I Love You - Day 1 (The Overhead)
There’s more than one way to mount a camera! After the job probed too big to keep it set up inside our tiny apartment, we opted to suspend my cinema camera 7 feed off the ground via two C-Stands, zip ties and some very crafty rigging by my DP extraordinaire.
I was going for symmetry in some my compositions, as you can see in the monitor.
My favorite part - besides making a movie with this talented team - was the fact that we shot 12-bit RAW out of the FS7. The color information is so much better RAW. The colors are very rich compared to the internal XAVC codec and even the Quicktime ProRes HQ.
Steepshot