Aldemaro Romero:

He was the second of the four children of Rafael Romero Osío and Luisa Zerpa de Romero, both natives of Valencia. He began his musical studies with his father, who was director of the Yaracuy State Band. At age 9, he was already a singer and the first children's radio announcer on the La Voz de Carabobo radio station. There he animated a space called La Hora Infantil with his sister Rosalía Romero, a minor just like him. In addition, in that space he also sold advertising.

Hello today I started with the bibliography of one of the most recognized singer-songwriters of the 50s and 70s, something unusual. But we must change things a bit and not copy the work of others or monotony, that if it is bad and annoying there is also nothing better than being unique in its class. Not to be a cheap and bad step but good, I continued with the musical history of my country as in the project. I am very happy to continue doing it, to get the support that deserves little by little has been achieved.

In 1942, the family moved to Caracas and received as a gift from one of Aldemaro's grandmothers, a pianola, which was quickly transformed into a piano, and in which the future musician acquired the first knowledge of the instrument. Aldemaro's father tried to dissuade him from starting a career as a musician and had him enroll in an industrial technical school. However the future artist did not continue his studies as he had made plans to continue the profession of music. [1]

A little old these records of 1981 just the year, I was born a long time ago when that. Maybe I heard them in my childhood but not really, I remember anything or these artists or songs already. That I have memory of elephants and much more for good music, of the 80s and 90s for me was the best of all time and so, will be remembered for a long time I dare say that. It will be very difficult for many to forget over time, only for music lovers.

During the period from 1942 to 1948, Romero made contacts with several amateur musicians in Caracas and began playing in nightclubs. At the same time, he took music lessons with the Venezuelan composer Moisés Moleiro. His first job is as a pianist in nightclubs and dance orchestras, the first being the Sonora Caracas orchestra in 1944.

source

Here knowing a little about our music and its history, it is something that I am beginning to like and motivate to show the outside world something of Venezuelan folklore. I think nobody does this because I do not do it, it's something that they recommended me to do for the project. It's a very good thing and this is just the beginning of something very good to come little by little it is adding and growing as it should be and I am very happy to be part of it. It is as if it were mine but it is not since I do not want one of my own to be part of one if and if, it is of what I like most will be of the best it is like a dream that is going to become reality.

Single People:

Un Solo Pueblo is a Venezuelan musical group formed in Caracas, in 1976 that performs traditional genres such as the party. It is one of the best known and celebrated folk groups in the country, whose work has served to rescue and spread, mostly, Afro-Venezuelan music. Its success at the end of the 1970s had a great impact on the widespread acceptance of native genres such as the drum, and on the record support and proliferation of similar bands from the 1980s.

To whom this group of only one people in the 90th, they did not make them dance in the carnival in the city of Barquisimeto. It is not guaro or they are only very young to be honest I never liked to dance tamunangue either, for those who do not know what it is Tamunangue is a typical dance of the Lara State. I remember that they forced us to dance or do projects on this, I think they do not do it nowadays in elementary moments uncomfortable for the time.

Generally, the group is made up of around twenty members, including Francisco Pacheco, Jesús Querales, Ismael Querales and Froila Gil. In 1985 he starred in a homonymous film directed by Manuel De Pedro that was promoted as the first Venezuelan musical film. In 1996 the group was declared Cultural Patrimony of the Nation by the National Congress.

source

Already to finish a little musical history of national folklore, of the best times for our country I wish we could get out of this nightmare. The legacy of the Chaburros for many can be unsustainable, this situation I can thank every day. For my blessings that I receive daily in spite of all the circumstances, that we have to face daily but only the strongest ones stand up. Although Many times like everyone touches us a little bit of homeland and we feel, it's not worth it to stand up just get up and keep fighting for what you want.

All photos were taken by my phone and edited, by Photoshop Express.

Posted using Partiko Android