Book of Wires (chapbook, section 1)
Preface:
The design of these poems may make the reader wonder how to read them--they were designed to be quantum in nature, so any way will do: left to right, right to left, up to down, swirling, repeating words or lines, on your head while practicing yoga--doesn't matter, they were designed to provide a mood and every one attempts to break old language structure. The reader will also notice it was necessary to limit articles and prepositions to achieve this versatility for the reader. An asterisk * is used to signify a typical line break for manuscripts.
*
stolid
survivor chosen
hounded relief
might
stranded pain at last
grave
stave succor
timid
contact
*
impossible
deities
barking deaf
father alien
time out laws
acts
croaking snaking
spine abyss stitching
noisy tears primal madness
sympathy of
orchards langur
*
love's
madness growling
excuses orchard
land-scaping
noise cross
ego french dressing
group blues
distortions
singular
I/we
lists of
poets driver permits conscience
*
paging
Ariel feminist
jouncing facism mommy
samba cartel
sweat thunder
grind nollie flip
nose kick switch
pig (xor) stance
end 180*
dead 2end slide out
back side sallad
911 grind house music
Allah/Allah oxen tail
style 2tell drive
free encryption flash fiction
meme base jack
daddy jumping
*
slip air
of or
bone wind
bark grit
of or
skull hull
screaming forgetfullness
loving darkness
feathery coldness
leaf shadow
branch shade
grafting grain
or god of knot falling
future
or
seed
of
past
*
nothing
*
unzipped
skin
resolves
matter
has
original spells
text life
but many forms words
schools death
branch curses
rules religons spin spinning
confine weave form seeding
thoughts sink free alien
vegatation
*
yellow glazed
dead cold wheelbarrow shit
plum
*
knowing
cursed attraction
were by suspecting
damned all attracted interest
is (xor) with pending
praised none distracted disinterest
will-be in doubting
blessed distraction
knowing
*
out
pour compounding
wound of time
milk mutant gods slobbering
uttered out mammory their children
a pupil clear unsnagged smiling red bones
pain hooks cross (xor of god) mossy beards
axman's stroke bleeding red soaked with
face muttering sea's slaughter
out ground
black Rothko's eye
pagan
footprints
bleeding belly
shriek glass
pentagrams
skin
*
and rounds
rounds quartz contenment
the mind and crosses
a wooden way squares stone derivative
willing centers
triangulates interning host
*
wrinkled feet bear time
bend spirit
kind illusion blend sea
*
God could make a tree of it
man a god--
dim jealousy heaving mystery
recursive dream osmium light
tempetuous seed stationing
sulpherous grin gross articulates
grieving purge grim substantial
*
decentralized id
surfing conscious
ancient flames
rioting round
griots hastening dead
dim satisfactions without webs
hold us lines diminished led
grim enumeration
*
rooted stone
wood petrified
as image gorgon oxide
fiesty symbol expansing drone
as practice log eternal
dreamy waters
borderless end
*
strap-on sonnet:
dog-collar bliss release grip
barking hook
electro-shock kiss girating
(five finger) smile gimp
spit-swallow haiku limbering
howling nerve lips
red-ball commune tendering
*
memes cryptographs
skin-tight stack
genes stuxnet sacks
loose daddy
static drones complex
dildo
syntax clones crucifix
data-flows
egg-bound sentience
pay-loads bit-by-bit
drills non-death's
step-by-step
*
hearing browns
stupid sense
fondling sound branching nowhere
a tree
stand-in
*
quantum displacements grievence
love's hateful
survalience
sociopathic v-chip chakras
mision statements
plastic truths cavernous roots
branch out one clit dripping ripe
gods
en route two tits
heavy muse mouthing one
mediations sulpherous compound
Kurtzian
fire mantras
incinerations
tropic
morbid incantations
modulations
It's probably one of the few times that drugs would improve reading comprehension =P
I updated the preface--hopefully it makes reading more enjoyable.