Fantasy travel: explore the Maldives’ freshly opened Fari Islands

aldives’ recently realised Fari Islands complex presents a new incarnation of the idyllic island escape. The artificial archipelago brings together design, science, art, cuisine and wellness,

encompassing three resorts and the communal Fari Marina Village – where guests can enjoy cosmopolitan global restaurants, boutique stores and a water sports centre. This is a tropical complex for the contemporary traveller, one concerned with culture, conservation, and an overarching spirit of community.

Made up of four islands — two occupied by Patina Maldives and the Ritz-Carlton Maldives, one with a Capella in the pipeline, and the fourth dedicated to the large staff contingent– it’s a unique approach where each benefits from an association with the others.

In alignment with this collaborative spirit is a design approach that feels fresh and forward-thinking, a departure from what had become a fairly entrenched destination-specific style. It proposes a new take on the tropical favourite that is the Maldives.

Patina Maldives

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Portico lobby at Patina Maldives. Photography: Georg Roske

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Designed by Brazilian outfit Studio MK27 and headed up by architects Marcio Kogan and Renata Furlanetto, this resort eschews Maldivian stereotypes in a no-holds-barred ode to nature. From the textures used throughout to the low-key, low-slung suites and simple, understated spaces, the idea behind the design was always to blend in rather than stand out.

Regardless, you cannot help but notice every detail. Custom-created crockery and decorative ceramic pieces by Bali studio Kevala and art by names including James Turrell, Hiroko Takeda, Cassio Vasconcellos, Hongjie Yang, Jose Davila and FAHR 021.3. Bespoke furniture and pendant lights create a space that’s simultaneously engaging and calming.

Photography: Georg Roske
The architecture and interiors deviate from the typical ‘resort’ style in more ways than one. Rather than default to the traditional thatched overwater villas often associated with the Maldives, the studio drew on Brazilian modernism while acknowledging the vernacular fishing villages of the region in their design.

‘We have always been affected by the radical force of Brazilian modernism that started at the end of the 1930s, from its elegant sobriety to the intense integration between interiors and exteriors. At Patina, we were able to produce architecture that is contemporary, classic and elegant,’ says Kogan.

Diana Radomysler and Pedro Ribeiro, the interior team on the project, agree. ‘For Patina Maldives, we recreated a relationship between humans and nature that has existed for thousands of years and removed the boundaries between indoors and outdoors. The space becomes a joyful experience for the senses,’ says Radomysler.

An outdoor installation at Patina Maldives by Hongjie Yang. Photography: Georg Roske