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Set in a beautiful seaside town on the Italian Riviera, the original animated feature will tell the story of a young boy who brings an unforgettable summer full of jelly, pasta, and endless scooter rides. Story Luca shares these new adventures with her new friend. ...
Preliminary release: June 16, 2021 (Netherlands)
Director: Enrico Casarosa
The story is written by: Enrico Casarosa; Jesse Andrews; Simon Stephenson
Production companies: Walt Disney Pictures; Pixar animation studios
Music directed by: Dan Romer

This Movie Story
Luca is a 2021 American computer-animated upcoming time-fantasy film produced by Pixar Animation Studios and distributed by Walt Disney Studio Motion Pictures. The film is directed by Enrico Casarosa (his feature-length directorial) and is produced by Jesse Andrews and Mike Jones, produced by Andre Warren and edited by Jack Dylan Grazer, Emma Burman, Savario Raymondo, Maria Rudolph, Maya Rudolph Sohan, Lorenzo Maroni and.

Founded in the late 1950s in the Italian Riviera, the film focuses on Luca Paguro, a sea monster boy capable of taking on human form as he lands, a summer trip to Puerto Rico with his new best friend Alberto Scorpio, and a life-changing experience. Luca drew inspiration from Casarosaā€™s childhood in Genoa; Several Pixar artists were sent to the Italian Riviera to collect research from Italian culture and the environment. The sea monsters, based on old Italian regional mythology and folklore, were created "metaphors of different feelings". Like La Lunar, the design and animation were hand-painted and inspired by the style of Stop Motion Works and Hayao Miyazaki. Casarosa described the result as a film that "pays homage to Federico Fellini and other classic Italian filmmakers, including a dash of Miyazaki in the mix."

Luke premiered at the Genoa Aquarium on June 13, 2021, and was originally released in the United States on June 18, 2021. However, in response to the ongoing COVID-19 epidemic, the film was simultaneously aired at the El Capitan Theater. Running at Disney + with limited runs; It was released in theaters in countries without streaming services. The film received generally positive reviews from critics, including praise for its spectacular and nostalgic feeling.

Plot
In the late 1950s, Luca Paguro, a giant sea giant living off the coast of Puerto Rico, Italy, was barred from entering the area by cattle and his parents' flocks because people could hunt him. One day, Luca meets Alberto Scorponok, a giant child at sea, who lives alone and claims that his father is not very close. Alberto encouraged Luca to get out of the sea, showing him that sea monsters look like humans when they are dry, but return to their original forms when wet. Luca follows Alberto to his dormitory, where the boys connect while creating and running a temporary JVP. After identifying their son's activities, Lusar's parents plan to send Laka to live in the deep sea with his uncle Ugo. To avenge, Luca and Alberto escape from Puerto Rico to find Verpa and travel the world.

The boys run to local fool and recurring champion Ercol Visconti in the Puerto Rico Cup, but a young woman named Giulia Marcolodo helps them escape. In anticipation of winning the money needed for Vespa, the boys and Giulia have formed a team for the triathlon, which includes swimming, eating pasta, and biking. Unable to swim without revealing themselves, Luca and Alberto compete in biking and pasta-eating races, respectively, and Julia swims. Erkal has promised to defeat the group.

When the boys become friends with Julia's prison father Massimo, Lusar's parents move in search of their son. Julia teaches Luca about school and the bond between the two is especially in love with learning about astronomy. Alberto became jealous of Luca and Gillia's growing friendship. When Luca starts ignoring Alberto's advice and tries to change his plans to go to school instead of traveling, he and Alberto fight. In anger, Alberto deliberately revealed his true form to Julia. Luke was surprised to see the transformation and was driven by the heartbreaker Alberto Ercol. Julia later saw his true identity and deliberately sprinkled water on Luke to calm him down; She then sends him for her own safety.

When Luca tries to reunite with Alberto and discovers that Alberto's father has suddenly left him, Alberto thinks he's a bad kid who doesn't have friends. Luca himself is ready to fix things to win the Vespa. After several accidents, Luca leads the bike race but is forced to take refuge when it starts to rain. Alberto brings an umbrella, but Ercol throws it away and both boys appear as sea monsters. They fled to Ircole, now they have plans to play the harp; Julia rides her bike to pieces, to pieces, to pieces, to pieces, to pieces, to pieces, to pieces, to pieces, to pieces, to pieces, to pieces, to pieces, to pieces, to pieces, to pieces, to pieces, to pieces, to pieces, to pieces, to pieces, to pieces, to pieces, to pieces, to pieces, to pieces She breaks into pieces, she breaks into pieces, she breaks into pieces, she returns to help him, and is rescued by Massimo from the monster hunters, revealing that the boys are his friends. He also mentioned that he won the race. Other disguised sea monsters reveal them, including Luke's family, and the townspeople greet them with joy. Meanwhile, Ercol was insulted by his abusers, who were upset at his abuse.

Luca and Alberto bought a Vespa, but the latter sold it to buy a train ticket for Luca, allowing him to go to Genoa school with Giulia. The Pulsar family, Massimo, and Alberto saw Luca and Julia at the train station, where they all promised to keep in touch. At the time of the achievement, Luca meets Gillia's mother and attends school the following year, showing the presence of her sea monster, the following year people watch her walk on the moon with him on television. Massimo became Alberto's adoptive father, and Alberto and Lucar's family enjoyed interacting with people in Puerto Rico. In a post-credit scene, Yugo mutters to a child about how great his life is in the depths of the ocean.

Voice cast
Jacob Tremblay is Luca Paguro, a 13-year-old sea monster curious about the world above the sea. He lives in the water off the coast of Italy, on a farm where he raises goats with his parents. Although he had been warned all his life that the human world was a dangerous place, he longed to do something outside of his quiet farm life, so when Alberto took him to explore Puerto Rico, his eyes were opened to a world of full potential. He and all the other sea monsters have the ability to automatically adapt to any human form when the skin is dry. Paguro in Italian means "Hermet Crab".

image source google

Jack Dylan Grazer is Alberto Scarfano, a 14-year-old sea monster and Lusar's best friend who is interested in exploring the human world. He is a free-spirited, prophetic and Gregorian boy who is ā€œgoing to have funā€. Despite his outgoing and free-spirited nature, he secretly hates living alone, as it is revealed that the personality of his only parents left him in a tower on the island and led him to feel lonely and insecure. Scarano in Indonesian means "redfish".
Emu Burman played the role of Giulia Marcovaldo, a villain from Puerto Rico, and later Julia Marcovallo, an Italian girl who became friends with Luca and Alberta. He is an "extrovert and alluring adventurer who loves books and education".
Severio Raymondo has acted as Puerto Rico's local bully and the film's main opponent. Despite winning the Puerto Rico Cup more than once in the city, many show that he is older than him, a "Vespa-owner Pompadour Blowhard who believes everyone loves him and is glad to see him eat sandwiches." He has two followers, Cicio and Guido, who are ready to bid on him. Raymondo restored the role of Italian dubbing in the movie.
Maya Rudolph is a sea monster, Daniela Paguro, the daughter of Grandma Paguro, Lorenzo's wife, and Lucar's mother who was determined to keep her son safe.
Massimo Marcovaldo as an Italian fisherman, Marco Barricelli as cooking, and Julia as a father. He was born with only one arm and pressed the tattoo man. Although Luca and Alberto were appalled by his large size and skill with knives, Massimo has a soft heart, especially for his daughter.
Jim Gaffigan, a sea monster, Ugo's brother, Daniela's husband, and Lusner's father, Limenzo Paguro as "successful, but sometimes confused fathers who were too eager to raise his prize crab"; Gaffigan acted based on his own parenting skills.
PC Sohan and Lorenzo Cressy were in the roles of CCO and Guido, Ercol's chicken.
As a woman directed by the Puerto Rico Cup Race and its sponsors, Marissa Masironi Masironi resurfaced in the Italian language dubbing of the film Mrs. Marseilles.
Sandy Martin is a sea monster like Grandma Paguro, Daniela's mother, and Lucar's grandmother. Grandma knows that breaking some rules is a part of growing up and if the rebellious side of Lusar grows up, she is very happy to see it differently.
True Baron Cohen as Uncle Ugo, Lucar's mama, and Lorenzo's brother.
The voices of Giacomo Giannini and Gino La Monica are two local jailers, respectively (they restored their role in dubbing the movie in Italian). Starring Alyssa Gabriel and Mimi Maynard Concetta and Pinuccia Agosta, the two elderly women who are actually sea monsters are Francesca Fanti, a policewoman. Jonathan Nichols called local priest Don Eugenio (voiced by Gino D'Campo in the British version). Jim Perry gives a voice to Mr. Branzino, a sea monster. Casarosa gives voice to the angry fisherman and a scoop player.

Production
On July 30, 2020, Pixar announced a new film called Luca as "Italy's Set Next Year Story", with Casarosa directing and Warren producing. It is the first debut featuring Casarosa, who previously directed the 2011 Academy Award-nominated short film, La Luna. COVID-19 is the first Pixar film to be made almost exclusively at the home of crew members due to the closure of the Pixar campus in Emeryville, California due to the epidemic.

Development

image by google

Inspired as a child in the Italian city of Genoa, Lucas described Luko as a "deeply personal story" based on his best friend Alberto Soros (who gave the fishermen a voice in the Italian dubbed version of Fishermen) and the title character. Spending the summer on the beach ... I was really embarrassed when I met my best friend when I was 11 and I met this goat trouble maker who had a completely different life I wanted to make a movie with the kind of friendship you help Increase "

He further announced that the main theme of the film is the celebration of friendship:

"Childhood friendships often determine the path to who we want to become and this is the focus of our story in the city of Luca. So, along with the beauty and charm of the Italian coast, our film will fundamentally change Luca for an unforgettable summer adventure."

According to Casarosa, the result is a film that "pays homage to Federico Fellini and other classic Italian filmmakers with a dash of Miyazaki in the mix." In addition to the works of Fellini and Miyazaki, La Terra Trema (198), Strombly (1950) and Stand by Me (1986) were cited as sources of inspiration, and Ardman animation and Wes Anderson's stop-motion films influenced Cassarossa's artistic sensibilities.

In preparation for the film, Pixar sent several of the film's artists on a research trip to the Italian Riviera, during which time they photographed the landscape and people of the region. The film was originally made in the '50s and 60s, which Casarosa described as "a golden age that feels like summer," with the music and design of the time to "snatch some of the uninterrupted summers".

The sea monsters featured in the picture were drawn from Italian mythology and regional folklore, including the tall octopus and the local "little legend about the sea dragon, which can help or get in trouble." Casarosa said: "I've always seen old sea monsters on maps. The mystery of the sea was presented to the strange creatures we drew, and there are lots of amazing myths in the area." Some of the designs that emerge from the final figure are the size of the sea monster's wings, how their scales are arranged, and their curved tail-like "metaphors for different sensations".

Disney has applied for "Portoroso" and "Isola del Murray" ("Sea Island") for copyrighted articles. DeGranes initially stated that the name of the character in the Portoroso title and possibly Miyazakiā€™s film Porco Rosso (1992) was going to be a reference and wordplay. In the final film, Lusar's title is Paguro (Italian for "Hermit Crab") and Portoroso is the name of the place where the film is set.

Animation and design
In preparation for the film, Pixar sent several of the film's artists on a research trip to the Italian Riviera, during which time they photographed the landscape and people of the region. During the research tour, the filmā€™s art director Danna Marsegles mentioned that they were observed by curious viewers and chose to include it in the character design. According to production designer Daniela Strivlava, it took Luca a year to design because they wanted to know: "Enrico always wanted Luca to be a little more introverted and curious, but it took us a while to realize that Luca was a dreamer. The clay image of the giant Lusar was made.

Casarosa describes the transformation scene of the characters as many repetitions occur. He added that another great effort got a different look: "So, you're using the same tools fairly and you're not completely renewing, but you're bringing some warmth, some texture, some imperfection." Trying computers naturally wants to be a bit more realistic and perfect so how was it for me, why donā€™t we bring some color vibrations to our pictures? How do we bring texture to make it a little more imperfect? And watercolor paper. I love to draw and I have seen this artist become somewhat sensitive by showing his hand - to the world, because we wanted to take people to Italy in this amazingly wide and stylized way, but we also want to make them feel a bit handmade in acting and characters. "

Mike Venturini, the animator's supervisor, said: "Enrique started a project in his youth as a director and artist, inspired by Miyazaki's film library ... the boy of the future, Canaan. It was one of Enrique's favorite things as a child. Using it; the guys were actually fooled with augmented physics so many of the show's animators were already familiar so on a large feature film scale we looked at a few features of Miyazaki and it was inspired to try our stuff "": "Some of it ends in my pictures, This is a child's home This is a fun world and the story really seems to like 3D immersion but sometimes I feel like it can be cool so, so I wanted to bring warmth due to imperfections, that's why when Some stupid drawings make us laugh when we start climbing and then put them on a screen. "

Casarosa and the team begin experimenting with new animation concepts, usually taking in broader details, and starting to play with the characters. Which makes the characterā€™s motion feel silly. Referring to the movement of many limbs, Casarosa said: "It's an old-fashioned cartoon technique in some ways ... it came out of the drawings, anyone is moving very fast. We wanted to use the multi-limb technique in areas of film where the characters were extreme physique. Where it would add a lengthening personality it was just a lot of possibilities to use it. I wish I had more, but it would be fun when we use "maybe."

Writing
On July 30, 2020, Jones announced that he would be co-writing the screenplay with Andrews, and he is proud of that.

It was the first Pixar film to involve Andrews when Jones previously co-wrote Soul (2020) and was also awarded Pixar's Senior Story and Creative Artist.

Jones said: "It's not an easy thing to force a writing partnership. Jesse and I reunited with what we wanted to say about this movie. Jesse was two years ahead of me. And it was fun and special and sensitive. I felt in so many ways that I was just helping Jesse 'Plus' to apply the foundation of the story a little bit more. "

Casting
On February 25, 2021, Chaser with trailer and poster publishers experienced parts featuring Trump, Grazer, Burman, Rudolf, Bariselli, Raymondo (S), and Gaffigan. The experience has been talked about since the official trawler and poster release of Martin and Ginny on April 26.

The treble in the title Voice of Life; ā€œThis gleeful joyā€, and ā€œHe was specially chosen thatā€ I am his position and innocent and he is not familiar with the fun and content, but if he does not understand that he is referring to the event! While we were doing this instant work before getting scrubbed, "" Trumbull Mete: "[The girl] is really looking around the world and has just been contacted right now. Want to know about its versions and see part of it. "

Casarosa says Grazer, who was Alberto's voice, described the situation as "spiritual self-confidence and weakness", "an emerging-encouraging what-is-a-sea situation" with unwavering enthusiasm for the plan holder. Giulia is a "foreign, cohesive girl", the so-called Naba Adhikar Varman. Daniela and Lorenzo Bazelon, Rudolph, and Gaffigan Casarosa have proven to have improved their position with spirituality and uniquely described the place: "He was the home of one man. Versaceless." Barisal, hin "Galigazaz", he sang to Massimo; Gianni Giacomo voiced; Lorenzo Christie Gaitkendra; Particle; Translations into Assamese: Consider Trimaso and Frances Fanti Kanthanadar.

The trump card was between Luke and Salter. "When the people hope, when the people hope, the hope, the hope, the hope, the hope, the hope, the hope, the hope, the hope, the hope, the hope, the hope. I see the picture of my poet before I come to mind, and this movie is about to close, so it's a summer vacation message. "

Pixar's original John Ratzenberger credits the movie and disappears from all the official cast lists. Luca didn't appear in his consciousness after the second Pixar photo solar. Later, Casarosa published Pete Sohan (who voiced the Hanchidic Sixtio of the period). The new tradition date seen in Pixar's film has begun, which has been published. Ratzenberger's picture has not been featured.

Release
Theatrical and streaming
Luke 181 was published in the United States in 1821 by Walt Disney Studios Motion Picture. However, on March 22, 2021, Disney announced the cancellation of the movie's theatrical release, and instead, it went worldwide at Disney + in response to the COVID-19 epidemic. The film starred in a week-long drama at the El Capitan Theater in Hollywood between 21-22, 2021, and was released dramatically in international markets where Disney + is not available.

In June 2121 at the Genoa Aquarium in Italy, in June, at the three-day Geneva Aquarium, run by the non-profit organization Medicinima, Istituto Giannina Gaslini, and a three-day fundraiser for other organizations in the Ligurian region.

Marketing
The second episode of Inside Pixar in November 2020 featured some of the concepts in the film and images of the sea monster Lusar land. In December 2020, the film's initial appearance appeared on Disney Investors Day, and later clips and some screenshots were leaked online. On January 18, 2021, the first official image of the film was published by Empire. On January 19, a promotional image appeared on the cover of the Italian magazine Il Venerda de Repubblica, depicting Luca, Alberto, and Giulia in a landscape of Vespa.

On May 14, 2021, a book of pictures was published. Franco created a line pop based on the characters in the film. Mattelā€™s activity statistics and toy packs will be released on July 1, 2021.

In June 2021, Trenitalia released a hidden-themed release for their prison train.

To promote the film's release, McDonald's launched a campaign that included eight free toys with the purchase of a happy match.

Themes
Casarosa said the movie was a celebration of friendship and "a love letter to our young people for the summer - the years you find yourself in that shape" with Luke inspired by his childhood in Genoa and his best friend Alberto Suras of the same name. Casarosa said: "My best friend Alberto was a problem solver, [when] I live a very brave and somewhat sheltered life - we can't be any different ... Alberto kicked me out of my comfort zone and metaphor and me Takes away. " It's far from Cliffs. If I hadn't learned to chase my dreams from him, I probably wouldn't have stayed here. It's a deep friendship I wanted to hide, and that's at the center of this photo.

Based on old Italian mythology and regional folklore, sea monsters were defined by Casarosa as "metaphors of different feelings": explained: "We were also somewhat 'external', so to express the idea of ā€‹ā€‹sea monsters that we felt that I Donā€™t feel a little different and cool like kids Produ producer Andrea Warren expands: ā€œWe always liked the idea that the metaphor of being a sea monster can be applied to different regions. Openness includes a theme of freedom, self-recognition, and community acceptance. Opposing this idea is much more than the sea monsters realizing you know they saw it through just one perspective, a lens and so I think itā€™s a great movie theme, these ideas werenā€™t accurate and didnā€™t need to know more. Casarosa agrees: "We hope that the 'monster of the sea' can be a metaphor for making all [netiquette] feel different - like being a teenager or a pre-teenager - the moment you find it weird it seems like a great way to talk about it.". ā€Thatā€™s what happened and we have to admit to ourselves first, the way we feel differently. "

Some have noticed that members of the LGBTQ + community, Luca and Alberto, who have concealed their true sea monster identity, seem to need their true self-concealment in order to be acceptable. Director Luca Guadagnino's film Call Me by Your Name is based on a book based on a twentieth-century summer romantic relationship between Americans and both Jews in the Italian coastal city of Riviera. These raised questions about whether Luca and Alberto were gay; Casarosa, however, said the characters were just friends and the parallels in Guadagnino's film were just a coincidence: "I like Luke's movies and he's so talented, but that's not to say we've really become pre-actress teen stories." It's about platonic friendships...

Casarosa said some people interpreted the story as a metaphor for refugees and immigrants, but those who compared it to the LGBTQ + community acknowledged but welcomed all explanations.

Critical reception
On the review aggregate website Rotten Tomatoes, the film has an average rating of 30 with an approval rating of 90% based on 251 reviews. Critics of the website have written, "Suffering from short but contagious pleasure, the restless Luka has proved that Pixar can play it safely even after having an attractive audience of all ages." According to Metacritic, the film received "generally favorable reviews", averaging 711 out of 100 weights based on 51 critics.

Therapy's Alonso Duraldi writes: "Luke captures the sweet and captivating, the bonds that strangers can form in the summer and how to endure that friendship. And like the heroes of its reconstruction, it goes deep under the surface," The real magic. The character's designs make them attractive both in the marine world and on land, and the regular joy of setting in both regions is "" the play of light on the glorious blue water surface is often astronomical when sunset spreads an orange light over rocks on the shore that makes you interested. "

Comicbook.com's Charlie Ridley praised the film for its uniqueness, noting that it deviated greatly from Pixar's usual narrative formulas and clicks, but highlighting the animation could make it "less so" than the classics of companies like Toy Story and Up, Italian Riviera Design. , Scores and stories.

However, Philip Desmelin, writing for the timeout is "interesting" but a little less, Luca certainly doesn't germinate Pixar in all cylinders, the studio's trademark bold, pin-sharp spectacular gags and big idea ideas like little damp come close to the edge.

Future
Casarosa was interested in creating a sequel like The Parent Trap so that Luca and Julia Massimo and his wife could come back together. The cast members all expressed interest in returning to the sequel and presented their own ideas about what would happen. They also joked about giving Uncle Ugo a spin-off series. Shortly after the film's release, Disney sent out a survey asking customers for their opinions about the movie and asking if "every member of the family would like to see how Luke's character is involved and how the world has made the movie available," the studio said in a statement.

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