Contact Juggling. Episode I.

in #contact6 years ago (edited)

Hello Stemmians!

In my first post I told you that -among other things- I’ve dedicated myself to playing contact juggling.
I began to train around 2003 and I am still enjoying this wonderful art that has allowed me to travel through corners of the world that I could never have imagined.

Hola Stemmians!
En mi primer posteo les comenté que –entre otras cosas- me dedicaba a jugar malabarismo de contacto.
Comencé a entrenar aproximadamente en el año 2003 y actualmente sigo disfrutando de este arte maravilloso que me ha permitido viajar por rincones del mundo que jamás hubiera imaginado.

Venice - Italy (picture by me)
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Moriztburg - Germany (picture by me)
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Avignon - France (picture by me)
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I was browsing though Steem to see if I could find information about contact juggling and I found @lucasgabd and his great tutorials! In Lucas’ tutorials you will find tricks very well explained, ideal to start practicing. Congratulations Lucas, very good job!
Of course, I'm already following him on Steem.

Estuve buceando en Steem para ver si encontraba información acerca del malabarismo de contacto y encontré a @lucasgabd y sus geniales tutoriales!
En los tutoriales de lucas encontrarán trucos muy bien explicados, ideal para comenzar a practicar. Parabéns Lucas, muy buen trabajo!
Por supuesto, ya lo sigo en Steem.

Tutorial of Lucas




Inside the Labyrinth.

I remember when the movie Inside the Labyrinth was released in 1986, starring the magnificent David Bowie and the very young -at that time- Jennifer Connelly.
In the scenes where Bowie manipulated the crystal sphere they hired a double, that double was the immense Michael Moschen, undoubtedly one of the most illustrious and revolutionary jugglers in history.

Dentro del Laberinto.

Recuerdo cuando en el año 1986 se estrenaba la película Laberinto, protagonizada por el magnífico David Bowie y la muy joven -en ese momento- Jennifer Connelly.
En las escenas donde Bowie manipulaba la esfera de cristal contrataron a un doble, ese doble era el inmenso Michael Moschen, sin dudas uno de los mas ilustres y revolucionarios malabaristas de la historia.

Trailer Inside the Labyrinth - Directed by Jim Henson
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Michael Moschen.

Moschen, besides being a juggler, is an expert mathematician, to the point that in 1990 he won the "Genius" prize of the Mac Arthur Foundation and has given many conferences at prestigious universities such as MIT, Carnegie Mellon, TED talks, etc.
His genius led him to delve into both the poetic level of juggling and the mathematical. He expanded the technical and creative horizon to levels unimaginable at that moment, giving rise to the creation of contact juggling, the multiball, the bounce triangle, the manipulation of S-Staffs and various techniques of juggling and manipulation of objects that I will comment on in more detail in a future post.

Michael Moschen.

Moschen, además de malabarista es un matemático experto, a tal punto que en el año 1990 ganó el premio “Genio” de la Mac Arthur Foundation y ha dado infinidad de conferencias en universidades prestigiosas como MIT, Carnegie Mellon, charlas TED, etc.
Su genialidad lo llevo a combinar las matemáticas con los malabares, dando lugar a la creación del malabarismo de contacto, el multiball, el triangulo de rebote, la manipulación de eses y varias técnicas de malabares y manipulación de objetos que en algún posteo futuro les comentaré con mayor detalle.

Michael Moschen & David Bowie
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I had the honor of meeting Michael on his tour of Argentina in 2007. We chatted for almost an hour, exciting.
I mentioned that I came to know contact juggling thanks to him and to the movie Laberinto -especially when I saw the backstage- where he was playing with his spheres on the film set- and that was when I said to myself “sometime I’m going to learn how to do that...”

Tuve el honor de conocer a Michael en su gira por Argentina en el año 2007. Charlamos durante casi una hora, apasionante.
Le comenté que había conocido el contact juggling gracias a el y a la película Laberinto -especialmente al ver el backstage- donde se lo veía a el jugando con sus esferas en el set de filmación- y fue ahí cuando me dije a mi mismo “alguna vez voy a aprender a hacer eso…”

Beyond pure technique, I live training as an active meditation. When training, my mind, my thoughts, my fears, my doubts and my concerns disappear giving rise to the present, the here and now.
The state of “no mind” is what attracts me most of the contact juggling.

Mas allá de la técnica pura, vivo el entrenamiento como una meditación activa.
Al entrenar, mi mente, mis pensamientos, mis miedos, mis dudas y mis inquietudes desaparecen dando lugar al presente, al aquí y ahora.
El estado de “no mente” es lo que mas me atrae del malabarismo de contacto.

Here I am playing contact juggling in Saint Cergue (Switzerland), very close to the house of Joseph, a great friend and huge artist and suuuper contact juggler!

Dear Stemians, i hope you liked this first post about contact juggling.
To be continue ;)
Big hug for you all!

Aquí estoy jugando malabarismo de contacto en Saint Cergue (Suiza), muy cerca de la casa de Joseph, un gran amigo, enorme artista suuuper contactero!

Queridos Stemians, espero que les haya gustado este primer posteo sobre malabarismo de contacto.
Continuará ;)
Un abrazo grande para todxs!

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