Psychology of colors - part 5 - The role and the relationship of color and form in architecture 1-2
GNI
Introduction
As we disused in previous posts, Colors are effective on psychological needs, learning conditions, control of angry behaviors, emotions, depression and learning disorders, and energy levels.
we discussed about colors and also about the properties of colors. in this post we will talk about The role and the relationship of color and form in architecture. follow me with this post.
The role and the relationship of color and form in architecture:
The ultimate goal and purpose of all artistic movements is to evoke the spirit and essence of the form and color and release it from the prison of the material world. It is a craving for the immortal art. The native we live in today is the world of Human beings have not been similar in the past years. Our world is shaped by innovation and creativity. We construct buildings that contain their content in their function; at the same time, monuments are not the symbol of thoughts and ideas; they are the embodiment of purposeful thoughts.
The colors are spirit and alive, the colors are the word and speak like words: from the green hide of forests, from the mysteries of the sky and the seas, from the clarity and clarity of the rains of the rain and from the purity of white snow; yes, the colors of the human soul and the mysterious world And the secret of mankind, and the colors that humans wear and act on and act on, also has a corner from the inside of them.
The color of life is because the colorless world makes us feel dead, the colors of the ideas and the fruits of the main light are colorless and there is a dark color without them. Nor is the first phenomenon in the world, revealing through the colors the spirit and nature of the living world.
Also, the word and its name, its shape and color, the main veins of the supernatural nature are natural, that we have a small image of it. As the sound brings to the word polish, the color also naturally gives it a special form. The main color of Tinini is imaginary imagery, and in this case the color of music. When the thought of concept, rule, touch of color and spell is broken, there is nothing else in our hands apart from the soulless body.
Orange and blue colors are complementary colors, and the blend of these colors creates a gray color. When the observer stays in this place, they will receive different lights that are alternately orange and blue, and the walls will have these colors at angles It constantly reflects the variable. This emotional interaction gives the richness of color to human beings.
Colors are the energies and bright energies that will have a positive and negative effect on both conscious and unconscious. The artists who create colored glasses use color to create such a spiritual and mysterious environment that has the thoughts of the worshipers The impact of spirituality is on the heels. The effects of color must be examined not only visually, but also psychological and psychological aspects.The color surfaces must acquire the shape, extent, and limits of their own colors and oscillations of intensity (color) rather than with predetermined lines.
brightness of colors
The brightness, which is the second color attribute, indicates the relative degree of darkness and brightness. Most painters also use the term "color" in the same sense, and they usually measure the brightness of the shades of colors as compared to the colorless ones. In the color cycle, the yellow is the most brilliant (equivalent to a bright gray close to white) and purple has the lowest brightness (equivalent to dark gray to black).
Saturation is the third attribute of color and determines the degree of purity of the shades (sometimes they use the word intensity as well). The colors of the cycle are 100% pure, but in nature rarely can be found. The bright colors are attractive on their own, but they are visually more effective if they are in a regular pattern or routine.
will continued ...
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