Easter egg or pysanka. Ukrainian Easter traditions.steemCreated with Sketch.

in #pysanka9 years ago

Easter egg or pysanka. Pysanka painting is a widely practiced form of decorative art in Ukraine. The practice originated in the prehistoric Trypilian culture. Ukrainian pysanky have a symbolic significance. They symbolize spring, renewed life, and resurrection and have thus become associated with the celebration of Easter. Today pysanky are also appreciated as works of art.


Pysanky can be made of various materials—poultry (usually chicken) eggs, stone, wood, or clay—and can be decorated by various techniques—by painting with a brush (malovanka), by dyeing the egg a solid color (krashanka), by dripping hot wax on the egg before dyeing it (kapanka), or by scratching a design on a dyed egg (driapanka). The pysanka (literally, ‘written egg’) is produced by a complex technique. An initial design on the egg is done in beeswax, which is applied to the surface with a special instrument called a kystka (a small, metal, conic tube attached to a wooden handle). The egg is then dipped in yellow dye. Then those elements of the design that are to be yellow are covered with wax and the egg is dipped in a red dye (sometimes two shades of red are used). After the surfaces that are to be red are covered with wax, the egg is dipped in an intense, dark dye (violet or black). So that the color will adhere well, the egg is sometimes washed with vinegar or alum before being dyed. When the design is completed, the egg is heated to melt off the wax. The process of ‘writing’ pysanky is similar to batik printing. Traditionally, the dyes were prepared by skilled folk artists from the roots, skin, or bark of various plants and trees according to traditional recipes. These dyes were resistant to light and did not smear. Synthetic aniline dyes are widely used today. Pysanky are usually decorated just before Easter. The ornamentation of the pysanky consists of ancient motifs such as the solar motif (represented by the circle, rose, swastika, triskelion, and other forms). The design and the appearance, based on a limited number of contrasting colors, are connected with the technique, form, and purpose of the pysanka. Since it is spherical, the pysanka can be appreciated from many perspectives.


A great variety of ornamental patterns are found on pysanky. Because of the egg's fragility, no ancient examples of pysanky have survived. The oldest designs of Ukrainian ornamentation are known only because of the continuity of the ritualistic tradition of painting pysanky. By a system of lines the decorator divides the surface into a number of regularly shaped sections. The decorative elements, such as dots, lines, crosses, cones, and zoomorphic or anthropomorphic motifs, are painted within these sections or at their junctions in symmetrical or asymmetrical arrangement.


In the central regions of Ukraine vegetative motifs, stylized and geometrical (in the Kyiv region and Poltava region), the meander (bezkonechnyk), and the stylized rose, symbolizing the sun, have been dominant elements in pysanka designs. In the Chernihiv region more naturalistic, asymmetrical, floral patterns have been widely used. Geometric ornamentation has been more prevalent in the western regions. Certain regions, however, such as the foothills of the Carpathian Mountains, have had their own, distinct ornamental patterns. In the Sokal vicinity floral ornamentation has been used in a florid manner. The designs and colors of the Boiko region have been more restrained: darker colors have been used near Drohobych and strongly contrasting colors near Kalush.


The pysanky of the Hutsuls are distinguished by their intricate designs and fine execution. In most, complex geometric ornamentation has dominated. Their strong and rich colors, color range, and combinations and complexity correspond to the ornamentation of the Hutsul wood carvings, metal art objects, and embroidery. The Hutsul region merits the name ‘land of the artists.’ It is not surprising that pysanka painting was most developed there.




Western Ukraine 

            Полісся: Polissya region (western)                               

            Волинь: Volyn’/Volhynia 

            Сокаль:  Sokal’ (a small area within Halychyna with very distinct decorative traditions)

            Галичина: Halychyna/Galicia (Includes Opillia and Roztochya)

            Підляшшя: Pidlyashya/Podlachia

            Холмщина: Kholm region

            Поділля: Podillya region

  

Carpathian Ukraine:

            Буковина: Bukovyna region 

            Бойківшина: Boyko/Boykiv region

            Гуцулщина: Hutsul region           

            Закарпаття: Zakarpattya/Transcarpathia           

            Лемківщина: Lemko region (including Pryashiv/Priashiv)

            Покуття: Pokuttya region 


“Greater” Ukraine:

            Кубань: Kuban

            Середнє Подніпров’я: Middle Dnipro (Dnieper) region

                    Київщина: Kyiv region

                    Полтавщина: Poltava region

                    Черкащина: Cherkasy region                       

            Полісся Polissya region (eastern) 

                    Чернігівщина: Chernihiv region                

            Причорномор’я/Приазов’я: Prychornomorya/Pryazovya (Black & Azov Sea regions)   

            Слобожанщина: Slobozhanshchyna region /Sloboda

Photos taken from the site

information: http://www.encyclopediaofukraine.com/display.asp?linkpath=pages%5CE%5CA%5CEasteregg.htm

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Interesting post! I used to love painting eggs at Easter when I was a child, though they weren't as beautiful as this! Thanks for sharing @shady

Thanks. Me too. Now I like to paint with my husband pysanka and krashenki

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