RE: HOW I MADE A HANDMADE OOAK JACKIE CHAN STATUE - STEP BY STEP + GALLERY
per•se•ver•ance (ˌpɜr səˈvɪər əns)
n.
- steady persistence in a course of action, a purpose, a state, etc., esp. in spite of difficulties, obstacles, or discouragement.
[1300–50; Middle English perseveraunce < Middle French perseverance < Latin persevērantia]
per`se•ver′ant, adj.
syn: perseverance, persistence, tenacity imply determined continuance in a state or in a course of action. perseverance suggests effort maintained in spite of difficulties or long-continued application; it is used in a favorable sense: It was apparent only after PD sat back and regarded the combined frown and grin on the remarkable likeness of Jackie that perseverance had finally paid off.
These are so wonderful, so much detail, blemishes, bruises, dynamic posturing, material folds; Benny looks as if, at any moment, he would duck and uppercut in a flash, and Jackie would unexpectedly split kick the viewer in the face.
You never do a half job on the plinth either, that would detract from the overall value, and once again you've made a piece worthy to display the figures.
Hey, the second iteration of Jackie's facial rework - it reminds me of him in Half a Loaf of Kung Fu, which I'm fond of, a superficially silly film with a Zen Koan sub text about authenticity and experience.
Also, in your Exhibit V photo above, you've localised the lighting to great effect. This is easy to do if you want to repeat it;
- Move the subject away from walls and other things that could be illuminated and thus break the illusion. This can be done by placing the subject on a stable, flat surface like a stool away from walls. Just watch out for background elements.
- Then increase the illumination of the subject above that of the surrounding area, such that the exposure will be set according to the subject, leaving the surrounds underexposed (ie: dark). This can be done with LED torches, a lamp, a combination of both, and paper/card can be used to funnel or gate the light, creative shadow/silhouette effects are also possible.
It sounds harder than it is.
If I can find set photographs from this scene I'll post them here, in case you want to make a 3-walled backdrop to stand behind them.
Thank you man. You're comments are second to none. I appreciate the lighting tips a lot. It is an area I lack knowledge in and need to learn. The info you provided makes it very easy to comprehend (b~_^)b
My pleasure, glad it helps. I only wish I could find images of the Jackie vs Benny fight scene set.
Just remember it's the difference in illumination level that makes the rest of the room 'dark' in your exposure, the bigger the difference, the darker the room. Some lighting and exposure tips for scale models and general macro, and some examples
With macro photography, the closer you get the more localised the exposure metering is, and the shorter your Depth of Field tends to be too, even with a fixed aperture device. DoF is your friend. https://en.wikipedia.org/wiki/Depth_of_field
Diagram of aperture controlled DoF, by Xiuchai Xu
Here's a cheat sheet, and here's some examples (I'm sure you're familiar with this, but hey why not they're great).
Love your work.
I just got around to look at some of the links you provided and they're pure gold. I'm looking forward to sculpting... 12 unfinished pieces waiting on me and then try out some of these awesome lighting and dof tips. Thanks again.
Can't wait to see them!