Visualising Professor Otagburuagu
A bit over a month ago I was encouraged to participate in a contest that the @Adsactly community was organising. I looked at the story that was co-written by three authors - all of them from Nigeria - and immediately liked the middle section the most. It was written by @nevies a Steemit blogger that I already followed because of a bizarre and funny story about a boy that has to eat a mouse.
So I went ahead an found the best scene in the story, a scene where the obscure Professor Otagburuagu introduces himself. (You can see the digital painting and the lines that inspired it here: Professor Otagburuagu - my admission for the Steemshort #1 competition)
I really liked this strange pulp-fiction villain, so afterwards @Nevies and I talked about maybe doing a collaboration to let the Professor get a life of his own. Now go read Nevies's account of the whole thing (and vote for the post of course), because here I will instead write a bit about my initial digital paintings and drawings for the project.
The first Sketch
A thing that I have learned from making comics is that the most important thing when recognising a face is proportions. Most people will say that it is the nose or some other eye-catching feature of the face. But the height of the upper lip, the width of the mouth, and the space between the eyes is even more important. (I will make a more thorough post about this in connection with my The making of a comic-series)
When I initially created the professor there was not much to go on. Dark skin and shabby hair was the only words describing him - and as the skin-colour can not be seen in a drawing, the shabby hair has to do be an important feature. Funny enough my comic-hero Phill Philby has messy hair!
First try
Next I made this ink-drawing on top of the painting from the Adsactly contest.
On the original painting Oragburuagu is in dinner jacket attire. I let him have a bolo tie instead of the usual bow-tie that the corrupt politician sports - as a way of showing his eccentricity and disregard for convention. But in this new image I choose to let him have some Nigerian clothing as he is a practitioner occultism and of traditional dark arts.
I am not an expert in male Nigerian fashion - as always the women attracts most attention when it comes to attire, but after some goggling I could see that pearl necklaces and coloured shirts was pretty common. I decided that Otagburuagu should have a red necklace - the colour of blood.
Well... then I applied some colours...
I always use rather unsubtle colours (except sometimes i am subtle... pff, never mind) and when making a Nigerian pulp fiction super villain I don't see any reason to tone the colours down. The dark skin colour is always a challenge, as it lies very close to the ink lines, but the professor is dark, it says so in the text. And using some really cheap effect always helps.
Last I had the idea that the image would be improved by some cyan blue things in the corner - so I made some more research into the realm of Nigerian lore and found a very interesting thing. Nsibidi is an an ideographic script system that is somehow connected to secret societies, so I decided to use that on the left side. According to the internet it means war. On the right side I places, as a joke, a magic symbol that is even more important to the entrepreneurial Nigerians: the sign of the Naira - the Nigerian currency :)
In the comming weeks we'll see what @nevies comes up with. I look very much forward to this collaboration. I haven't talked to Nevies about the licensing, but maybe it will be a Creative commons license - we'll see what we can agree on.
Your art works are great as always, @katharsisdrill! I'm always impressed. I used to draw with my hands when I was younger, and used to receive approvals all the time, but I've never used a phone or a computer to draw before, and I don't think I plan on doing that anytime soon, but you keep on inspiring me.
For this collab, I once felt like I should tell you exactly how I'd like the professor to look like but on second thought, I wouldn't do that, I think it would be more fun if I sit back and anticipate what you'll make off the stories and the character. I love what I've seen so far, very commendable. Great of you to find nsibidi! It's only the Efiks/ibibio ethinic groups of Nigeria that know about that art, and I happen to be an Igbo who grew up in Efik/Ibibio land so I know about nsibidi, it's an art that I'm very fond of in stories (true life stories).
I'll also like to add that you keep in mind that the professor is really modern, he's not so traditional, as he has gotten a western education up to professor level. He's some high class bloke, something of a secluded godfather. But as he practices a lot of dark arts he has traditional arts in the mix too and all those traditional attires are really called for.
I am on the vibe! The professor comes to the party of the corrupt politician in his own version of dinner jacket - a bolo-tie with a traditional ornament, but his shirt is fine cotton while the politician is 50% polyester. He has style and he know his roots and respects his heritage in a way normal people do not. To him Nigerian style dress is just as good as Western style, but he does of course have the finest suits too and he will probably be using them the most as his business is among the corrupted rich. But I already made a drawing of the professor in the world of the rich and famous and I wanted to try him in this other version.
I have worked with authors before and they are always very worried about what a real picture can do to the picture they have inside their heads. I am glad that you show this maturity as to realise that the illustration will add something instead of taking away. Pictures tells stories too and we'll find a way to make them work perfect together. I am good at making my own things, but I am also very good at following a lead. That is part of my professionalism.
I really like these first input from the Nigerian community - could be cool if we could involve people in the professor and his sinister dealings. And you have to teach me more about nsibidi! I find such things very fascinating.
Great, great, I'm excited about your professionalism, look all the little details you pay attention to! I'm grateful to the Nigerian community and soon more of them would see this.
About nsibidi, nsibidi is really thrilling! Nsibidi was taught to everyone in South Eastern Nigeria in ancient times but there were many of the symbols, that were taught to only those in the secret cults. After colonization and the coming of the English alphabets nsibidi was forgotten, only the secret cults still use it. The secret cults still use it till this day.
In Efik/Ibibio land (Calabar) where I grew up, one of such cults called the Ekpe society that used to rule Calabar in the past still use nsibidi till today. The young men of the Ekpe society are usually the masquerades and they parade Calabar on festive seasons with the masquerades.

source
I don't know nsibidi, I am not in any of the cults. Even some of the young men of the Ekpe society don't really know the nsibidi symbols the way they're supposed to because they are contemporary dudes who now use the English alphabets in their everyday dealings.
One day one of those masquerades were walking around the neighborhood, and an old man who was deep in the Ekpe society happened to be around, he was looking at the masquerade with a mischievous smile, then he walked up to the masquerade to communicate to it with nsibidi, he drew some symbols on the ground and the masquerade replied by drawing some other symbol on the ground too. The old man replied with some other one and this went on for some time. Then the old man drew a symbol that the masquerade could not reply to, and because of this the masquerade was not to move, it just stood there in that spot from the morning till near evening!
Stories like this about nsibidi is the real thrilling stuff, but it only happens when the cult dudes do their thing. The public doesn't know anymore how to communicate in that way.
Haha, best comment in a long time! It is fascinating how scripture and magic thinking is often combined. The Vikings thought that the runes contained magic too!
haha
you really digged into this to bring professor otagburuagu to life
Google really helped you.
am from eastern nigeria (the igbos) and you just did a clean painting of an igbo villian but something was missing tho.
we all know our igbo villians and cultist for a red cap which has a birds feather on it,
something like this
or this woolen cap
that aside tho.
i was very surprised to see the (beeds) ornament around his neck, but it came with another story from your own point of view but it signifies another thing for we nigerians.
awesome drawing man
Wow! Great work @camzy,
@camzy is totally right about all he has said here.
Cool, I will definitely remember the hat in some of the other pictures - and please enlighten me, what does the beads signify. I want the details to be right - I have mainly seen it in weeding pictures :) so it might be that.
The beeds signify many things
As your just said that you mainly see it in weeding pictures, which is correct cause it is mostly worn for ceremonial outhens
But for some one to be wearing the bead daily has about 4 reasons which am going to shortlist
Firstly it is either the person has a chieftancy title or probably the king or igwe as we call it
Secondly people who wear needs daily are often religious people that believe much in deities and all that
Thirdly it might be an ornament worn by a particular group of cultist which was one of your points
Fourthly sometimes the most educated people in a community gets the beeds as gifts from the village chiefs and they tend to wear it daily which you also nailed the another point her cause otagburuagu was a professor
Thanks! Cool to get insight in this. Seems that Otagburuagu could be all of them, maybe he is a prince that was cheated and left without his heritage. We'll see what @nevies is going to write :)
Yeah
Over to nevies, our home boy 😁😁
I love that you gave him sunglasses. He is already an ominous character, but when you can't quite read their facial expressions, makes it even more intimidating! It is also awesome that you did a lot of research...it's a respectful thing to do, I think. I hope you don't mind me saying so.
As usual I don't mind at all, but I like to learn about other places and I do know some people from West Africa, so I do associate to them too when creating this.
I haven't read @nevies post, but I know from personal experience that he is one crazy dude.
I'll go right round to checking the story out soon.
The art is very good. Prof. Otagburuagu certainly looks despicable. Can't wait for the rest, I'll keep my eyes peeled.
Haven't heard about nsibidi script, will check that out.
Well-done @katharsisdrill.
Thanks for commenting, I am looking forward to hear your opinion when we make the first real episodes. I sit here in the cold, wet, and dark north and am to make pictures of the Steaming hot Lagos :)I think it will be great fun and hope it will be read in the Nigerian Steemit community.
Man, the original story is great! So strange and surreal, but in an awesome way! And this illustration hits right on the spot!
A great collab, congratulations!
I is going to be fun for sure.
Hello @katharsisdrill
I am from Nigeria and I was able to connect with this amazing art.
I loved the attention you gave to details and I must say that this is an Epic work of art.
I also Know Nevies from his amazing personality and I must say that you both have created something truly amazing.
Followed You
@ogochukwu
Thanks! I follow you back. Hope that you will like it when we release the stories about Otagburuagu.
@katharsisdrill
Thanks for sharing this awesome post, its too lengthen but very very intriguing.
Followed you.
Your welcome - I hope you will read the story when @nevies post the first instalment.
Wow nice art of Sketch
this is a great work you got here.
Nice article enjoyed reading
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