He chamame a cultural expression of my land.

Source: http://sirenaartepublicoymuralismo.blogspot.com.ar/

The Guaraní Indians were extraordinary beings, inculcated their music and spread it throughout history, were passed from generation to generation, Spanish, Lusitanian, Jesuits, were adding and removing things to achieve cultural exposure of the date, excellent music that combine In harmony the Guarani and the Spanish.
This music was discovered by the Spaniards in 1609, the Guaraní Indians had their own music, which they accompanied with musical instruments of their own manufacture.
Various instruments that reproduced very particular sounds, impossible to reproduce with the instruments of the Spaniards.
These were some of the indigenous instruments that were lost over the years:
Congoera: this was a kind of large flute built mostly with animal bone
Tururu: a trumpet made from cane
Mburé: a trumpet made of wood of tacuara or bamboo
Mbaracá: a five-string guitar made of wood and the resonance box is pumpkin
Mimby quena flute made with tacuara

Source: http://takipacha.blogspot.com.ar/p/instrumentos.html

In the nineteenth century with the arrival of the Jesuits they bring their musical experiences to the natives, beginning the new musical era.
In Yapeyu Corrientes the school of Lutheria was created, in charge of Father Anton Seep and they form the music workshop, they perfected the musical instruments, they were taught to write musical notes, to understand the rhythm, to write poems and glosses, able to vocalize best.
The Guaraní Indians remained firm in their dialects and have pushed their names through history, the ones that remain today.
To the sound of the musical we call pú, to mba'epu music; Execute music, mbopu; To the chant we call purajhei, and to the jeroky dance.
They have called him in different ways until he reaches the final term, he is known as, che ama me, che amoa memê, che aimê amemê, che amamê aimê, che memé, che amô amemê, ñamo chamamê namê, che amamê, che Amapê.
Today's name is in honor of a tribe made up of indigenous Guarani called llamame, as described by Don Isidro Mario Flores, in his dictionary of the Guarani language.
In the year 1930 the first chamame was recorded in the recordings RCA Victor, the singer Samuel Aguayo and the song Corrientes Poty or Flor de Corrientes, the letter was composed by Diego Novillo Quiroga.

Source: https://www.youtube.com/channel/UCT7SPO-pPngVNz_gvdCNAHQ

The first generation of musicians go from 1900 to 1940 in this generation stands out, Mario del Tránsito Cocomarola dubbed Taitá del Chamamé.

Source: http://www.cndigital.com.ar/noticias/32797_se-celebra-el-dia-nacional-del-chamame-en-homenaje-a-transito-cocomarola.html

His most famous songs are: El Socosmeño, Orillerita, El Cangui, Mburucuyana, Dátil Choir, Pexoa Bridge, Bañado Norte my native quarter and Kilómetro 11 this last one is the most known llama of Corrientes, it is called the provincial anthem Corrientes.

https://www.youtube.com/channel/UC64R_ws_gUi0g8wcE2W4GUA

The second generation goes from the year 1940 to the year 1960, in this generation stands out Tarragó Ros nicknamed The Grand Master and The King Of The Chamamé.

Source: http://www.tarragoseando.com/

The third generation goes from the years 1960 to the year 1990 in this generation stands out The Sisters Vera.

Source: http://www.epsamusic.net/?p=3990

In the new generation the musicians stand out,
Juancito Güenaga, Los de imaguaré, Zitto Segovia, Grupo Amandayé, Integration Group, Raúl Barboza, El Chango Spasiuk, Mario Bofill, among others.

Source: https://www.youtube.com/channel/UC_ZkznzO2q67YZR097rITjA

Source: https://es.wikipedia.org/wiki/Historia_del_chamam%C3%A9

I'll wait for you tomorrow to enjoy another account of my land Corrientes.

José Luis Fernández
Corrientes Argentina

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