Premiere on Steemit: Scenario for the movie "Weighty Service" (part 15)

Illustration of Anastasia S. especially for @poesie

Author: Victor Markov, @markvial

Design@konti

Scenario
to a full-length movie

Accepted designations:
Int - shooting in the interior, KP - close-up, NAT - shooting on location.

Part of the 15

OUTSKIRTS. NIGHT. THE SAME TIME.

The traffic police post on the outskirts of the city. The post is brightly lit by numerous lamps and lanterns. On a post, except for the car of the traffic police, there is a dark jeep.

On the long straight section of the highway in front of the post is the familiar "Ford Focus". Rides slowly.

KP THROUGH THE WIND GLASS AUTO FACES ANTONA AND RHYTHA.

Rita carefully looks at the situation at the police station.

RITA
Come on, squeeze to the right. Here, under the shadow of bushes. And turn off the dimensions!

Anton performs a maneuver. With the lights off, "Ford Focus" in the shadow of the foliage is seen badly.

ANTON
What are you ...? You're cautious, as if Stirlitz is in Müller's office!

RITA
Do you see a dark jeep? It hurts like a familiar machine! Let's wait, let's see what kind of guests the traffic cops have at that time.

A FIVE OF MEN ARE OUT OF THE ACCIDENT PAGES.

Two - in the form of inspectors GAI. Three - in the uniform of the guards of the hotel complex.

All five talk lively. It is clear that everyone has known each other for a long time.

RITA
Turn around! Only quietly, do not gasily, or you will hear.

Anton turns on the ignition and, trying not to make too much noise and not leaving the shadows, turns the car around. "Ford Focus" carefully leaves behind the turn of the road.

MP ANTON'S FACES AND RITES IN AUTO.

ANTON
What, did you recognize your friends?

RITA
In vain you turn around! That's bad! If they are here, then in other places too, for sure everything is already blocked. Your car through the guards of the parking lot they already spotted - and the model and color. By car from the city to jump out will not work. The seaport is also closed to us. They have their own people everywhere!

ANTON
The car somewhere hide for a while, and themselves passing. Break through!

RITA
Hardly! .. We can get under the base! We need to wait somewhere for the night. During the day traffic on the streets is more active. Then in a crowd of cars, maybe we'll slip through.

ANTON
I have a desert place in mind. Yesterday he had fondled him. The beach, the sea, the trees and no one else! Even a streamlet falls down to the sea - at least we'll drink some water! And then in my throat everything from such shocks has dried up.

RITA
Well, carry it! Somewhere the night is still necessary to tilt.

NAT LOUJAYKA, WHICH ANTON HAS DISTILLED HIS MACHINE AFTER KATHANIUGUING THE CITY ON THE FIRST DAY. NIGHT.

The lawn is lit by moonlight.

At the edge of the steep descent to the sea stops "Ford Focus". From the car go Anton and Rita.

RITA
So this is the place?
(looks around)
And what, I like. Even you can swim! You will?

Rita throws off her shorts and shirt.

RITA
I'm off! Catch up!

Anton undresses to the trunks.

KP FROM THE POCKET TROUS TO THE HERB OF THE MASSIVE LINK № 815 WITH THE KEY FROM THE HOTEL ROOM.

Anton picks up the key chain and throws it into the glove compartment of the car. Himself on a steep slope, slipping on the sand, rushes behind Rita.

NAT THE QUIET SURFACE OF THE SEA, DECORATED BY THE MOON TRAIL.

Anton and Rita, happily washing away the troubles of the night events, splash in the sea like children. Dive one after another, pellet one another with splashes of water.

Gradually, playing in the water turns into a ritual of courtship of Adam and Eve. And they are addicted to this game, merging into a long kiss.

Rita, barely tearing herself away from Anton, takes a breath.

RITA
You did not get carried away?

ANTON
And you did not like it?

RITA
Fast what! That with fists, then with kisses you climb. And all in one night!

ANTON
And you do not provoke!

RITA
(as if offended)
Here's another! We must provoke you very much.

Anton emerges from the water and slowly starts to climb the rustling pebbles to the car. Rita overtakes him, takes her hand. Now they go to the car together.

RITA
How did you sing there? .. "Bound by one goal? .."

ANTON
(automatically)
"Chain ..." Look, now I want to eat! Straight horror of some kind! And everything in the room is left.

RITA
Yes-ah! .. Trouble!

ANTON
No! .. She's also mocking!

Anton, joking, slaps her on the pope.

ANTON
I for her - all brought! And she instead of gratitude - cruelly mocks the hungry man!

Rita pretends to be offended.

RITA
If you are so, then go hungry!

ANTON
And if not "so"? What - what? Will you feed?

RITA
(significantly)
We will look at your further behavior.

They reached the car. Get dressed.

Anton opened the hood and pretended to check the oil level in the engine.

Rita climbed into the salon behind the backs of the seats.

Rita takes out the package, opens the trunk and in the trunk, like in a bar, puts food out of the package. He puts out a bottle of wine.

RITA
Well! Why are you digging there? Will you be?

Anton bypasses the car. Surprisedly examines the food spread out in the trunk.

ANTON
You're on your way to a picnic! Totally typed. Even found the wine!

RITA
Do not leave food for the enemy. Here before the retreat I packed everything in a package and took it with me.
I wanted to take the minerals, but in a hurry, the wine in the fridge caught.

ANTON
Well, it's good that wine! Will, than our familiarity is washed! Where to pour?

Anton with a corkscrew-keychain opens the wine.

RITA
Op-na! .. And there are no glasses! And do nothing.

ANTON
Nothing! In turn from the neck we will sip.

NAT NIGHT. THE MOON LIGHTS THE TRUCK AUTO.

Anton and Rita, animatedly gesticulating, discussing past adventures, taking turns drinking wine from a bottle

and eating sandwiches and grapes.

Rita shoots grapes in Anton and runs away. Anton chases in pursuit, catches up with Rita, drops her on the ground.

Kisses. They play, fighting, rolling on the grass. Then Rita from above, then - Anton.

Rita from above. Anton, sucked into Rita's lips, unfastens the upper part of the leotard with his hands.

Inxicated with kisses Rita as if does not notice this maneuver.

They roll over on their side.

BLACKOUT.

This work was published on the Golos . In my community Poetry of the Golos . This story is published with the permission of the author Victor Markov.

The continuation follows.