This Story Is Generated By an Artificial Intelligence (AI) Using OpenAI GPT-2
Oreo is a large and round and round and round and
richer person than he is. He has four legs, and because he wears
the things which protect him against the elements he has a very narrow
angle of distinction between beauty and obscurity. He was born with only
one set of eyes, and thus no other eyes were equipped with those
that could see. The other two eyes were equipped with the other two
eyes' two working lights, but the third working light was not working
under the blue of the first. Thus when he was a year old it made a
great deal of difference. The beautiful boy who was then called Tori was
pretty and had a happy life who got into trouble (my little boy) for
not following my instructions.
Now the important thing to remember is that when you call Tori a
flower or a vegetable they have three heads--the lower one has the
flower's slime and blood, the upper one the flower's silk. When you
call them a flower they have the same color, the slime is the same
and the silk the same color. When they are in flower clothes it makes
little difference what the name says about them. They are the same person
but differently shaped. They are going to breed and produce and keep
the earth that they are going to be a breeding ground for other animals
when they grow up to be the stateliest things on the earth.
Y.M. Perhaps I should add that the working of the plants and animals
in the House of Commons is entirely the work of the imagination?
O.M. Well, yes. The imagination can work pretty finely anything, but
not so well as the hand and the blue-eyed monkey, for instance.
Y.M. Of course it could do that with paint--right?
O.M. Yes.
Y.M. And with anything, for instance a picture?
O.M. No.
Y.M. No. The imagination can do it all: take a painted square and
make an INCREDIBLE drawing of it and apply a new one, just as if
the original were drawing paper. It could do that with paint, just as easily.
O.M. Yes, of course it could. The same drawing could be made of anything, from
paper to pens to blue-eyed lizards. The same ideas, the same
dreams, the same dreams--the imagination could make those things come to
life. The more you talk about it, the more you seem to think it
is a boy's game. It is. It is intelligent and hard working, and
laid down in the purest and happiest of cultured and most human
facts isランドイズ” on the one hand, andランドェ� on the
other.
Y.M. So it has an intellectual claim to the title of the most
brilliant human being on the face of the planet?
O.M. Yes.
Y.M. And to lead that arrogant and inhuman life on?
O.M. No. It is impossible. It is like being in a romantic comedy
set in the wilds of the Apollonia: you must not engage it in any
but one of the usual ways: you mustronide its memory, it has to
do original and verbatim things in order to be prais’d; it has toconceit of its
owne ideas and borrow them; it borrow’d Peter Pan's ideas and
borrowed their structure and function and enable them to be expressed in
fascinating and surprising
forms no less than the most ingenious and multifarious and gratuitous and
incredibly persuasive and eloquent and beguil’d by the very nature of
themor their giving expression fail of their object. They are all of the
sort, M.O.
Y.M. And how do you know which is the funniest? which is the
easiest to laugh at?
O.M. Well, different people have different methods of judging between the
composers, of varying degrees of success. I try to keep this
cheap, but I’ll be frank with you. When it suits the piece, no matter
what its author or the language barrier may be, the funniest is the
one to follow.
Y.M. Perhaps you have overestimated the number of people who have moved
me along since the invention of the phonographic alphabet in
1910.
O.M. Very well. In that day I think that if you could spell “phonography”
with anything in it, it could serve as a reference book. You would
never find a person who could not spell