For those who missed the note, Alain is too cute by half here. He said the poem is lacking flame, being about Prometheus and all, and I replied that it's a poem about the absence, especially of light, so it makes sense.

And also drew his attention to the drawing and cyclical nature of No light > No breath > no sight(light).

Anyway, I'm glad you liked the poem, Alain, and gave me feedback on it while I was writing it.

I have to say this piece isn't part of a trilogy with the two pieces you mentioned. Perhaps it's part of a double with "Acceptance", as that too is about being shorn of the warmth of one's loved one, though more due to self-imposed reasons than here. "And Also the Moon" is actually the last of the latest batch of "overflowing love" poems (but then, what is this one? :P), but is also a double with "The Mute Poet" of me deciding to actually venture beyond pure free verse.

It's interesting to try different things. But unlike with "Poem of Protection - Words of Warding" where I channeled things related to my normal nature without feeling them organically, the last two pieces came unbidden, and I'd have much rather kept at the more fun pieces.

As for the output and quality, I'll blame two things: 1. My muse. The pieces, they keep on coming. 2. I usually write my pieces quickly, and they come mostly formed. Fiction, poetry, or non-fiction. If you need weeks of editing per piece, then either the output goes down, or the quality. But when this is how you write, this is how you write.
But then of course the question is, how much better could it be were I to spend a week or two per piece? But that's not how my writing or inspiration work, so I don't really worry about it too much.

And I actually didn't intend for that "missing piece of myself" to come out of Prometheus directly. But I guess some part of myself did, because who said you can never learn anything about yourself from your own poetry? :-)