Monomad Challenge | Venezolanos: hay que dejar atrás lo malo y lo feo
Camera Samsung Digimax 370 Kenox D370
Options: 5.8mm; f/2.8; 1/60s; ISO 63
Reflexión
Me es muy difícil salir a buscar una fotografía sin pensar en la inseguridad o en que me roben la cámara fotográficas (ya me han robado 2).
Por otro lado, me niego a capturar fotografías de gente comiendo de la basura o de perros, tan enflaquecidos, que el costillar de sus huesos es lo más resaltante.
Me niego a fotografiar la humillación permanente de montarnos en un camión para vacas como transporte público o hacer las capturas de las largas e interminables colas para entrar a un banco.
Y me niego a ello, no por no querer aceptar la realidad sino por creer que trascendemos a este momento coyuntural.
Venezuela es un país con gente de mucho talento: escritores, bailarines, actores, actrices, fotógrafos, cineastas, músicos, artistas en general, investigadores, médicos, filósofos, intelectuales, etc.; gente con amplias capacidades cognitivas, humanas y espirituales.
Con esta fotografía, capturada desde mi carro, escondida, quiero dejar atrás la basura con toda la metáfora que en imagen y palabra se contiene.
Venezolanos, deseo construir un país de oportunidades junto a todos aquellos que así lo deseen.
Venezuelans: we must leave behind the bad and the ugly. Reflection.
It is very difficult for me to go out to look for a photograph without thinking about insecurity or having my camera stolen (they have already stolen 2).
On the other hand, I refuse to capture photographs of people eating from the trash or dogs, so flabby, that the ribs of their bones are the highlight.
I refuse to photograph the permanent humiliation of riding a truck for cows as public transport or catching the long and endless lines to enter a bank.
And I refuse to do so, not for not wanting to accept reality but for believing that we transcend this conjunctural moment.
Venezuela is a country with very talented people: writers, dancers, actors, actresses, photographers, filmmakers, musicians, artists in general, researchers, doctors, philosophers, intellectuals, etc .; people with broad cognitive, human and spiritual abilities.
With this photograph, captured from my car, hidden, I want to leave the garbage behind with all the metaphor that is contained in image and word.
Venezuelans, I want to build a country of opportunities with all those who wish.
Hey. Professional and amateur photographers: I invite you to follow the tag #Monomad to discover and enjoy the wonderful world of photography in Black and White. In the blog of @monochromes you can find a beautiful gallery of many talented and creative steemitnauts that are selected daily. To know the rules check the link Here.
Welcome, your comments.
Infinite greetings and until a next #Monomad Photography.
Bienvenidos sean los comentarios.
Saludos infinitos y hasta una próxima fotografía #Monomad.
Options: 5.8mm; f/2.8; 1/60s; ISO 63
Reflexión
Por otro lado, me niego a capturar fotografías de gente comiendo de la basura o de perros, tan enflaquecidos, que el costillar de sus huesos es lo más resaltante.
Me niego a fotografiar la humillación permanente de montarnos en un camión para vacas como transporte público o hacer las capturas de las largas e interminables colas para entrar a un banco.
Y me niego a ello, no por no querer aceptar la realidad sino por creer que trascendemos a este momento coyuntural.
Venezuela es un país con gente de mucho talento: escritores, bailarines, actores, actrices, fotógrafos, cineastas, músicos, artistas en general, investigadores, médicos, filósofos, intelectuales, etc.; gente con amplias capacidades cognitivas, humanas y espirituales.
Con esta fotografía, capturada desde mi carro, escondida, quiero dejar atrás la basura con toda la metáfora que en imagen y palabra se contiene.
Venezolanos, deseo construir un país de oportunidades junto a todos aquellos que así lo deseen.
On the other hand, I refuse to capture photographs of people eating from the trash or dogs, so flabby, that the ribs of their bones are the highlight.
I refuse to photograph the permanent humiliation of riding a truck for cows as public transport or catching the long and endless lines to enter a bank.
And I refuse to do so, not for not wanting to accept reality but for believing that we transcend this conjunctural moment.
Venezuela is a country with very talented people: writers, dancers, actors, actresses, photographers, filmmakers, musicians, artists in general, researchers, doctors, philosophers, intellectuals, etc .; people with broad cognitive, human and spiritual abilities.
With this photograph, captured from my car, hidden, I want to leave the garbage behind with all the metaphor that is contained in image and word.
Venezuelans, I want to build a country of opportunities with all those who wish.
Hey. Professional and amateur photographers: I invite you to follow the tag #Monomad to discover and enjoy the wonderful world of photography in Black and White. In the blog of @monochromes you can find a beautiful gallery of many talented and creative steemitnauts that are selected daily. To know the rules check the link Here.
Welcome, your comments.
Infinite greetings and until a next #Monomad Photography.
#utopian-io has been a gift. We would like to keep its curation-efforts alive here on 'marlians.com'. We want to curate and reward 'contributions to open-source projects' with MARLIANS on the the marlians.com tribe, a SCOT-enabled steem condenser. Contributions can include suggestions, graphics, bug-finds, code etc. You can simply add in #marlians to your #utopian-io posts and it will appear on https://www.marlians.com/created/utopian enabling you to earn some MARLIANS along with steem/sbd. You can also post directly to steem via 'marlians.com'. We have some overseers who curate and who can render you help too. You can find them enlisted on https://www.marlians.com/created/utopian
Estupenda publicación. Ojala que entre la población se de ese gran cambio de conciencia que tanto se necesita. Un abrazo y éxitos.