Yoga, Body Image Issues and Waking Up

in #yoga8 years ago (edited)

Carl Jung once said "everything that irritates us about others can lead us to an understanding of ourselves." The same is also true for everything that we find embarrassing or irritating about ourselves.

As dedicated practitioners of yoga, we learn experientially that we are not "our" bodies. We also learn that we are not "our" thoughts. With lots of practice, the yogi begins to identify with the ineffable point of consciousness that experiences the body and witnesses the thoughts.

And yet, for many of us, even dedicated practitioners, the experience of this detachment from our body and thoughts is fleeting. Ego identity is intimately linked with bodily identity, and bodily identity is very difficult to shake. Body and ego are so enmeshed that the Apostle Paul chose the word "flesh" (or body) as his symbol for "ego":

"Now the works of the flesh [ego] are evident: [e]nmity, strife, jealousy, fits of anger, rivalries, dissensions, divisions, envy...and things like these." Galatians 5:19-21.

The experience of strong emotions, particularly "negative" or divisive ones like those noted by Paul, whether directed at ourselves or others, is a sure sign that ego is at play.

Anytime ego is at play we have a perfect opportunity to better understand ourselves.
And, because body image and ego are so entangled, few things spark strong emotions and implicate our egos like body image issues. Consequently, wrestling and dealing with bodily identity, though painful, presents a potent opportunity for tremendous personal growth and expanded awareness.

Our initial response to discomfort with our own bodies is often to hide--to cover up or diminish that part of "ourselves" that causes discomfort, as if securing it away from public scrutiny (or even our own scrutiny) will make things better. This overwhelming urge to hide "ourselves" is a typical shame-based denial response, and one we've all made good use of at one point or another in our lives. When we engage in this behavior, we are much like the little baby who thinks that the world can't see him when he covers his own eyes.

Moving beyond the hiding phase is difficult and often involves assuming a mask of false bravado. At this stage we often tap into pent up reserves of anger to rouse up or stimulate the courage and emotional energy required to expose our soft underbellies to the world, flaws and all. We do this when we self-consciously seek to confront the world with our own perceived "dirty laundry" rather than continuing to hide it. "See this scar, world...it's me! See this ugliness? It's me too! I'm here and I'm not hiding anymore. I will no longer be shamed into pretending that I don't exist. Deal with it, world!"

Though still short of the mark, this false bravado stage is definite progress. Moving beyond shame and hiding is a huge step forward, and a necessary one. When we do so we are more likely to find our tribe of sympathetic or empathetic others who are also ready reveal more of themselves, giving us increased confidence and support to sustain the effort. But...bravado too is ultimately an egoic defense mechanism rooted in identification with the body. After all, the "flaws' we so proudly flaunt to the world at this stage are not "ours" to claim. So, why do we claim them so loudly?

With sufficient practice, we may eventually progress past bravado, or skip it altogether, to yet another stage of denial--insisting (usually more than a little self-consciously) that there are no objective standards of beauty or loveliness, or that normal definitions of these terms are too narrow or forced upon us by powerful others, and that, essentially, "everyone is beautiful" in their natural state, regardless of shape or size or proportion or texture. This stage of denial, which is so common today in the "body positive" movement, is anchored in the non sequitur that because the life force (prana) in all of us is beautiful and numinous, every human body, and all aspects of it, is therefore likewise beautiful and numinous.

Attachment to the idea that every body is beautiful is often characterized by a visceral disdain for, and criticism of, mainstream interpretations of beauty and anything deemed "fake"--cosmetic surgery or procedures, photoshopped or airbrushed pictures, and perhaps even makeup, jewelry, hair coloring or stylish clothing--and a similarly strong preference for all things "natural" or "real", even if not traditionally beautiful. But this self-righteous disdain for the "unnatural" is often just a thinly-veiled cover for egoic jealousy--"I could look that good too if I were willing to whore myself out and be all 'fake' like that, but I'm not. Or if I had enough money for plastic surgery, but I don't. At least I'm 'real' though". Or..."I could never look like that even if I tried! Who the hell is he/she/it to define beauty in such a limited way! My body is beautiful too, damn it. Everyone's is!" Again, while this is progress, it's still a symptom of egoic attachment to body.

The key to moving past any attachment is always simply making peace with what is, whether pleasant or repugnant to our egos. Is my nose unattractively huge? Ego submits when we can accept that fact with centered acceptance rather than pretending that "all noses are lovely" or that notions of beauty based on nose size are artificial constructs imposed upon us by society rather than by, say, evolution.

How do we make such peace with reality? The solution is to weaken the emotional bonds that reinforce our false sense of bodily self. Jed McKenna explains:

“You don’t have to destroy your false self because it’s not real, which is really the whole point. It’s just a character we play, and what needs to be killed is that part of us that identifies with the character. Once that’s done—really done, and it can take years—then you can wear the costume and play the character as it suits you to do so, now in the character but not of the character.”

Through consistent practice of yoga we learn to break the bonds of bodily identity, to disentangle Self from everything else. As we do so we eventually experience (among a great many other things) that neither "our" perceived beauty nor "our" perceived blemishes are "our's" to claim--no more than a bird's beauty's or ugliness is our's or its to claim. Or a tree's. We are NOT that. Or, to the contrary, we ARE that, but we are EVERYTHING ELSE too. Unity.

From this state of expanded identity, our relationship with "our" body, and everyone else's, is transformed. Walt Whitman described his experience of this evolving bodily detachment:

"Apart from the pulling and hauling stands what I am,
Stands amused, complacent, compassionating, idle, unitary,
Looks down, is erect, or bends an arm on an impalpable certain rest, Looking with side-curved head curious what will come next,
Both in and out of the game and watching and wondering at it."

When we detach from bodily identity, we "stand apart from the pulling and hauling", centered, renegades from our former selves. And the body becomes, like everything else, just something to be witnessed, experienced and perhaps animated with awe, amusement, compassion and/or creative energy (prana). From this detached vantage point we "play the character as it suits [us]", being both "in and out of the game [maya] and watching and wondering at it."

Observing the body from this Center, and being detached from it, some may come to view the body as almost an irrelevancy. In this case they may have a genuine preference for the "natural" since it requires the least amount of thought and effort. So, for instance, no makeup, no hair coloring, no adornment, no tattoos, no cosmetic procedures--such things being viewed as little more than a distraction. Others, acting equally from the Center, may choose the exact opposite approach and instinctually transform the body with markings, tattoos, adornments, piercings, other cosmetic alternations, makeup, hair coloring, etc.--viewing the body as an artist views a canvas--an object of creative expression and celebration of the life force.

Regardless of the chosen approach, bodily expressions made from the Center and with a sense of dharma represent authentic expressions of the life force within. Consequently, they are very different from seemingly identical acts or decisions made reactively or defensively in protection of ego. We recognize the awakened among us not by what or how they express themselves, but rather by who (Center or ego) does the expressing, and why.

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Thank you. Haven't been into yoga so much but have been reading deeply into Jung . Currently reading "Dreams"