The harsh truth about Shirley Temple, the 3 Alice connection and what is the deal with the Alice Programming that is signaled Everywhere? What is going on?
Shirley Temple, was born April 23, 1928 in in Santa Monica, California.
To hear a report while working or doing chores go here,
HARSH TRUTH ABOUT SHIRLEY TEMPLE, ALICE TRAINING, EPSTEIN FOOTAGE
https://www.bitchute.com/video/JgBLWxXbMQ85/
Her mother encouraged Shirley to develop her singing, dancing, and acting talents, and in September 1931 enrolled her in Meglin's Dance School in Los Angeles. At about this time, Shirley's mother began styling her daughter's hair in ringlets.
While at the dance school, she was spotted by Charles Lamont, who was a casting director for Educational Pictures. Temple hid behind the piano while she was in the studio. Lamont took a liking to Temple, and invited her to audition; he signed her to a contract in 1932. Educational Pictures launched its *Baby Burlesks.
You can see examples here and ask yourself, why would Anyone put children in adult roles?
Were they trying to seed the conscience or lay the foundation for a certain agenda they would then go on to push?
Why were people being led to believe this was acceptable, to put babies in adult situations and portraying adult themes?
War Babies (1932) - 1st SHIRLEY TEMPLE speaking role & 2nd "Baby Burlesks" - Charles Lamont
Why would there even be a show called Baby Burlesks?
This is how Time puts it,
Even the dignified movie-star-turned-stateswoman Shirley Temple had some embarrassing old videos. Before she made her big Hollywood debut in 1934, at the age of 5, she starred in “Baby Burlesks,” a very odd short film series that featured a bunch of toddlers in diapers acting out creepily grown-up plots. In them, Shirley does stuff like trade kisses for lollipops and says things like “I’m expensive.” She also responds when a soldier in a diaper calls her “baby,” and she definitely is one.
Check out the definition,
They produced them as 10-minute comedy shorts satirizing recent films and events, using preschool children in every role.
Why did they have these kids do this? Just for laughs? Is that appropriate? She was payed in lolly pops for her "services?"
Not a big deal some may say. Is it appropriate for children to mimic adult situations of lasciviousness and lewd acts?
Do you think this is appropriate to mimic boys watching another boy dancing like this?
Or on stage like this?
Using some of the same moves the young Desmond, whose mother encourages him to dress in drag and allows him to dance for men who photograph, take footage and throw dollar bills at him as he dances with a half shirt, make-up on and drag?
How did they teach this tots an adult themed hug like this? Which adults worked with them?
The child getting milk like this. . .just for laughs or a way to take advantage for predator's sake?
Is this appropriate to show children's areas?
Really? Preschool age. . .why is This being pushed and cloaked under, "they're just acting and it's for fun?"
Hugging one boy while kissing another and these are Children?
Glad Rags to Riches was a parody of the Mae West feature She Done Him Wrong, with Shirley as a saloon singer. Kid 'n' Africa had Shirley imperiled in the jungle. The Runt Page was a pastiche of The Front Page. The juvenile cast delivered their lines as best they could, with the younger players reciting phonetically. Temple became the breakout star of this series, and Educational promoted her to 20-minute comedies.
Glad Rags to Riches (1932) SHIRLEY TEMPLE
why was this okay? No one had any outrage?
Does this remind you of putting children on stage and parading them in modern day child pageants?
To underwrite production costs at Educational Pictures, she and her child co-stars modeled for breakfast cereals and other products. She was lent to Tower Productions for a small role in her first feature film (The Red-Haired Alibi) in 1932 and, in 1933, to Universal, Paramount, and Warner Bros. Pictures for various parts.
She was signed to a $150-per-week contract that was guaranteed for two weeks by Fox Film Corporation after she did a screen test for * Stand Up and Cheer*. The role was a breakthrough performance for Temple.
On December 21, 1933, her contract was extended to a year at the same $150/week with a seven-year option and her mother Gertrude was hired on at $25/week as her hairdresser and personal coach. Released in May 1934, Stand Up and Cheer! became Shirley's breakthrough film. Within months, she became the symbol of wholesome family entertainment. In June, her success continued when she was loaned out to Paramount for Little Miss Marker.
Hollywood's number one box-office draw as a child actress from 1935 to 1938.
As an adult, she was named United States ambassador to Ghana and to Czechoslovakia.
She served as Chief of Protocol of the United States.
She started her film career at the age of three in 1932.
She became internationally known with Bright Eyes.
She also starred in films such as Curly Top and Heidi.
Temple capitalized on licensed merchandise that featured her wholesome image; the merchandise included dolls, dishes, and clothing.
The way many sources tell it, her box-office popularity waned as she reached adolescence.
Here's what's interesting, while doing the movie Little Miss Marker., one of the other actresses named Dorothy Dell, who was only 19 became very close with Shirley Temple.
Temple and Dell struck up a close friendship while filming the movie. The scene in which Temple is refusing her food and using rude language ("I don't want no mush" and "I used to be a sissy") had to be redone as Dell could not contain her laughter in the first take. This would be Dell's last completed film of her short career. Temple took Dell's death very hard.
What IS the deal with actors dying in Hollywood? Is it just part of the scene or is there something more sinister at play? You should be the one to decide.
Take for example this,
Thelma Alice Todd
began entering beauty pageants, winning the title of Miss Massachusetts in 1925. While representing her home state, she was spotted by a Hollywood talent scout and began her career in film at Paramount.
During the silent film era, Todd appeared in numerous supporting roles that made full use of her beauty but gave her little chance to act.
On the morning of Monday, December 16, 1935, Thelma Todd was found dead in her car inside the garage of Jewel Carmen, a former actress and former wife of Todd's lover and business partner, Roland West.
Her death was determined to have been caused by carbon monoxide poisoning. West is quoted in a contemporaneous newspaper account as having locked her out, which may have caused her to seek refuge and warmth in the car.
The case was closed by the Homicide Bureau, which listed the death as "accidental with possible suicide tendencies." However, investigators were unable to find any motive for suicide or a suicide note.
Los Angeles Times Magazine from 1936
See more here,
http://benny-drinnon.blogspot.com/2012/08/does-tragedy-haunt-hollywood.html
What about the child actors who die young? Look how long it has been going on. Dorothy Dell in here,
More on Dorothy Dell including a link to pageants similar to what Thelma Todd was involved in.
moved with the family to New Orleans, Louisiana, at age 13.
She was born into a socially prominent family, and her mother was a descendant of Jefferson Davis.
Initially desiring to become a singer, she was discovered by composer Wesley Lord, and soon signed a radio contract.
She began entering and winning beauty pageants and at the age of 17 won the title of "Miss New Orleans" in 1930.
Little Miss Marker done in 1934
That same year she attended the International Pageant of Pulchritude in Galveston, Texas, and won the title of Miss Universe (not to be confused with the later Miss Universe founded in 1952).
With this success, she established a successful vaudeville act.
She moved to Hollywood in December 1933 and was signed to a contract by Paramount Pictures.
Her most important and substantial role followed in the Shirley Temple film Little Miss Marker.
"With My Eyes Wide Open, I'm Dreaming" in the film became a hit record.
Paramount scheduled her to play opposite Gary Cooper and Shirley Temple in Now and Forever in what was to have been her first major starring role as a romantic lead.
https://www.azlyrics.com/lyrics/nataliecole/withmyeyeswideopenimdreaming.html
It looks like the part went to Carol Lombard
Carol Lombard born as Jane Alice Peters
discovered by Alan Dwan
Carole was signed to a one-picture contract in 1921 when she was 12. The film in question was A Perfect Crime (1921).
oddly enough this was part of the plot of the first movie she played in at the age of 12.
Griggs is given twenty-five thousand dollars' worth of bonds to deliver but he mysteriously disappears. Thaine figures out the Brown-Griggs connection and Wally is arrested.
Read more at https://www.allmovie.com/movie/a-perfect-crime-v105894#FTkGT84wGKSUhbf6.99
- In real life she died by a plane crash after the United States entered WWII Carole went home to Indiana for a war bond rally. On January 16, 1942, Carole, her mother, and 20 other people were flying back to California when the plane went down outside of Las Vegas, Nevada. All aboard perished. The highly acclaimed actress was dead at the age of 33 and few have been able to match her talents since.
Notice the date of death. . .as above so below with the 9. . .4+2 in 1942 is a 6 and 6 from January. There are 3 of the 1's remaining. Died at 33 years. The luciferians love the number 33 as 1/3 of the angels fell when Lucifer rebelled against God.
Yet another girl "noticed" who had Alice in her name.
Back to Dorothy Dell
On Friday, June 8, 1934, Dell agreed to a car ride to Pasadena with 38-year-old Dr. Carl Wagner, because he insisted that she take some time for relaxation between retakes of Shoot the Works, and to meet his mother, whom he wanted to show "how sweet a little movie star can be.
After the meeting, they went to an all-night party at an inn in Altadena, California.
Afterward they were going to Pasadena when the car left the highway, hit a telephone pole, bounced off a palm tree and hit a boulder. Dell was killed instantly. Wagner, who was driving between 50 and 70 miles an hour, died six hours later in a hospital.
It has been claimed that she was engaged to Wagner, but this was dismissed by different sources, who believed that she was to be married to caricaturist Nat Carson, whom she met while performing as a chorus girl in Earl Carroll's Vanities.
A week before her death, Carson left for work in London and proposed over the telephone. Dell planned on taking off six months for an extended honeymoon vacation.
The other 2 sixes are in the date. Remember 9 is a 6. . .they LOVE inversion. Just like on the sign of the Standard Hotel, which happens to have Ping pong room called a Paddle room at the one in LA.
Why is it upside down?
According to Bizarre LA,
Only a few hours after she had seen the preview of her latest picture, “Shoot the Works,” the young star died beneath the wreckage of a speeding car in which she was being returned to her home in Beverly Hills by Dr. Carl R. Wagner, prominent Pasadena surgeon who was credited with saving the life of Dorothy‘s mother, Mrs. Lillian Goff, when she was ill a few weeks ago.
The 38-year-old physician, who had figured as a witness in the unsolved murder case of Dr. Leonard Siever in Pasadena last December, died six hours after the crash without regaining consciousness in the Pasadena Hospital, where a medical associate, Dr. R.M. Tandowsky, and Dr. James H. Breyer made desperate but unsuccessful efforts to save his life.
CAR HITS CURBING
The crash occurred on Lincoln avenue a few hundred feet past the intersection with Southgate street, where the doctor’s speeding car struck the curbing on a curve, careened against several trees and, turning over, came to rest 106 feet from the first impact after shearing off a Pacific Electric trolley pole.
Miss Dell, who, according to friends, cherished a great admiration for the doctor for the skill with which he treated her mother, had gone with him first to his home at 48 Annandale Road, Pasadena, where she met his mother, Mrs. L.O. Playter, and then went on with him to the Marcell Inn, a spot in the Altadena Hills made bright and merry with the gayety of Hollywood celebrities.
It was when they started to her home that the accident occurred, at 2 a.m.
No one saw the crash, according to police, but D.A. Downs of 1111 Lincoln avenue, before whose home the accident occurred, immediately called an ambulance and helped the driver and surgeon lift the car from the actress’s body. Hospital attendants said that in death the beauty that had contributed to her career had been greatly protected by a black coat which she had wrapped closely about her. Death was due, physicans said, to a frontal skull fracture.
Dr. Wagner, who received a basal skull fracture and internal injuries, was thrown clear of the wreckage.
Identity of the young star was not known until Dr. Tadowsky, who had assisted Dr. Wagner in caring for her mother, recognized the features as those of the girl who had assisted him and his associates as they attended Mrs. Goff.
Descended from a prominent southern family to which Jefferson Davis, president of the Confederate States, was related, Miss Dell was born on a plantation near Hattiesburg, Miss., which belonged to her father, Elbert L. Goff, whose ancestors are said to have had a financial interest in the Mayflower.
Fate intervened when the late Florenz Ziegfeld selected her to play in the last of the celebrated Ziegfeld Follies and it was he who severed, for stage purposes, her last name Goff, from the names which she carried to stardom. (Really, because we have found there are No Coincidences!)
It was there that she popularized the song hit “Was I Drunk, Was He Handsome, Did My Mother Give Me Hell” when, a few days later, the famous Ruth Etting was forced to step from the leading role, it was Dorothy Dell who was selected by Ziegfeld to carry on.
Her last film, “Shoot the Works,” with Jack Oakie, Ben Bernie and Lew Cody, who died last week, has not yet been released.
Thinking of Cody and Lilyan Tashman, who died recently, the young star is said to have remarked to friends only a few days ago, “I wonder who’ll be the next – they say those things go in cycles of threes.”
Died right before Dorothy Dell
Lilyan Tashman
American vaudeville, Broadway, and film actress. Tashman was best known for her supporting roles as tongue-in-cheek villainesses and the vindictive "other woman."
She made 66 films over the course of her Hollywood career and although she never obtained superstar status, her cinematic performances are described as "sharp, clever and have aged little over the decades."
he married actor Edmund Lowe in 1925 and her wardrobe and lavish parties became the talk of the town.
The couple entertained lavishly at "Lilowe", their Beverly Hills home, and their weekly party invitations were highly sought after. Her wardrobe cost $1 million, and women around the world clamored for copies of her hats, gowns, and jewelry. Servants were ordered to serve her cats afternoon tea.
Lilyan Tashman, died March 21, 1934
Lew Cody a costar from last film Shoot the Stars died on May 31, 1934
Dorothy Dell died June 8, 1934
Cody died of heart attack in his sleep at his home in Beverly Hills, California.
He was a noted wit and much sought-after as a speaker at Hollywood parties. Though slightly encumbered by his rather pronounced French accent, Cody had just begun to make an impact in early talkies, when he died in his sleep from heart disease. His first spouse was the famous silent screen comedienne Mabel Normand, who also died prematurely.
Once again according to Bizarre Los Angeles and note the Bolded line,
Dr. Wagner was a prominent figure in investigation of the murder of Dr. Siever, who had offices immediately above his own in the Pasadena Professional Building. It was with him that Mrs. Frances Coen Cooke had an afternoon appointment on the day that death prevented Dr. Siever from keeping an engagement with her later in the day. Both Dr. Wagner and Mrs. Cooke were unable to give authorities a clue to the identity of Dr. Siever’s slayer.
As late as Thursday afternoon, Dr. Wagner complained to friends of the injury which the notoriety of the murder case had done him when citing, as the last instance of the bad luck which he felt pursued him, the fact that his touring car, in which he was to take Miss Dell out later in the evening, had accidentally burned in a garage to which he had taken it to be repaired. It was in his mother’s sedan that he and his companion met death….
Thinking of Cody and Lilyan Tashman, who died recently, the young star is said to have remarked to friends only a few days ago, “I wonder who’ll be the next – they say those things go in cycles of threes.”
So where's the 3rd Alice?
Dorothy Dell did not have Alice in her name, but was compared to Alice Faye in Immortal Ephemera.
She only had time to appear in three feature films before the end came far too soon. Watching those three old movies I saw that little bit of Harlow and perhaps even a tiny touch of the Mae West in her that others mention.
What I really saw was a whole lot of Alice Faye. So much so that I could easily imagine Dorothy Dell having had a career very similar to what Miss Faye enjoyed. If she had not died tragically at just age 19.
Alice Faye
She was also born in 1915 as was Dell.
Also began her career in Vaudville.
Starred in Shirley Temple films
A singer as Dell was and said to be . . ."Her voice," The New York Times wrote in her obituary, was "inviting". Irving Berlin was once quoted as saying that he would choose Faye over any other singer to introduce his songs, and George Gershwin and Cole Porter called her the "best female singer in Hollywood in 1937."
She became a hit with film audiences of the 1930s, particularly when Fox production head Darryl F. Zanuck made her his protégée. He softened Faye from a wisecracking show girl to a youthful, and yet somewhat motherly figure, such as her roles in a few Shirley Temple films.
Faye also received a physical makeover, going from a version of Jean Harlow to a wholesome appearance, in which her platinum hair and pencil-line eyebrows were swapped for a more natural look.
Alice was a BIG money maker for studios.
Because of her bankable status, Fox occasionally placed Faye in films that were put together more for the sake of making money than showcasing Faye's talents.
In 1941, Fox began to place Faye in musicals photographed in Technicolor, a trademark for the studio in the 1940s.
Then came a new girl Zanuck tried to further.
Faye finally accepted the lead role in Fallen Angel. Although designed ostensibly as Faye's vehicle, Zanuck tried to build his new protégé Linda Darnell, ordered many of Faye's scenes cut and Darnell emphasized. When Faye saw a screening of the final product—with her role reduced by 12 scenes and a song number—she wrote a scathing note to Zanuck, went straight to her car, gave her dressing room keys to the studio gate guard, and drove home, vowing never to return to Fox. Faye was still so popular that thousands of letters were sent to Faye's home and the Fox studios from around the world, begging her to return for another picture. In 1987, she told an interviewer, "When I stopped making pictures, it didn't bother me because there were so many things I hadn't done. I had never learned to run a house. I didn't know how to cook. I didn't know how to shop. So all these things filled all those gaps."
Faye and Harris began working in radio together as Faye's film career declined called the Phil Harris-Alice Faye show which ran from 1948 to 1954.
In its early years, the Harris-Faye radio show ranked among the top 10 radio programs in the country
Appeared in this ad,
At the time of this ad Alice and Phil were starring in the successful Phil Harris-Alice Faye Show on radio, a domesticated spin-off of Phil's popular persona on Jack Benny's long running hit radio program.
Shoot the Works* One of over 700 Paramount productions, filmed between 1929-49, that were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since.
Dorothy Dell stated this August 5, 1930 after a Beauty Contest,
“Boys?,” she repeats, “Boys are all right in their place, but the girl who has a career ahead of her can’t afford to waste her time in parties and automobile rides and late dances—she has to work.”
Sadly it was going to a party and riding in a car that preluded her death.
In 1931
Dell appeared in what will be the last edition of the Ziegfeld Follies. The show will open at the Ziegfeld Theater on July 1 and run through November 21, after which it will tour.
Ziegfeld places Dell in the "Piccadilly" sketch, a playlet written by Mark Hellinger. Hellinger likes her but is not convinced she is destined for stardom. After her death he will say: “I found her pretty, very pert and had a sweet smile. Everything she said and did was offered in a Mae West sort of way—a very young Mae Westish sort of way. And Mae didn’t reach the screen until long after that Follies had closed.
I find this interesting as she was only 16 years old.
She sings a very lewd and funny song purchased for her by Ziegfeld from Chick Endor entitled “Was I Drunk? Was He handsome? And Did My Ma Give Me Hell?” It includes such lines as, “I said, ‘stop, please behave!’ But what’s the use of ravin? He said, ‘Give,’ so I gave—After all, what was I savin?” She even makes a recording of it.
Something else that keeps showing up is this,
periodically she is reported engaged to or married to Mike Durse, Delmonico’s bandleader.
In 1931 her name is linked in newspaper and magazine articles with crooner Russ Columbo. The powers that be don’t want the marriage to happen. Marriage supposedly would spoil Columbo’s romantic image. Columbo’s friend and song co-writer and publicist Paul Yawitz created the romance and now is charged to end it. Further articles state that Dell gallantly agreed to step aside for Columbo’s career.
Russ Columbo is 7 years her senior. This means in 1931 when she is 16 years old, he is 23 years old. Why was this okay? Was this part of why they formed the Hollywood Production Code?
It is stated this way,
Dell's last film, Shoot the Works released after her death
The film was released on June 29, 1934, by Paramount Pictures, preceding by three days the most rigorously enforced version of the Hollywood Production Code, which came into effect on July 1, 1934.
So what was it under prior?
Motion Picture Production Code was the set of industry moral guidelines that was applied to most United States motion pictures released by major studios from 1930 to 1968.
Apparently it was not always enforced,
The Motion Picture industry adopted the Production Code in 1930, and began rigidly enforcing it in mid-1934. The Production Code spelled out what was acceptable and what was unacceptable content for motion pictures produced for a public audience in the United States.
You can see where they decided there was no need for morals. They called many films escaping the more astringent period, Pre-code films.
The film industry followed the guidelines set by the code well into the late 1950s, but during this time, the code began to weaken due to the combined impact of television, influence from foreign films, controversial directors (such as Otto Preminger) pushing boundaries, and intervention from the courts, including the Supreme Court. In 1968, after several years of minimal enforcement, the Production Code was replaced by the MPAA film rating system.
Do you suppose Dell had little to no protection when her mother wasn't around? She certainly was not at the party with Dorothy, only 19 at the time and a doctor who clearly would have been several years her senior on the night she died and there was a rumored love affair. Why was this considered okay? Who tried to get rid of the boundaries between adults and children?
In April 1932, so she would have been 17,
Walter Winchell reports in his column: “…Dorothy Dell and Kenneth (NBC) Dolan have resumed heartaches…”
In 1933, now 18 years old dates Jack Dempsey, a professional boxer who is 20 years her senior.
Then by June, just a few months after Demsey, Dell is on Broadway in Frank Fay’s Tattle Tales at the Broadhurst Theatre. The show will run for 28 performances.
By September 1933 Winchell reports: “…Edward Blatt, the Paramount tester, and Dorothy Dell are uh-huh…”
He is at least 12 years her senior.
28 September 1933 Louella tells: “…the very new and much discussed Earl Carroll stage play, Murder at the Follies, will not be put on the screen until the New York play closes. That has not kept Paramount from going ahead and casting. Cary Grant will be starred with Dorothy Dell and Lanny Ross in featured parts.
17 October 1933 signs a long-term contract with Paramount
So she signed a contract with Paramount. Was Dorothy Dell supposed to be in Good Dame?
By this time line it appears she was.
10 December 33 is assigned a feature roll in the Sylvia Sidney-Frederick March Paramount film Good Dame, her first film role
18 December 33 poses for newspaper photographers holding a bouquet of poinsettias
“In Hollywood Rudy Vallee put on a $5 show at Winifield Sheehan’s dinner party; as impromptu master of ceremonies, he started the ball rolling with entertainers you would pay top prices for in New York. Dorothy Dell sang her famous “Was I Drunk and Was He Handsome?” Alice Faye sang one of her numbers from the George White Scandals.
28 February 34 battling laryngitis, she begins shooting as the female lead in the Shirley Temple film Little Miss Marker. She and Temple become fast friends.
6 March 34 her first film, Wharf Angel, opens, and she is proclaimed the find of the season. Hard-to-please critic Richard Watts Jr. writes that she provides the only “directness and compassion” in the film and that “with proper guidance she may develop into one of the important recent finds of the cinema.”
1 June 34 Little Miss Marker is released, and she appears on the cover of Paramount magazine
fan magazines quiz her on various subjects including her love life: “When I do marry, I want to fall in love so hard that I shall give up my career for it. Otherwise, it’s no-go. I do not want to fall in love with an actor,” she added, “because they make boring husbands.” The only man known to be in her life is 28-year-old dentist / oral surgeon Carl Wagner, who recently performed surgery on her mother.
Early June 34 attends the wake of actor Lew Cody, who also was in Shoot the Works. She is heard to remark about the recent deaths of Cody and actress Lilyan Tashman: “The old theater superstition says death strikes in threes.” A friend remembered her saying, “I wonder who’ll be next?”
7 June 34 she and Dr. Carl Wagner attend a party at an Altadena inn. Wagner is an oral surgeon / dentist, who operated on her mother a few months ago / saved her mother who was critically ill with pneumonia, and is socially prominent in Pasadena. Several months ago he figured in the police probe into the mysterious, still unsolved murder of Dr. Leonard Siever, a leading Pasadena dentist and socialite, who was killed in December 1933.
The Bizarre LA states Wagner was 38. That means he was 20 years her senior just as others Dell had dated.
The 38-year-old physician, who had figured as a witness in the unsolved murder case of Dr. Leonard Siever in Pasadena last December, died six hours after the crash without regaining consciousness in the Pasadena Hospital, where a medical associate, Dr. R.M. Tandowsky, and Dr. James H. Breyer made desperate but unsuccessful efforts to save his life.
8 June 34 shortly after 2:00 a.m., along the highway leading to Pasadena at Lincoln Avenue, the large sedan driven by Dr. Wagner at a high rate of speed hurtles from the road. It shears two telephone poles at their bases, toppling them over street car tracks in the center of the street, and then crashes into a concrete light standard, also breaking it off. The auto is telescoped to about half its normal length / the car skids off the road at a curve, bounces off a tree, and smashes into a boulder in a ditch. There are no witnesses. Dr. Wagner is thrown clear; Dell is pinned among the wreckage. She is dead when other motorists on the highway reach the wrecked auto. Her body is extracted from the car with difficulty. The two are rushed to Pasadena Hospital. Surgeons say she apparently lived but a few minutes after the crash. Wagner dies several / 6 hours later. He suffered a basal skull fracture and severe leg/internal injuries. She is identified by Dr. Ralph M. Tandowski of Altadena, her physician and a close friend of Dr. Wagner / by Dr. Wagner’s mother, Mrs. L. O. Playter. Mrs. Playter met Dell only the night before when her son brought her to the house. Her parents and sister Helen rush to the hospital as soon as they are informed; her mother collapses.
her final film, Shoot the Works, is previewed at Paramount studios at night
4 June 34 her body arrives in New Orleans, and her grief-stricken mother announces a change of plans. Dell will be buried in New Orleans. American Legion sentinels are posted as a guard of honor at the funeral home.
Shirley Temple is told of Dell’s death. The child bursts into a fit of hysterical weeping and is unable to go on with gay scenes in Now and Forever. Gary Cooper and others try to comfort her, but she is inconsolable. The director calls a hurried conference. Costs are mounting fast. They switch the shooting schedule so as to photograph scenes where welling tears would fit the script. Afterwards, Temple, a trouper, carries on and goes before the camera.
29 June 34 her last film, Shoot the Works, premiers. Her next scheduled film was to be with Gary Cooper and, again, Shirley Temple in Now and Forever. The role is eventually given to Paramount newcomer Carole Lombard (Jane Alice Peters).
Her Time now.
10 December 36 Dressing Room Number 101, the “Disaster Hall” in makeup row at Paramount Studios is still untenanted today. It’s the most sumptuous of all the dressing rooms in the row. But neither Gladys Swarthout nor Irene Dunne, to whom it was offered recently, would move into it. All the actresses who inhabited it had bad luck. It was built for Pola Negri and furnished to her taste. It’s richly appointed and larger than any other cubicle where the stars make up. Negri was stricken with a serious illness and eventually left the studio. Clara Bow was the next occupant, and her retirement came soon after she moved in, along with illness and a plethora of lawsuits. Sylvia Sidney followed. She escaped serious trouble but did have a few minor difficulties. The last occupant was Dell.
Why is the name Alice interesting? How is it used in Hollywood and In Lewis Carroll's book?
It's been referenced in Pedophile rings,
Langley Confiscation, Q Anon's Breadcrumbs possible pointers, Wonderland pedophile
WONDERLAND PEDOPHILE RING, OPIUM FIELDS AND LEWIS CARROLL
https://www.bitchute.com/video/Knq1eaIgSOKQ/
School Shooting small town, bomb threat students went into action, have you heard of ALICE drills?
What has Hollywood been trying to tell us with this Much celebrated theme?
Tom Petty And The Heartbreakers - Don't Come Around Here No More (Official Music Video)
Do you See it?
He drops the donut in as a Lifesaver. What programming is this?
She grabs it, feels forced to take the offer,
Then he cuts her out as a cake. WHAT?
So basically being eaten once involved,
Where else have they signaled this?
Under an Art event. No, not saying all art is bad, these people use things in nefarious ways.
MOCA Spirit Cooking Gala for the illuminati, extremely sick and satanic
Taken from recent article,
Now think of all the songs, bands, groups who have sung about Satan, hell, a party in hell, killing and songs like Katy Perry's Bon Apetite, where they prepare her for cooking. Why do they enjoy these things? Is this the kind of art you like? Why do they want to normalize such wicked behavior? Their fans Love it because, "hey it's just funny!" They're constantly justifying their consumption of this kind of content because it's "not real, just for art and humor."
Passed off a family comedy and likely many families aiding in the "programming" of their children, seeding the conscience that, it's just another lifestyle! . Signs of the times?
Check this one out if you're not familiar then consider the following,
Santa Clarita Diet - Baal's Barefaced Bloodlust Being Blatantly Bolstered In Society As Normal
Recent article,
Who else was a Math Tutor/teacher?
EPSTEIN
What did Epstein become? What did he do?
Don't forget he was also involved in,
If you're not familiar go here,
https://steemit.com/epstein/@artistiquejewels/epstein-backed-virtual-software-for-gaming-including-a-company-linked-to-roblox-funded-sophia-dolls-for-children-link-between
So basically the same type of software used for this,
Behind the Roblox source code. ..evidence in article above skim and scroll.
The AI behind Roblox
Verification that what you see in this AI behind Roblox is indeed a Proven pedophile symbol from the FBI declassified documents. Man boy lover symbol.
Do you want your kids interacting in a game with this known group Backing it?
Hanks (Hanx)
had on his twitter in the corner back around 2017 WhoSay.
WhoSay is a Celebrity Marketing Influencer. Originally funded with $20.5 million.
They purchase on social marketing reshares, retweets.
They have a subscription based tool for their software called WhoSay Match. It will line people up with top influencers in social media.
WhoSay was started from the Los Angeles building of Creative Artists Agency. A Hollywood Agency.
Interesting Tom Hanks is part of WhoSay,
This talent agency behind it is,
**Creative Artists Agency LLC or CAA **is an American talent and sports agency based in Los Angeles, California.
In 2010, TPG Capital gained a 35% interest in the agency and pledged $500 million for investments. The transaction enabled acquisitions in areas such as sports and overseas operations.
It later sold a controlling stake to TPG Capital in October 2014. In 2015, TPG Capital was reported to own 53% of CAA.
CAA is co-owner with an investment bank.
- CAA has diversified into different businesses such as sports marketers and leagues and digital commerce.
In 2014, CAA has been undergoing a transformation from relying solely on booking talent, into engineering multimedia deals worldwide. To this end, CAA established CAA Ventures, a venture capital fund that has supported products such as the Whisper app.
Whisper is a proprietary iOS and Android mobile app available without charge. It is a form of anonymous social media, allowing users to post and share photo and video messages anonymously.
promotional partnerships with Netflix, NBCUniversal, Disney, HBO, and MTV.[16] According to TechCrunch, as of March 2017, Whisper has a total of 17 billion monthly pageviews on its mobile and desktop websites, social channels and publisher network, with 250 million monthly users across 187 countries.
Who else what do this except a group who basks in Nefarious Deeds?
CBS New York describes Whisper as "the place to go these days to vent, come clean, or peer into other people's secrets," and that the goal is that of "turning confessions into content."
What do you suppose this is Really about?
March 2016, Whisper announced a partnership with the Anti-Defamation League's Best Practices for Responding to Online Hate.
Now back to CAA,
Just to give you an idea of what this agency promotes as I have recently been focusing on Rachel the child handler and her connections to people who are about moral decay. . .the CAA in 2013 gave a party by media's own admittance that was all about debauchery. They used the Alice and Wonderland theme. . .Think who else used that theme? You know who. Anyhow, they used it with exotic dancers, the white rabbit and lingerie clad women pretending to snort cocaine and simulating inappropriate acts.
So JUST think about that company being behind Roblox. . .a platform for kids.
So the run down is SIRISYS running and shaping Roblox connected to WhoSay, which is connected to one of the largest and oldest talent agencies for seedy Hollywood promoting moral decay and their brand of counter culture. . .meaning Anything goes including breaking down not just gender barriers, but also Age barriers.
Parents Beware. . .you should know the driving force behind Roblox (build your own unbound Omniverse for kids) comes straight from a talent agency in Hollywood which has put on a party back in 2013 for a debased Alice in Wonderland theme. Look up CAA in wikipedia and scroll down if you're not familiar.
This is why you have the little boy age 11, but has been doing it since age 7 dancing on stage at bars and strip clubs with men taking snaps and vids and also throwing money on stage. Then radical progressives try to Justify and Condone this behavior. Along with the Hollywood praised theme of encouraging their children to be confused about their gender as young as toddler age and pushing their own agenda on children to dress the opposite of. their gender.
You can see more information here if you are not familiar,
Never forget, Epstein backed
Over the last ten years, Jeffrey Epstein has become one of the largest backers of cutting edge science around the world. According to New York Magazine, Epstein has donated up to $200 million a year to eminent scientists, including: Stephen Hawking, Marvin Minsky, Eric Lander, George Church, and Nobel laureate physicists Gerard ’t Hooft, David Gross, and Frank Wilczek. Like Open Cog, Epstein is motivated by learning more about the mind, versus creating a new start-up product. He currently sits on the board of the Mind, Brain and Behavior Committee at Harvard. In 2003, Epstein founded the Program for Evolutionary Dynamics at Harvard University, with a $30 million dollar gift to the university. The Program studies the mathematical evolution of micro-biology and has made key discoveries into the treatment of cancer, HIV and other infectious diseases.
While Open Cog’s game software has not yet been commercialized, it is aimed for the market by the half of 2014. The software has already had an impact however on the robot industry where companies such as Hanson Robotics, developed by David Hanson, are incorporating it to advance the way their human-like robots function and interact with people.
See more here in a Forbes article they took down, but it is tracked here in the Wayback Machine, if you want to check it out yourself. If you don't have time, did a livestream on my youtube channel you can listen to while working or doing chores,
Please let me know what you think about these children in Hollywood, the evidence that abounds pointing at the fact that many are molested, troubled, even die young. What do you think is afoot?
How about the Alice Theme, training, programming? Was Lewis Carroll (Charles Lutwidge Dodgson a minister?) also a pedophile? Evidence abounds that he did indeed have an attraction to Alice Liddell.
Remember this? I got a video taken down on youtube for reporting about this,
In Schiff's district including his connections to the Standard Hotel,
Okay Fine Patriots and much needed Guardians of Children, I'm finally out. Tell me your thoughts, Stay Safe, Continue to #PrayStandFight and Always #FightTheGoodFight
Sources,
https://time.com/12851/before-the-good-ship-lollipop-shirley-temple-did-baby-burlesks/
https://www.imdb.com/name/nm0001479/bio?ref_=nm_ov_bio_sm
https://immortalephemera.com/16531/dorothy-dell/
https://bizarrela.com/2019/01/dorothy-dell/
http://www.glamourgirlsofthesilverscreen.com/show/577/Dorothy+Dell/index.html
https://www.slideshare.net/PhilWagner/fanchon-and-marco-45919081
https://variety.com/1991/scene/people-news/edward-a-blatt-99125932/
https://myromancewithmovies.blogspot.com/2017/12/alice-faye.html
https://myromancewithmovies.blogspot.com/2017/12/alice-faye.html
See how they just continued their theme. . .
ABERCROMBIE AND FITCH, WEXNER, EPSTEIN AND THE PEDOPHILE NORMALIZATION AGENDA
Curated for #informationwar (by @wakeupnd)
Ways you can help the @informationwar!