@katharsisdrill There is not much bickering that I know of, but this one sat on the shelve for a long time. The smoothness (as you can see in the previous project) comes from that we use the same material: bristol board and micron pens. Some artists had physical access to the adjoining panels (I did in the first project) and drew some of the transitions, whereas with this one I submitted to, I had photos of the adjoining panels, but left space for the project coordinator to fill the blanks in-between. There are several core-members of this project that had worked successfully together before and we had been friends and collaborators on other projects over the years. Some of us had recently started a new experimental concept, less rigid about the materials and processes used. Participation by as many or as few as two. The whole idea came out of the old game of exquisite corpse and collaborative corpse we used to play on deviantArt for years already. Not long ago I started a digital canvas which I sent to two other collaborators per wetransfer. Digital is actually the easiest way since you don't have to physically mail stuff back and forth and, as in this current case, go across borders and customs.
On Facebook find The Antipodes Project and the newer spin-off Triptacular Art Collaborations that has yet to gain some traction.