The digital colonialism as driven by algorithmic aesthetics is continually replicating, dispersing and dominating the post digital body - at once invading and governing that landscape. The work of art practitioners increasingly seems like automatic digital sampling, by day and by night engaging in ceaseless sampling and mash-ups on social media, ensnared in a euphoria of image post-production.
Just let's say: THE BETTER YOU LOOK THE MORE YOU SEE