last night, as I was just jamming, trying to write something in 11/16. I didn't really do any mixing or adding more effects/plug-ins to anything, and the sound is sort of odd, I think mostly due to the drum tones, but there are some good ideas here that I want to expand into a complete song. I started with Track 1, which is essentially just the root notes of what would become chord progressions, divided into 2 sections, A and B (in Yellow and Blue, respectively). The A part definitely fits into the 11/16 vibe, with one or two chord changes per bar. We begin on F# (we're in F#minor), to A, E, B, and A again for the first half, then F#, A, E, Bmin, and C#min. I don't dislike this part, I think with some different instruments and drums this could turn out pretty cool. But, the B part turned out a lot cooler, and is something I'd like to take and perhaps build an entirely separate track around.

of our 11/16 bars, which winds up giving it the feeling of being in 11/4, which I think works a lot better than the faster, more spastic 11/16. I didn't actually do this on purpose, I just had a 4 chord progression (Vi, Vii, i, i), but each chord came in a beat later per bar, which resulted in each chord being held out for 3 quarter notes (assuming 11/4), except for the last, which only holds for 2, which turned out to be a really cool groove, with the ride cymbal providing the 1/4 note rhythm. Track 2 is the drums, which again, don't sound great, so I'll try and find something that fits much better as I expand on the B part. Tracks 3 and 4 both play our chords; Track 3 is a plucky synth, while Track 4 adds an arpeggiated synth. Track 5 is the bass, which I think works nicely in all the sections, so I'll try and keep that as is. Finally, we have Track 6, which is by far my favorite track. The B part for this track is so cool, playing arpeggios of the chords Tracks 3 and 4 play, and will definitely be the basis for whatever future versions of this song come to fruition.