And she does it again and always. @d-vine is riding at the very top of my favorite musicains on the steemit blockchain. So much style, so much creativity, clean, fresh, heart, wickedness, and AWAKE is no different. This woman claims that she hasonly been making music for 2 years or something like that, and It is very hard to believe this to be true. Just listen to this track!
And this AWAKE tune is a giant that could be on any major electronic label in the game. it is that good in my ears. This is a tuff track for me to give feedback on, as it is truly perfect.
I guess my feedback would be more for the listeners of this tune. If you have not listened to D-vine's music, and you make electronic music, you should study this womans work.
The mix here is wonderful. the panning of the horns. The smooth and old school and lovely voice of Junkfeathers. So smooth. And the beat is tight, clean, enegetic, and this is always how her music is. She is a true pro. for more feedback i will say this! DON'T EVER STOP AND BELIEVE IN YOURSELF AS YOU HAVE IT!
@hilladigahackles, you did it again, made blush & set a fat Cheshire Cat grin on my face.
I have been making music longer, mainly with hardware, always had an understanding for it, didn't really know my stuff though.
2 years ago I started to put more focus on production instead of djing. I started djing in 96 as you know.
Being me I wanted to do it right & got certified as an audio engineer last year.
Thank you Brian, I love this song too, @junkfeathers turned my own song into one of my favs, that is so absolutely super rad, thank you for that J <3
You know it really means so much coming from you Brian, I look up to you as an artist & human, you have my endless gratitude!
Thank you so much for your love <3
Much love, respect & ultra loads of huggins coming right at ya <3 <3 <3
This song starts with an excellent groove, slowly entering effects of electronic music, phrases of flute and saxophone. I really liked how all the elements fit into the groove, and the double bass performs an ostinato that runs through almost all of the music!
All I can say is this is beautiful work. No real criticisms to offer, all of the various sounds and tones compliment each other perfectly. I particularly enjoyed the flute accent (including the sharper flute towards the 3rd section) and whah guitar riff.
The dreamy feel of the lyrics pulls everything together very nicely. I wish I had the musical education to identify the singing style. I know I've seen a term for it somewhere; kind of a hypnotic singsong tone.
The rhythm is super tight, of course, and yet still maintains the dream like vibe. That combination makes this a very appealing track.
Thank you so much @fireawaymarmot,!
I really enjoyed making this song, I am still learning though ( even if it's hard to believe @hilladigahackles ), that is why your words mean even more <3
What @junkfeathers did with the song just blew my mind, he is the piece that was missing before.
I think you mean overtone singing, very monk like hypnotic, yep totally!!
Thank you again, for taking the time to listen & for your kind words!
I have heard many good tracks from you but I absolutely dig this collaboration, as I already wrote and said in SMA radio. You complement each other so so well, this could easily warrant an album. Even before starting to listen anew I still have the "because of you" in mind from that last listen.
So what can I even add then? Let's see.
Arrangement and sound crafting is awesome, so is the mix. That said, the sidesticks' low frequencies hit me a bit hard on headphones, maybe it's my headphones - their low frequencies were almost forceful but maybe I have listened too much on phones already today and my ears are tired - probably disreagrd that comment. The kick is freakin awesome and the bassline as well, well mixed and working together.
I like how junkfeathers is a little bit back in the mix, if he were "too" up front it would maybe mess with the melancholic vibe of his vocal style - but he is still WELL audible. great job!
The - dare I say - PSYCHEDELIC lead sound you bring in at 1:40 is freakin amazing. Ahahah, send me that template. Flanger on a 32th cut wood sample?
The flute works well, less is more in terms of notes and you managed to walk the line perfectly to put on touches but not to make it sound tiring.
The bring-down at 2:39 comes at a perfect time. Now I am getting aware of the intricacies of the percussion sounds next to the shaker. The track continues and plays out well til the end.
Second listen-through made the initial percussion harshness much easier as I knew it was coming, and the track remains solid and well presented. Love how you twirled his voice through the moving filters and the panning. START THE BEAT AGAIN ALREADY! ahahaha, it's great when the listener anticipates the next dance part and it works magically well, especially with the voice coming back in.
Third listen-through underscores it. Can't get over the flanger hits, they are SUCH a good idea that I shall put them in my psy toolbox - THANKS ;)
And now I will have that track in my head again for another week ahaha. but it's a good earworm to have for SURE.
Collaborate more, you two are a brilliant team for ... dare I say melancholic dnb.
If you are looking for suggestions I'm afraid I am out of my league. Very well done.
I too am in love with this collaboration, so much that whenever I hear the song without vocals it sounds incomplete!! @junkfeathers is a pro through & though, I had such fun working with him & YES, I am thinking about a further collaboration with him <3
This style you call Liquid Drum&Bass, check out some of my favorite artist Calibre, Spectrasoul, Lenzman, D-Bridge, A-sides ( I could name many more lol ), good stuff & with @junkfeathers on my track we fit right in, yaaayyy!!
The vocals are always embedded into the songs not set on top. You use the voice like a complimentary instrument, weave it in & how awesome that worked with @junkfeathers voice, he is filling the frequencies that were not in my song! So blown away by him really, this was his first D&B song, can you believe it?
The sound you are talking about setting in at 1:40 is from the Arturia Analog Lab 2 Soundbank, with filters, delay & panning on it.
I gotta check that out on my headphones, I didn't on them, only checked the sound on 3 different pair of Studio Speakers, my IMac & IPhone ;P
I have to admit, I do not like using headphones, it's just me, even in the club, as soon as the record is in, headphones off.
Thank you for taking the time to listen to the song over & over so you can give such in depth feedback, it's really much appreciated!
Much love, respect & huggins coming you way M. <3 <3
I love to work on tracks at night and I got thin walls, so I use headphones a lot. Duirng the day is testing phase with the speakers hehe.
Cool tips thnaks, will definetely check out those artists.
love!
And she does it again and always. @d-vine is riding at the very top of my favorite musicains on the steemit blockchain. So much style, so much creativity, clean, fresh, heart, wickedness, and AWAKE is no different. This woman claims that she hasonly been making music for 2 years or something like that, and It is very hard to believe this to be true. Just listen to this track!
And this AWAKE tune is a giant that could be on any major electronic label in the game. it is that good in my ears. This is a tuff track for me to give feedback on, as it is truly perfect.
I guess my feedback would be more for the listeners of this tune. If you have not listened to D-vine's music, and you make electronic music, you should study this womans work.
The mix here is wonderful. the panning of the horns. The smooth and old school and lovely voice of Junkfeathers. So smooth. And the beat is tight, clean, enegetic, and this is always how her music is. She is a true pro. for more feedback i will say this! DON'T EVER STOP AND BELIEVE IN YOURSELF AS YOU HAVE IT!
How is this already 6 days old, oh myyyy!!
@hilladigahackles, you did it again, made blush & set a fat Cheshire Cat grin on my face.
I have been making music longer, mainly with hardware, always had an understanding for it, didn't really know my stuff though.
2 years ago I started to put more focus on production instead of djing. I started djing in 96 as you know.
Being me I wanted to do it right & got certified as an audio engineer last year.
Thank you Brian, I love this song too, @junkfeathers turned my own song into one of my favs, that is so absolutely super rad, thank you for that J <3
You know it really means so much coming from you Brian, I look up to you as an artist & human, you have my endless gratitude!
Thank you so much for your love <3
Much love, respect & ultra loads of huggins coming right at ya <3 <3 <3
This song starts with an excellent groove, slowly entering effects of electronic music, phrases of flute and saxophone. I really liked how all the elements fit into the groove, and the double bass performs an ostinato that runs through almost all of the music!
Thank you for you for taking the time to listen & for your feedback @guifaquetti!!
All I can say is this is beautiful work. No real criticisms to offer, all of the various sounds and tones compliment each other perfectly. I particularly enjoyed the flute accent (including the sharper flute towards the 3rd section) and whah guitar riff.
The dreamy feel of the lyrics pulls everything together very nicely. I wish I had the musical education to identify the singing style. I know I've seen a term for it somewhere; kind of a hypnotic singsong tone.
The rhythm is super tight, of course, and yet still maintains the dream like vibe. That combination makes this a very appealing track.
Thank you so much @fireawaymarmot,!
I really enjoyed making this song, I am still learning though ( even if it's hard to believe @hilladigahackles ), that is why your words mean even more <3
What @junkfeathers did with the song just blew my mind, he is the piece that was missing before.
I think you mean overtone singing, very monk like hypnotic, yep totally!!
Thank you again, for taking the time to listen & for your kind words!
Huggins,
D
Had to listen via musicoin
I have heard many good tracks from you but I absolutely dig this collaboration, as I already wrote and said in SMA radio. You complement each other so so well, this could easily warrant an album. Even before starting to listen anew I still have the "because of you" in mind from that last listen.
So what can I even add then? Let's see.
Arrangement and sound crafting is awesome, so is the mix. That said, the sidesticks' low frequencies hit me a bit hard on headphones, maybe it's my headphones - their low frequencies were almost forceful but maybe I have listened too much on phones already today and my ears are tired - probably disreagrd that comment. The kick is freakin awesome and the bassline as well, well mixed and working together.
I like how junkfeathers is a little bit back in the mix, if he were "too" up front it would maybe mess with the melancholic vibe of his vocal style - but he is still WELL audible. great job!
The - dare I say - PSYCHEDELIC lead sound you bring in at 1:40 is freakin amazing. Ahahah, send me that template. Flanger on a 32th cut wood sample?
The flute works well, less is more in terms of notes and you managed to walk the line perfectly to put on touches but not to make it sound tiring.
The bring-down at 2:39 comes at a perfect time. Now I am getting aware of the intricacies of the percussion sounds next to the shaker. The track continues and plays out well til the end.
Second listen-through made the initial percussion harshness much easier as I knew it was coming, and the track remains solid and well presented. Love how you twirled his voice through the moving filters and the panning. START THE BEAT AGAIN ALREADY! ahahaha, it's great when the listener anticipates the next dance part and it works magically well, especially with the voice coming back in.
Third listen-through underscores it. Can't get over the flanger hits, they are SUCH a good idea that I shall put them in my psy toolbox - THANKS ;)
And now I will have that track in my head again for another week ahaha. but it's a good earworm to have for SURE.
Collaborate more, you two are a brilliant team for ... dare I say melancholic dnb.
If you are looking for suggestions I'm afraid I am out of my league. Very well done.
Thank you so much for your kind words @paradigmprospect!!!
I too am in love with this collaboration, so much that whenever I hear the song without vocals it sounds incomplete!! @junkfeathers is a pro through & though, I had such fun working with him & YES, I am thinking about a further collaboration with him <3
This style you call Liquid Drum&Bass, check out some of my favorite artist Calibre, Spectrasoul, Lenzman, D-Bridge, A-sides ( I could name many more lol ), good stuff & with @junkfeathers on my track we fit right in, yaaayyy!!
The vocals are always embedded into the songs not set on top. You use the voice like a complimentary instrument, weave it in & how awesome that worked with @junkfeathers voice, he is filling the frequencies that were not in my song! So blown away by him really, this was his first D&B song, can you believe it?
The sound you are talking about setting in at 1:40 is from the Arturia Analog Lab 2 Soundbank, with filters, delay & panning on it.
I gotta check that out on my headphones, I didn't on them, only checked the sound on 3 different pair of Studio Speakers, my IMac & IPhone ;P
I have to admit, I do not like using headphones, it's just me, even in the club, as soon as the record is in, headphones off.
Thank you for taking the time to listen to the song over & over so you can give such in depth feedback, it's really much appreciated!
Much love, respect & huggins coming you way M. <3 <3
I love to work on tracks at night and I got thin walls, so I use headphones a lot. Duirng the day is testing phase with the speakers hehe.
Cool tips thnaks, will definetely check out those artists.
love!