Darkest hour

The blue hour is almost gone. The Morro's lighthouse barely shines in its rotation and to get anything in the background I need to push the ISO further than usual, but it doesn't matter. The model's face cannot be burned, and the background must be visible to be recognizable as part of the scene. I make my empirical calculations of trial and error - there is still power in the flash - and begin the brief sequence that captured Charlie against one of the most recognized symbols of our capital city