Kauffmann, O Lamm Gottes
The intended structure of Kauffmann's prelude to "O Lamm Gottes" is not immediately clear. Kauffmann gives an alternative ending for the piece that can be played from bar 9 and further. And the alternative has a second part, called "a 3 per Imitationes". Did Kauffmann intend this piece as a da capo prelude with the imitationes as a middle part? Or are they two different pieces: one that ends as a four voice piece, one that ends with the imitationes? Or are they intented as three seperate pieces? I don't know. In the performance I choose to play it as a da capo prelude.
The recording was done with the Hauptwerk software and the sampleset, made by Voxus, of the Müller organ in the Sint Bavokerk, Haarlem (http://www.voxusorgans.com/en/product/haarlem).
Score available here: http://partitura.org/index.php/georg-friedrich-kauffmann-o-lamm-gottes
Thank you for sharing your performance!
Your post has been supported and upvoted from the Classical Music community on Steemit as it appears to be of interest to our community. You can find details about us below.
The classical music community at #classical-music and Discord.
Follow our community accounts @classical-music and @classical-radio.
Follow our curation trail (classical-radio) at SteemAuto or help us out with a delegation!
You received an upvote from @MusicVoter2 due to the musical content of this post.
To find out how I decide who to up vote please READ THIS
Supported by: @helpie @recordpool @ftlob
Do you want to EARN CURATION REWARDS AUTOMATICALLY and help independent musicians?
HERE'S HOW
@MusicVoter2 is part of the Atom Collector Records family
Add dsound, Musicoin, Choon, DTube, SoundCloud, Spotify, BandCamp and YouTube
Get MORE FANS and earn $INDIE!
Very beautiful. New here, so very happy to see a growing classical music community. Going to follow so I can hear more :). I'd love some feedback on my posts!