COLDPLAY:- Doctor in need!!!

in #steemit7 years ago (edited)

On the very first song on their very first album, Coldplay introduced themselves with a heartfelt declaration: "We live in a beautiful world." Fifteen years and some 80 million albums sold later, the British quartet haven’t elaborated on that philosophy—they’ve just amplified it. Where massive success has a tendency to make bands more jaded and aloof, Coldplay only seem more gobsmacked and in awe of life itself. Their songs aren’t just designed to uplift, they’re often about the very sensation of being uplifted. But on the band’s seventh album, A Head Full of Dreams, the band’s relentless campaign to raise our spirits is liable to induce altitude sickness.

Of course, there’s a perfectly logical reason for the album’s oversold optimism—A Head Full of Dreams is a reactionary retort to 2014’s Ghost Stories, a low-key response to a high-profile split that literally wore its (broken) heart on its sleeve. The new album, by contrast, is Martin’s unconscious recoupling record, the sound of a freshly single man stepping out onto the dancefloor to lose his mind and find new love. "You make me feel like I’m alive again," he sings atop the slinky disco of lead single "Adventure of a Lifetime", a lyric that succinctly sums up the spirit of the record like a movie poster tagline.

A Head Full of Dreams is Coldplay’s chance to reassert the eager-to-please exuberance that Ghost Stories deliberately downplayed, and prove that Adele isn’t the only artist who can mobilize a monoculture in 2015. Though written off by detractors as middle of the road, Coldplay’s centrist position is what ultimately makes them so singular—they’re the only rock band that could (and would want to) wrangle Beyoncé, Noel Gallagher, Tove Lo, Norwegian Top 40 architects Stargate, Kendrick Lamar producer Daniel Green, alt-rock lifer Nik Simpson, and “Gimme Shelter” scene-stealer Merry Clayton on the same record. A Head Full of Dreams is emblematic of Coldplay’s burning desire to be all things to all people, rolling up symphonic Britpop bluster, club-thumping bangers, dentist-office soft rock, finger-snapping R&B, and even some trippy touches that remind you of a time when this band just wanted to be as popular as Mercury Rev.

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