Electronic Music - No audience on the Steem Blockchain?

Another Music community post

While I know there is a great music community on this blockchain I also realized other topics are better received. Does that mean I will stop posting and driving my mainly electronic music stuff? No way! I am happy for anyone that likes our music and engages! Everyone loves music, some have talent to play and compose, others can only write or use produced stuff and mix it up! As long as there is only one community member that appreciates our music I will continue!

If you like what we do feel free to join the Music Community on Steem https://beta.steemit.com/trending/hive-193816 - Namaste!

Re-Introducing DJ Stingray

Ever heard of the US American that is playing in Berlin often? A pioneer with a special aura - a brand in electronic music. You could have seen him this weekend live in the famous Berghain in Berlin - no worries he is playing regular sets there.

DJ Stingray is often associated with a dark, dystopian brand of electro, and rarely seen without his trademark black balaclava. He is originally from Detroit and did relocate to Berlin playing the best clubs in Europe, becoming a regular at Berghain. He came to Berlin to play especially as it is the "capital of techno" so this is what he does. He learned his job in the mid-1980ies playing regular slot at The Outcast which was tough motorcycle club in North Detroit - he can deal with impatient and demanding audiences.

Some biography stats

DJ Stingray (sometimes billed as Stingray313) is Sherard Ingram, founder of Urban Tribe and associate of mythical Detroit electro duo Drexciya. As both a DJ and producer, Ingram is a master of light-speed, futuristic electro, preferring fast tempos and inventive beat patterns to more accessible, club-friendly rhythms. However, he takes issue with the term "electro," and the way people tend to use the word to classify electronic dance music that isn't in standard 4/4 time, instead preferring to describe what he does as techno.

Ingram's musical career stretches back to the '80s. He grew up listening to the wildly eclectic broadcasts by pioneering Detroit radio DJ the Electrifying Mojo, absorbing everything from Kraftwerk and Parliament to industrial groups like Severed Heads and Skinny Puppy. He was taught to DJ by his friend Kenny Dixon, Jr. (Moodymann), who claimed that he could mix better than Mojo. Ingram made his recording debut in 1987 with "Time to Party," a raw techno single co-produced with Lou Robinson under the name Nasa. He gradually developed and perfected his dense, high-speed mixing style, and would DJ at biker bars in Detroit, slipping bits of techno tracks in with Miami booty bass and West Coast electro and hip-hop. He began working as Urban Tribe in 1990, and a track called "Covert Action" appeared on a compilation soon after, along with several Carl Craig tracks. Craig eventually introduced Ingram's music to James Lavelle, and Urban Tribe began releasing music on Mo Wax in 1996, with debut album The Collapse of Modern Culture arriving in 1998. Featuring tracks written and produced in collaboration with Dixon, Craig, and Anthony "Shake" Shakir, the album was a moody collection of downtempo and deep house tracks, and quietly earned a reputation as an under-the-radar classic.

Authorized Clinical TrialsIngram had long been friends with Drexciya's James Stinson and Gerald Donald before they contacted him about being their tour DJ. Billed as Drexciyan DJ Stingray (a name given to him by Stinson), he visited the U.K. for the first time in order to tour with several Warp artists, and constantly left his audiences awestruck. As Mystic Tribe A.I., Ingram shared a split single with Stinson's solo project the Other People Place in 2002. After Stinson's untimely death in September of that year, Ingram removed "Drexciyan" from his moniker out of respect. He continued making music as both Urban Tribe and Stingray, with two Urban Tribe albums appearing on Aphex Twin's Rephlex label (2006's Authorized Clinical Trials and 2007's Acceptable Side Effects), and several Stingray releases issued by WéMè Records starting in 2007. Instead of the more downtempo, earthy style of his previous Urban Tribe work, his output under both monikers was much closer to Drexciya's harder-edged electro. However, Urban Tribe did return to a slower techno sound in 2010, with a self-titled LP on Dixon's Mahogani Music and the Loyal Opposition EP on Craig's Planet E.
Kern, Vol. 4 Since then, Ingram has mostly operated as Stingray, and has become more prolific as an artist and more in-demand as a DJ than ever, frequently playing gigs across the globe. He's released numerous EPs on labels like Unknown to the Unknown, TRUST, Presto!?, and his own Micron Audio. WéMè Records released his full-length F.T.N.W.O. in 2012, as well as a self-titled EP and 2013 full-length (Commodified) by NRSB-11, his collaboration with Donald and Penélope Martín. In 2017, Stingray's first commercial mix CD, Kern Vol. 4, was released by Tresor.
Source: https://www.allmusic.com/artist/dj-stingray-mn0001408777/biography

Enjoy some live sets below

As a Techno addict I simply enjoy this awesome sound carpets by a true master combining US and European Tunes.