This post is the second part in a series examining the initial claims of Donald Marshall, which were once on facebook but have since been removed.

The previous part is here:

Analyzing The Amazing Claims Of Donald Marshall, Part 1

Since the claim was removed from Facebook, I am sourcing it from here:
DONALD'S ORIGINAL LETTER TO THE PUBLIC..

Paragraph 2

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The first article treated just one paragraph, and I feel like the claims that Donald is making have so much content to review that each paragraph has the potential to be an entire article of research.

Following with that supposition, here is paragraph 2:

It is basically a torture and child molesting factory, I was one of those children but when I was young to keep the perverts off of me I started singing songs... original songs, very good ones, they told me to keep making these songs and I wouldn't get hurt, and so I did, then they started bringing me there everyday for songs as the celebrities wanted more, they called me the goose that layed the golden egg, the phenomenon, but I ran out of ideas, then the torture began. They smashed my face to start, throwing me around scaring me a 5 year old never letting me remember in real life until I turned 30. The torture worsened until I was being stabbed and burned and repeatedly sodomized. At age 30 they allowed me to remember these clone memories and now everytime I enter R.E.M sleep I am there, I don't have dreams only clone memories, they made the movie "The Island" and "Inception" about this subject. They think they're very sly and untouchable.

Child torture and systematic abuse

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One of the greatest evils of the world, in my opinion, is the systematic and ritual abuse and torture of innocent children.

There is a sick correlation between those in power and ritual child abuse and torture.

A pressiant example, to me, besides the actual cases of child abuse and torture (for which there are many), is the art that elites in DC seem to adore.

One such artist is Biljana Đurđević, who’s most infamous work has to be the depictions of young children being bound in compromising positions. Đurđević is a favorite of the Podestas.

Artists who are capable of depicting such work for the sick elite typically come from a history of violence and are inclined towards ultraviolent works:

he violent themes in Serbian artist Biljana Đurđević’s works reflect her development as an artist during the horror-stricken 1990s – when violence in her country peaked following the collapse of the communist regime in Eastern Europe. The body of works featured in this exhibition represents a selection from several series created by Đurđević between 1999 and 2007, in which she gazes directly into the darkest abysses of the human soul.

Aesthetics of Violence – Biljana Đurđević: Paintings

Then there is the work of Kim Noble, who is a sufferer of ritual abuse herself:

I have seen a lot of people harassing Kim Noble on Twitter. She was NOT a featured artist at Comet Ping Pong and was simply brought into this investigation to point out the handkerchief connection. She also sheds light on the fact Satanic Ritual Abuse is REAL! She does not deserve more abuse; please be kind to her and thank her for her courage in exposing these sadistic perverts.

DC PizzaGate: A Primer UPDATED 07/07/17

Kim is also a severe sufferer of schizophrenia and multiple personality disorder.

Kim, 50, has dissociative identity disorder (DID). She is, in effect, scores of different people – the exact number is uncertain – wrapped up in one body. These personalities are all quite distinct, with their own names and ages and quirks of temperament. Some are children. Some are male.

Kim Noble: The woman with 100 personalities

This is truly vile and disgusting shit.

I realize this is not easy to stomach, but I do think it's important to acknowledge that these things exist, and that there is a market for this deranged art amongst the elite of Washington DC.

And if for any reason you begin to think that this somehow is just a coincidence, that this is just some unconnected sick fascination with degenerate art about child torture and sexual abuse, keep in mind that James Alefantis, proprietor of this art and (not so humble) pizza shop owner, is considered one of the most powerful people in DC:

Liberal twentysomethings in khakis drink beer and eat pizza at Alefantis-owned Comet Ping Pong. More established progressives wine and dine next door at Alefantis-owned Buck's Fishing Camping. Alefantis is also the board president of Transformer, the contemporary art gallery that shamed the Smithsonian for removing an installation offensive to right-wingers. When it comes to D.C. radical chic, Alefantis is unsurpassed. If you don't know him, you aren't wearing your scarf right.

The 50 Most Powerful People in Washington*

Keep in mind: this is a man who is supposed to be a pizza shop owner and an art gallery board president. He is one of the 50 MOST POWERFUL PEOPLE in DC. This is the place where the President lives. Where Congress works. Where the Federal Reserve is located. Where international deals are made in secret places. And this guy is one of the most powerful people among them? That doesn't strike as strange to anybody?

Anyway...

As I was saying, there's also no shortage of actual cases of child abuse and torture to lend evidence at least to the fact that what Marshall is claiming isn't impossible.

The state of Arizona, which has the infamous reputation of removing the highest percentage of children in the U.S. from their homes and families through Child Protective Services, has now also been exposed as having a very corrupt foster care network that includes pedophile rings where young children are imprisoned in state-approved foster homes and trafficked to pedophiles.

In a developing story based out of the military town of Sierra Vista, Arizona, the home of Fort Huachuca, David Frodsham, a former commander with the Department of Defense in Afghanistan who was discharged from duty due to “sexual harassment” behavior and an assessment by the military that he had an unalterable personality disorder, has been arrested and convicted of operating a pornographic pedophile ring based out of his state-approved foster home.

Arizona Foster Care System Revealed as Pedophile Ring: Former Foster Child Tortured for Years Sues for $15 Million

A former child sex slave sold into a Belgian aristocratic paedophile ring where boys and girls were raped, tortured and murdered has revealed the horrors of her five years of abuse.

Anneke Lucas, 53, was sold into the murderous paedophile network in Belgium when she was just six years old in 1969.

Recalling her sickening abuse, she said: 'I was raped many, many, many times. I don't have any scars to show how many times I was raped.

'Usually it was a full night and weekend and so I gathered I was raped for about six hours a week - more than 1,700 hours before I reached the age of 12.'

Former child sex slave sold into Belgian aristocratic paedophile ring where boys and girls were tortured and KILLED reveals the horrors of her five years of abuse

BAY MINETTE, Ala. -- The conviction Wednesday of an Alabama woman accused of being part of an incestuous sex ring provided graphic evidence about horrendous child molestation, but it didn't answer a baffling question: What happened to a young victim who is missing and presumed dead?

Jurors took two hours to convict Wendy Wood Holland, 35, of sodomy, sexual abuse, sexual torture and child endangerment. She showed no emotion when the verdict was read. Prosecutors say Holland faces at least 20 years in prison and could get a life sentence.

Alabama woman convicted in family child sex abuse ring

The Hit Factory

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We all know that pop music artists don't write their own music.

In fact, what actually happens is that there are a select few studios with a select few number of producers and artists who write all of the pop music for the year and then sell it to the performers.

These are colloquially known as "Hit Factories", and it explains why trends in music for the last few decades seem to move in such a liner fashion: because year after year, all popular music is written and produced by the same people who set the tone for the trends in music for that period and then sell them to the artists.

Sometimes, the trends are so close that there are problems:

[The Song Machine, a new book by the New Yorker journalist John Seabrook,] describes how technology has industrialised pop songwriting and production, with vocal performances “comped” together digitally, syllable by syllable, from multiple takes, and whole teams of people writing different melodies over the same backing track. This is a method known as “track and hook” – Seabrook reports that the songwriter Ryan Tedder got into hot water over this when Kelly Clarkson noticed that the song he’d given her, Already Gone, was uncomfortably close to one he’d done with Beyoncé, Halo.

John Seabrook on The Song Machine: 'There's a dark side to pop'

Many fans of pop music like to believe that their favorite artists are paragons of creativity, but the fact is that the name that eventually gets slapped onto a particular track had little or nothing to do with the writing and production of it.

The truth is, the process is purely industrial:

Songwriting today is not the romantic notion of one kid with a guitar. As John Seabrook writes in his new book “The Song Machine,” it’s an impersonal, assembly-line-driven process that would make Henry Ford proud.

Every song you love was written by the same two guys

The process is so regimented and strict that the managers of these production sessions are called "Camp Counselor":

For Rihanna, “A-list producers and topliners [the term for vocal melody writers] were summoned to Los Angeles for two weeks and installed in studios around the city,” creating what Seabrook calls “a pop-up hit factory.”

These superstar producers and writers included Ne-Yo, the Stargate team, and Ester Dean, one of music’s most successful topliners, and also an actress best known for playing Cynthia Rose in the “Pitch Perfect” films. Stargate and Dean would become frequent collaborators, with hits such as Katy Perry’s “Firework” on their résumé.

Once everyone was in town, the frenzy began.

The songwriting labor is tightly scheduled. Producers/beat makers meet with topliners in the morning, with the expectation they’ll have a completed song by lunchtime.

A representative from the label — referred to here as a “camp counselor” — then creates new combinations, and the new producer-topliner teams work to write another new song by late afternoon.

Repressed memories

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Marshall mentions the movie The Island as an example of what's happened to him. So let's see a clip:

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Memory repression is a popular field of study for psychological researchers:

Repressed memories are memories that have been unconsciously blocked due to the memory being associated with a high level of stress or trauma. The theory postulates that even though the individual cannot recall the memory, it may still be affecting them subconsciously, and that these memories can emerge later into the consciousness.

wiki

Van der Kolk and Fisler's research shows that traumatic memories are retrieved, at least at first, in the form of mental imprints that are dissociated. These imprints are of the affective and sensory elements of the traumatic experience. Clients have reported the slow emergence of a personal narrative that can be considered explicit (conscious) memory. The level of emotional significance of a memory correlates directly with the memory's veracity. Studies of subjective reports of memory show that memories of highly significant events are unusually accurate and stable over time. The imprints of traumatic experiences appear to be qualitatively different from those of nontraumatic events. Traumatic memories may be coded differently from ordinary event memories, possibly because of alterations in attentional focusing or the fact that extreme emotional arousal interferes with the memory functions of the hippocampus.

As far as people being able to control thoughts and memories, there was the time this happened:

As part of my ongoing project looking at fusion centers’ investigations into Antifa and various white supremacist groups, I filed a request with the WSFC. I got back many standard documents in response, including emails, intelligence briefings and bulletins, reposts from other fusion centers - and then there was one file titled “EM effects on human body.zip.”

Hmmm. What could that be? What does EM stand for and what is it doing to the human body? So I opened it up and took a look:

Washington State Fusion Center accidentally releases records on remote mind control

It's clear to me that there is more about technology relating to memory repression and mind control than we are made aware of by our governments.

What do you think?

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As always, I leave this to your dissemination and criticism.

Much of what Donald Marshall says sounds fantastical and insane on the face of it, but when you dissect each claim and examine it individually, there is actually plenty of evidence to raise concern that such things might actually be happening, or at least that there is a surface level of reality in all of this.

Please tell me what you think as we continue to examine these amazing claims.

Follow me @shayne