UwU ~ Thanks for reading and thanks for the compliments! And thanks once more for noticing the usage of life-speed dialogues and the detail-crafting. Honestly, despite knowing I just stir my passions here, I enjoy thinking the pace of dialouge, the cut/spit backs between characters, playing off the awkwardness and taking lil’ steps whenever possible/practical. The same in world-building, but nothing works better for the orator (id est, third/removed person narrator) than to make everything cartoonish/alive. While I disagree with that “show don’t tell” rule as I think it funny that writers only tell in a more fancier way, I do agree with just not explaining the obvious and having fun with the reader’s senses as they develop the film in their heads. Withal, if a writer really wished to show something, they can become an artist as well to avoid the limits of language.