"A tram called desire" has always seemed to me one of the phrases with the best titles, because of its metaphorical richness and, consequently, significant. The journey as a displacement in the field of corporal and affective subjectivity, can be one of many interpretations.
In addition to reading it, I had the opportunity to see the work represented once in a theater festival, as well as the film version of Elia Kazan. I have it as a key piece of contemporary theater, which knows how to stage the terrible shadows that constitute us as human beings: This makes it an heiress and, at the same time, a renewal of the best ancient Greek drama. The characters and their conflicts are sharply posed, from the somewhat skeptical vision of Tennessee Williams, so typical of mid-century writers.
Thanks for your good post, @honeydue. Greetings.