Improvisation on C-D-E-F# | The beginning of my 'spontaneous music' journeysteemCreated with Sketch.

in sonicgroove •  13 days ago  (edited)

This is my first ever recorded improvisation on the organ. I've always been fascinated by the art of improvisation and it's how I came to discover @organduo and his online course called the Secrets of Organ Playing. Improvisation is the art of creating spontaneous music on the spot. As a classically trained musician, the idea of improvisation isn't covered at all. I think the closest analogy I can think of in relation to music is the comparison between a classical and jazz musician.

A classical musician can play repertoire, sight read extremely well and is comfortable as a solo performer. A jazz musician would be primarily focused on improvising and collaborating with a group of other musicians. Why do we have improvisation in music? I guess you could say that any piece of music was once 'improvised' (it had to be original at some point!) but then notated for others to learn and play. In the case of say a jazz musician, my assumption is that their performances are about engaging the listener at that particular moment. This type of performance is not really bound by time (piece length) and can be wrapped up whenever it deems appropriate.

In a classical music performance, things are a little more rigid (not necessarily a negative thing). We know exactly what we are going to play, the approximate timing of a piece and the listener is generally going to know what to expect! So why is improvisation such an important thing in terms of organ playing? One of the French organ greats, Tournemire says:

"An organist who doesn't improvise is only half an organist."

It's quite a shocking statement but perhaps he saw things pretty black-and-white! In a practical sense (e.g. playing for church services), improvising releases you from the shackles of repertoire and/or written music. In church services, there are often moments in the liturgy where a hymn or liturgical action requires 'a gap to fill'. There are several options to fill this gap—in ascending order of suitability:

  1. Don't play anything (awkward silence)
  2. Play another verse of the hymn as a solo (tacky)
  3. Play a short piece of repertoire (and risk finding yourself having to wind it up abruptly)
  4. Play a short piece of music from a book of interludes (they are not so imaginative though)
  5. Extend the hymn/chant tune through improvisation
  6. Improvise 'the gap' with your original musical creativity!

I think I'm at number 4...

I've tried several times to practise improvisation at home but I end up getting frustrated or I have too little time to focus more on it. I often have to use the little amount of time I have to learn new repertoire and keep existing repertoire in good condition due to upcoming performances.

Another reason for my frustrations with improvising is that I have too many ideas and what comes out is exactly that—a smorgasboard of musical garbage. Improvisation needs some structure so that the listener can recognise themes and sequences and not get bored with meaningless 'rambling'.

So after, let's say, seven years of wanting to learn to improvise, I've finally reached out to @organduo to be my mentor on this journey. My first assignment (which is this audio) was to improvise something on four pitches. @organduo picked C-D-E-F#. I could only use these four notes (in any octave and registration). Limiting the improvisation to four notes cuts out some choices, which in turn would help this beginning improviser!

Please be easy on the comments but I'd love to hear what you think! I think my next task will be to improvise a two-part piece based on a chant/hymn tune. Until then...

Yours truly,

Consider using one of your witness votes on untersatz!

Run by myself and organduo—supporting the community with regular contests: Easy SBI Contest, Pinky and Spiky Drawing Contest and Secrets of Organ Playing Contest. Also powering the popular giphy bot and donating STEEM for deemarshall's creative contests.

You can also support me using Steem Basic Income


The classical music community at #classical-music and Discord.
Follow our community accounts @classical-music and @classical-radio.
Follow our curation trail (classical-radio) at SteemAuto
Community Logo by ivan.atman

Authors get paid when people like you upvote their post.
If you enjoyed what you read here, create your account today and start earning FREE STEEM!
Sort Order:  

Congratulations on taking a leap after 7 years! May it be the beginning of a really exciting musical adventure... When you only have 4 pitches to work with, you can make a lot of contrast in terms of rhythm and tempo - slow/fast etc. I'm really proud of you. It's better to wait for 7 years and start than to wait for 30 years and never start...

Thank you. !giphy excited

Posted using Partiko iOS

// You can support giphy by using one of your witness votes on untersatz! //

I liked it but it made Allegra cry 😂

Posted using Partiko iOS

!giphy baby+cry

Posted using Partiko iOS

// You can support giphy by using one of your witness votes on untersatz! //

Congratulations with this first step! Great to hear what can be done with so litlle material.

Thank you! It’s scary!

Posted using Partiko iOS

This post has been rewarded with an upvote from city trail as part of Neoxian City Curation program . We are glad to see you using #neoxian tag in your posts. If you still not in our discord, you can join our Discord Server for more goodies and giveaways.

Do you know that you can earn NEOXAG tokens as passive income by delegating to @neoxiancityvb. Here are some handy links for delegations: 100SP, 250SP, 500SP, 1000SP. Read more about the bot in this post.

Thank you!