This is great!

I’m no sound engineer, just used to do some stuff for fun back when 4 tracks were in and you had to futz around with the mic positioning a lot more, but I think the whole thing is a really great starting point.

If I can be a contrarian, you might get a lot of people that might suggest you start doing a lot of tinkering around with the low-end by, like, using a low shelf filter and boosting the frequencies underneath there, to make the bass sound “fatter.”

But, like you said, you’re a composer/arranger, not an audio engineer, so unlike a lot of people who have most of their background in EDM, you can (I think) appreciate (1) that pretty much the most important and wonky stuff happens at the mid-range which is where most of the important mixing is going to happen, and (2) you can cut out a lot of mixing work by arranging the piece properly, with the right amount of tracks for separate instruments/sounds.

It seems pretty popular to just throw down tracks and then fix them during mixing (“just fix it in post” kind of attitude) which definitely works for a lot of people.

But I like formally trained musicians who start working with music edm type music because you guys know how to arrange a song that’s already, in a sense, pre-mixed by virtue of your planning.

If you keep putting out music like this, I’d say that in about a years time you’ll be making songs that could legitimately “take-off” and get a fan base.

Thanks for the good tunes!