The video footage which follows was taken by the fellow holding the #PizzaGate sign photographed while standing quietly outside Comet Ping Pong a.k.a. Comet Pizza, along with a friend of his on November 21, 2016. After what appears to be a brief exchange with James Alefantis, the owner of the pizzeria, an offer of an inside tour of the establishment was made and partaken.
Separate videos filmed on November 21, 2016 of questions asked of James Alefantis by @Deplorable4L on Twitter along with a very quick guided tour of Comet Ping Pong have been replaced with this one complete video.
You will note from the November 21st video that the controversial murals no longer adorn the walls in the recreation area of Comet Pizza. When asked about this, Mr. Alefantis replied that the artwork had become beaten up in the ping pong room and has been down from the walls for approximately 5 or 6 years.
You can see some of the controversial murals on the walls of Comet Pizza in the photograph below.
From the selection of Comet Ping Pong photos uploaded to Yelp you can see that the murals were still in place when this photo of the recreation room was taken on March 14, 2011:
In this photo dated May 2, 2014, the largest mural on the right which included what appears to be a child being strangled, has been replaced or possibly covered by a collage of smaller pictures/posters, the details of which are difficult to see. One of the black drapes is pulled over the section to the left of the slight partition along that wall such that we are unable to see what, if anything is there but for a narrow section which is painted white.
As you have seen from the video of the guided tour of the interior of Comet Ping Pong with James Alefantis, the walls now appear to be merely painted without any apparent artwork.
Comet Ping Pong Renovations
It appears that the revamping of Comet Ping Pong was completed by the Spring of 2014. Here is a description from Retail Design Blog of the work done by Core Architecture, Washington, DC. Highlighting is mine:
Developed within an extremely limited budget in a design / build scenario, this 3,000sf restaurant was the result of urban archeology, artistic inspiration and play. Researching how much to excavate from the gritty, urban site, rather than how much to create revealed the essence of the space and the final design. Decayed layers of colorful plaster on the walls, raw polished concrete floors, and a graceful structure of 16” raw timber beams and skylights provided the framework for the casual dining restaurant.
Steel-framed tables and booths with reclaimed wood seats are fixed along the perimeter walls, with a 24-seat communal table placed through the central space. A grid filled with acrylic panels conceals the kitchen where the sculptural pizza oven anchors the end of the bar.
I have seen discussions about excavation work at Comet Ping Pong in relation to the possibility of connecting to the underground tunnel system in D.C. which may well be true but at this point it's all speculation and conjecture as far as I know as I haven't seen any substantive proof of this. I've looked at underground tunnels and the possible use of them in relation to child abuse in the UK in particular, previously. What really concerns me with regard to any renovation work done at sites like Comet Ping Pong where there are allegations of the abuse of children is the very real possibity of the obfuscation and destruction of potential key forensic evidence in the [de-]construction, refurbishing process. We've seen this happen in a number of locations in the UK with particular reference to children's homes. Haute de la Garenne in Jersey is an example of this as is the former site of Beechwood Children's Home in Nottingham.
This photo of the newly refurbished washroom was included in the article quoted above:
The fairly recently posted photo below which appears to depict a mural which has been 'customised' with graffiti, is captioned Comet Ping Pong by blueyjay on Instagram. I do not know if it's actually on one of the walls there as it does not appear to me to match the mural in the photo above. Mind you, it could be, might have been located on another wall elsewhere at Comet Pizza. It might also be an image from another establishment and/or one from somewhere on the internet.
Jimmy Comet a.k.a. James Alefantis posted this photo on Comet Ping Pong's Instagram approximately 6 weeks ago of a new "narcisist bathroom" pretty in pink.
Additional information relating to Comet Ping Pong
In the photo below posted by Jimmy Comet a.k.a. James Alefantis on his Instagram, the man wearing the J'❤️ L'Enfant t-shirt is Christopher Lynch, the co-owner of L'Enfant Cafe & Bar in D.C.
A national “Top 100 Brunch” among 14,000 Open Table venues, the weekly Saturday reservation-only “La Boum” early-afternoon booze-and-breakfast “house party” with DJ fills 60 interior table and bar seats. With either Lynch or Ball as emcee behind covered windows, guests are exhorted to celebrate debauchery. “We’re pretending our parents are away for the weekend and we have the keys to the liquor cabinet,” Ball writes on the business website. An acclaimed Sunday “Speakeasy” cabaret supper club featuring drag performers from New York, Las Vegas, Berlin and London is on hiatus.
Please note the following regarding the possible identity of the rugby guy wearing the black bow tie in the image above which I found at Voat:
"The man in the picture has been confirmed to be a guy who plays rugby in Washington, and is not convicted paedophile Michael Quinn."
"There's a very good chance this could be a dead end, as people have found the mysterious man on the right of the photo could be Ian Pope, a Washington Irish rugby player. Here's the comparison.
L'Enfant Cafe and Bar was also apparently used as the Washington venue for 'Bitches Who Brunch'. According to this article at the Washington Post, L'Enfant Cafe and Bar was closed November 1st, 2016 "because of gross unsanitary conditions, including vermin.” Apparently the closure was temporary and La Boum Boum Room is open for business again where, "Cell phone use is not permitted."
The following is one of the infamous photos posted on Instagram, this one by drag queen Ms. Summer Camp. As you can see it's indicated that it was taken on Halloween 2015. What exactly is going on inside Comet Ping Pong when you see photographs like this and Jimmy Comet making the comment "Sex"?
What is that I can see in the photo above near the top of Ms. Summer Camp's head that appears hard, cold, shiny and bright?
The Cage at Comet Ping Pong
When I first noticed the cage situated inside Comet Ping Pong my heart stopped with the horror of it's potential meaning. After reviewing a number of posts and videos relating to what is referred to as "paedophile art", particularly the artwork by Ria Pratt, one of Kim Noble's alternate personalities, I would like to draw attention to this cage in situ which I feel may well be potential key evidence in support of allegations of suspected sexual and ritual abuse of children at the premises.
In this photo on Yelp dated October 19, 2013 the cage appears to have a few boxes stored in it. The boy is standing next to it in what looks like the area outside the hidden washrooms. Please note the size and height of the cage in relation to the boy.
In this screenshot from a video profile of "Girl Scouts Forever" Sasha Lord posted April 15, 2015, you can see the cage in what James Alefantis refers to as the "kids' party room" where they are setting up for one of Comet Ping Pong's punk band "All Ages" events which she presents and promotes. Although it's possible that it's an employee or friend's child please also note the young boy in the frame.
In the footage from the Inside Comet Ping Pong video dated November 21, 2016 you can see the cage at about 0:55 as James Alefantis leads the fellow on the way from the new pink washroom to the kids' party room. For some reason I haven't been able to properly post the screenshot at the moment so please go to the 0:55 time mark on the video here.
Caged Up by Ria Pratt
Ria Pratt is one of the alter personas of Kim Noble who is a survivor of trauma-based Monarch mind control programming. Ria Pratt's work "reveals deeply traumatic events involving children."
The works of Kim Noble vividly document the life of a mind control slave through the eyes of 13 alter personas. While a few of these alters paint peaceful landscapes and nature scenes, most of them depict horrific aspects of mind control such as physical torture, electroshock, violent abuse, dehumanization and dark occult rituals. The stories told by these paintings are almost too much to bear, yet they likely actually happened to Kim Noble as they precisely reflect accounts of other Monarch survivors. Looking at the works of Kim Noble not only reveals gritty details of an abominable practice carried on by “elite” organizations, it reveals the symbolism that is also thrown in our faces on a daily basis through corporate-owned mass media. Let’s look at the life and works of Kim Noble.
The paintings made by Ria Pratt are the most graphic and disturbing but also the most revealing. The alter believes she is a 12 year old girl and has vivid recollections of the trauma she has been subjected to, whether it be physical or dehumanizing. Simply watching these paintings is a difficult experience – it is further disheartening to realize that she actually lived these situations.
Here is a possibly pertinent excerpt from A Nation Betrayed Secret Cold War Experiments Performed On Our Children and Other Innocent People by Carol Rutz, a survivor of mind control experiments in many of their heinous forms:
"I, too, was privy to Mengele's torture in 1956 when I was almost nine years old. I was placed in one of these cages, and like the others, deprived of food and water. I became very cold and continually hunched over to hide my nakedness. Every time I tried to sleep, someone with a cattle prod reached through the bars and poked me. The purpose of all this torture was to prepare us for programming. There was a hospital where each of us was taken after the torture made us compliant. P. 81, 82
"Another survivor reports "abuse to create many traumatized alters to use in programming more specific functions later on. Mengele split the alters so that one would remember him being very loving, but it included a lot of sexual abuse, and other parts would experience terror at his cruelty. With the first alter, he created the experience that he was inside our mind being very nurturing and teaching her [the alter] that she will always want only him. With another alter, he was mean, creating a rage alter by killing a little boy she had felt bonded with as her little protector." P. 84
NB. "Carol Rutz' incredible journey from mind control victim to freedom is both harrowing and deeply inspiring. Her thorough research supporting her personal experience provides clear evidence of deeply hidden agendas within a shadow government. She explains how to order the thousands of pages of released government documents upon which much of her research is based at the end of this document. Help create a better world. Spread the news."
To read the entire post by Carol Rutz and for more information please go to the website here: http://www.wanttoknow.info/nationbetrayed10pg
One of Ria Pratt’s paintings was used by Sasha Lord to advertise a Comet Ping Pong "All Ages" music event with Teenage Aviation, Teen Mom and Title Tracks. I sourced this image from a recent Red Ice TV video discussion about Pizza Gate.
EDIT: PLEASE NOTE THAT I HAVE BEEN ADVISED BY A RELIABLE SOURCE THAT THE ALLEGED COMET PING PONG POSTER WITH THE RIA PRATT ARTWORK I POSTED BELOW IS APPARENTLY A FALSE FAKE PASTE-UP!
Please be aware of the massive amount of misinformation and disinformation which is being pumped out onto the internet which in my opinion is being purposefully planted in order to discredit the people's open source investigation of #PizzaGate as an integral aspect of the ongoing coverup of rampant child sexual abuse and paedophile rings. It is critical that we be diligent and fact check absolutely everything. Otherwise we are unwittingly adding to the already huge body of muddy waters of misinformation and disinformation that's out there and being used to substantiate the 'fake news' damage control psyop.
The following is taken from an event page on Facebook for Comet Ping Pong's 10th Anniversary Party held on October 30, 2016.
COMET PING PONG IS 10 YEARS OLD AND WE’RE HAVING A PARTY TO CELEBRATE A DECADE OF DELICIOUS FUN!
We are distributing invites to our loyal customers and special friends to celebrate with us on SUNDAY, OCTOBER 30TH from 5:00-9:00PM. Kids come early, adults stay late!
Stop by Comet between now and then to pick up an official invitation with RSVP details.
> DRINKS + FOOD ON US AND OUR SPONSORS
> PING PONG (DUH)
> DJ + LIVE PERFORMANCES
> LIMITED EDITION COMET SWAG (BABY ONESIES!)
> S’MORE STATION + FIRE PIT
> HAUNTED HOUSE (COSTUMES ENCOURAGED!)
> PIZZA IS LIFE
PLEASE NOTE: this birthday celebration means will be CLOSED for regular service and takeout orders after 3pm!
I wonder what went on at this year's Halloween Party especially since it was particularly special as Comet Ping Pong's 10th anniversary? Given the actual real existence of the cage inside Comet Ping Pong along with all of the other information which is being gathered by an increasing number of people of good intention who seek the truth worldwide, I shudder to think.
I truly believe that together we will reveal all that has been hidden so that these criminal, heinous, unthinkable acts perpetrated upon innocent children by what in my opinion can only be described as cold-blooded predators utterly devoid of any conscience, compassion and empathy will end. Full stop.
The person making punch in the image above appears to be Joshua Ryan Vogelsong whose Instagram account is now marked private.
Original post: November 25, 2016
Last edited & updated: November 30, 2016