The Museum of Innocence: the double project of Orhan Pamuk.
“It was the happiest moment of my life and I did not know.”
It's the story of a love obsession, or an obsessive love, as one wants to see. Kemal, a young bourgeois in the Turkey of the seventies, meets Füsun, a distant middle-class relative whom he had not seen since childhood, and his life turns around, changing radically: he falls deeply in love with her, breaks with his fiancée, loses friends, loses his job ... even, at one point in the novel, he loses her. Devastated, Kemal begins to miss her unspeakably and in his abandonment, seeks comfort in all objects, even the most trivial, that have some kind of connection with Füsun. Able to treasure a bottle of soda only because his beloved's lips touched her, or to change the remaining liquid from his bottle to hers to kiss her for transitivity by drinking from the latter, Kamal gets to count the days when he visited her and the time between visits, a time that stretches over years in which, perseveringly, Kemal endures everything in order to have a new opportunity with the woman he loves. He even gets to befriend the man she married, just to be close to her.
During those years, the objects that he gathers manage to calm him at the beginning, as if it were a kind of therapy. But then time passes and the mountain of souvenirs begins to grow and grow disproportionately until to gather that cluster of things that only sharpen their obsession, he decides to buy a house and transform it into a museum of memories: an earring, menus of a restaurant , a napkin, the sign of a boutique where she worked, ads for a soda, a cotton handkerchief with flowers, a belt, an inkwell, a flashlight, cigarette packs, ashtrays, the cup of tea where she was drinking, a sea shell, postcards, stockings, a broken porcelain heart and among many other objects, exactly 4,213 butts that she smoked.
The Museum of Innocence in Istambul
And some images of what can be found inside the place:
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