these children. Observe, miss, between a horse and the other: they are not alone." By pronouncing the last vowel, which he abnormally prolonged, his voice tone had become a slow and drawling rattle.

It was still too early for the wagons' lights to turn on and the tunnels were preparing to swallow the convoy.
A sound of nails carving into the wood tore the thoughts of the young student.

My Ending

Yellowed nails had forced themselves into the crack, prying open the box’s flush lid. In a sudden jolt aided by the train, it came free, drawing Joelle’s attention back to the inlay. Her eyes felt fixed on the seemingly empty space between the contorted children. It was a nothingness that looked back, an abyss that seemed to reach into her core, resonating through her.

He reached his gnarled fingers into the box, retrieving a small bone and placing it against his lips. Pausing for a moment, the old man tipped the open container towards her, the darkness of the short tunnel already engulfing the first wagon.

“Would the young lady care to try a biscuit?”

The slow, dripping pace of his words, the gravel of his voice against the rattle of the tracks, scraped down her sternum like sandpaper.

Bones carved to soft tips oscillated in the writhing rhythm of the train, rising and falling in a shuffle for attention. Every part of Joelle willed her hand to jerk away, to gather her bags of washing and change carriages, but she didn’t.

Instead her slender wrist, jingling with stacked silver bangles, lifted her hand, her ringed fingers betraying her as they dipped into the box.

Darkness rushed into the carriage as Joelle groped the smooth bones, every cell in her body screaming for her to stop. The sickening horror, prickling heavy through her, only intensified moments later when the wagon lights came on.

Joelle saw her fingers gripping what looked like a carved bone, tipped in the flattened diamonds of fine knife work.

The man across from her slipped his ghostly biscuit between his lips; the hard crunch of teeth grinding through bone torn through her insides. It ripped something away, leaving her with a sense of slow, settled calm. Her hand brought the biscuit to her own parting lips.

“They're such sweet biscuits miss, you’ll be sure to love it.”

The blackness outside the window seemed to swell with the same deep nothing as the blank space on the box. The darkness pushed in on her, pressing the undeniable bone against her tongue.

Joelle couldn’t stop her teeth breaking it. Sharp shards splintered into her cheek, fragments forcing their way into her gums until the sweet iron of blood overtook the dry tang of calcium.

Each grind of her jaw seemed to intensify the delicious flavour, her mouth watering as the shards struggled down her throat.

The tunnel was coming to an end. The abyss, clamoring at the windows, swelling in the dark wood of the box, surging in the old mans hollow eyes; anticipated its momentarily resurgence.

The lights flickered before turning off.

For eternal seconds, the blackness embraced the carriage, lulling Joelle into it's soothing depths.

“Please may I have another biscuit?”

“Another biscuit? The young lady wants another. I like this one.”

The wagon broke free of the tunnel, daylight - suddenly alien feeling, drenched the cabin, illuminating the cracked skin of her fellow passenger.

“The box, it’s needs refilling, and of course… we get the scraps… won’t you help me feed it miss?”

This is a real gem of an opening, so very much to go off, lego levels of potential! With a bit of rearranging and tweaking, came in at 517 (I think) on the words. I tried to leave this a bit open as to exactly what that question at the end means, hopefully the story carries well enough for that to work. Part of me wishes I had gone another way entirely, but in the beauty of FTS, I still get to see plenty of endings <3

This is an entry to #finishthestory held over on @bananafish - this is one of a few regular contests so give the page a follow. This round we have this hint packed opening by @f3nix and we have the wonderful @brisby at the helm for the fantastic 50th edition! Every entry wins this round so head over to the post and give it a go!

Photo Credit taken by Pixabay User pixel2013 who has a crazy amount of popular photos, plenty begging for a story!

I did some last minute editing before posting and cleared the tags so I couldn't accidentally post early, and when I put it back, wrong autocomplete for f, so accidentally under the foxtales tag as well, sorry about that one!

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Hypnotic. Disturbing. Crawling and progressive. My favorite kind of horror since always. Do we really need kilometric comments to say that we like something? I'm completely agreeing with the comment of @raj808, those are my same feelings.


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Biscuit bones, bones and biscuits...
The fading light, the obvious crunching...
I want to gag, but perhaps I should swallow...
Cos in the dark, human or animal, one bone marrow...

Tastes just like any other...

Classic-Cal... 💞

A true gift, a poem, worth more than any coveted box no matter its contents <3

And in so few words, you understood so very well the depths of this one... in the dark indeed <3

The eating of fingers was chilling. This story flows really well. I enjoyed it very much.

Congrats on your Curie!

nom nom nom tasty little bones, did it flow as well as the kool aid that was so lovely and extra sweet? lol Aww glad you enjoyed it <3 and thank you very much!

I particularly liked the descriptive passages describing the cannibalism... Lol I've just realised I probably sound like a sicko with a comment like that 😂

The way you describe the strangeness of the possession, the lack of control followed by the realisation that she actually enjoys crunching the bones. It's done so well that it's really unsettling.

I'm not easily put off by much, but even my stomach gave a little heave... a sign of how effective the writing was.

Gr8 ending, from a gr8 beginning 🙂

Posted using Partiko Android

haha when i wrote it, it just seems so naturally for her to eat the bones, didn't even realise it was cannibalism until I saw your comment, what has @f3nix done to us lol

I did try and leave it open for the reader to figure out what was going on in that strange possession like compulsion, again i wouldn't have thought of the word possession when i was writing it, but she did undeniably let something in... i had a lot of fun having a breaking point in there and showing her revulsion growing like a bubble, until it pops - gone.

I think i was running down the stairs late one night last week, and I was struck so strongly by the image of her crunching the bones, the shards cutting her mouth, and then she just had to eat them!

thank you very much, highly appreciated <3

what has @f3nix done to us

DelayedBlackHapuka-size_restricted.gif

“Would the young lady care to try a biscuit?”


Nope. No I would not.

This was creepy throughout. The story of evil bewitching, corrupting the youth.

Thoroughly enjoyed!

Old Man: “Would the young lady care to try a biscuit?”

Joelle:

tenor (13).gif

Hi calluna,

This post has been upvoted by the Curie community curation project and associated vote trail as exceptional content (human curated and reviewed). Have a great day :)

Visit curiesteem.com or join the Curie Discord community to learn more.

Congrats on the freaking @curie upvote @calluna, mój Ukochany!!!!~

Thank you so much for your hand in that <3

thank you so so much <3

I didn't consider the cannibalism part, but rather it gave me the creeps to feel like the pieces of bones which broke the girl's gums and yet she kept chewing them, it's like a little masochistic or the taste was really too good not to notice the damage itself. Wow! It reminded me of a bad experience that I had eating fish and some fish bones that were buried in my gums, making me bleed a lot.

You are amazing!

Well I must admit this lil' eep right now: I had helped bring this to late to the lovely folks of @curie, they had done the magic of reviewing the post and determining it. So I just wanted to mention my minute role in all this, not that this shall count for anything~

La foto / pictura (The photo / picture): Okay how can I dare describe this one now... Well I must say that the taking of this foto/pictura (photo/picture) was done very stylistically and with a burning passion in it. I can see the manipulation and saturation of white hues (designated as light which contingently relates to the prompt). But also the overbearing browness like this was some weird brown black and white version of a foto (photo), but easily suggesting of wood if I had not noticed the texture and shine of them. So really, an awesomely taken foto (photo) framed here that I want to jump into and live the world of Brown and white hues in my leisure~

La filosofía (The philosophy): As I had just whispered as a church mice to the @curie staff, I particularly like the cannibalism theme going on here (which was first noted by @raj808, good on him~). Also the usage of the dark to transition from the conscious realms to the unconscious realms which truly control the Subject - showcasing the façade her consciousness been and just a mere puppet for the unconsciousness to pass through daily life. Especially with the old man that acts as the innocent party, this Other, in the boxcar she is in as you continue to write his dialogue as near childish or unsuspecting (or morally one-eighty to regular societal functions). Yet this story doesn't then show the triumph of light but reveals the entire time that the Unconsciousness has torn away and reconstructed a new Consciousness. Especially helps she was blind to it and formed new desires that deleted the old ones, showcasing some transition of the Unconsciousness as it begins to ease itself with some pressure escaping. Yet truly, this isn't a story of innate cannibalism, but a small throw-away story of how conscious orders can easily be suspended at a moments notice by the unconscious order.

La forma (The form): Really I got to give proper credit to the fact that you not only mirror but took a dark turn with it all as the train got submerged in darkness. Indeed, the light doesn't purify the acts done but, regardless of how the material world of the story cares about them two, had became their holy lights and them seeing again as their conscious orders became alive again. The light to us the readers is evocative to not only showcase the new "Joelle" but also the shift of consciousness and, like stories of old, the start of a new thing like the Sunrise being the start of a new day. Also the imagery utilized here to not denounce but let the reader revel in the act of cannibalism is present here, showcasing the suspension and recreation of the new conscious order at hand. Also her dialogue, probably very realistic for people that now possess new consciousnesses - they don't realize the change and continue on. To not shame nor make high note of cannibalism, even though there's enough writing her to ridicule it as well as support it from the story's point of view. But to normalize it and make it a part of her Subject which may have not been or may have been the case before this incident.

So congratulations on the @curie upvote, keep on writing and happy steeming!~

Thank you very much for putting me forwards for the curie <3

I can't take any credit for the photo, I did spend far too long finding it, it wasn't perfect but I did like the color tones. Pixel2013 is very talented! And there were lots more photos of this standard and higher!

It is funny, i think because I was quite immersed in writing it, and the character is so enthralled she doesn't think of them as human remains, it didn't cross my mind eating bones was cannibalism haha gosh that is a lot of philosophy! I always enjoy reading the musing stories inspire in you. Interesting, there is a tiny crumb of philosophy in here, the consciousness as puppet for the unconscious wasn't what I had intended, but I am very happy it snuck its own way in there. I always feel that part of the beauty of writing, is the story grows between the words and the person reading it, allowing the same story to take many different edges depending on what the reader brought to it. The bit about the old man acting the innocent, on one level by the end of the story they are the same.

I was indeed trying to use the contrast of the daylight to highlight the driving force in the story, and i did deliberately try and frame the bone eating scene without any narratorial judgement, and approach it like you would for eating anything else. It was tempting to go heavier on it but glad i didn't.

~

(Welcome to the darkside... would you like another cookie... they are abyss-mal)

Welcome!~ <3

Gasps in unsourced art

Well I should've done a @seesladen as well because it could've just been tasty dog bone treats now that I fully realize it (and not forgetting our DM interactions). But I won't strike my phallus here, it had me thinking in that general direction and how a Lacanian would've written a story if they wanted to make a train horror section.

Well, we at least saw the Cal-side of this tale fo' sho' ~^^~ Great ending as always!~

(Spreads tendrils like the Void Purified I am and consume everything, including the abyss-mal Cal-kies. Nom nom c:)

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