The Neomudéjar Museum gathers three feminine visions of art

The French Mahé Boissel brings together almost 300 works under the title 'Apocalysis'
. Alba Rodríguez and Almudena Tapia present two projects that will remain until March 10.
Work of the French artist Mahé Boissel that can be seen in the Museum La Neomudéjar in Madrid.
March is for women. Next Thursday, March 8, International Women's Day is celebrated, and this year will be marked by the call for strikes and partial strikes by the feminist movement to demand the rights of women and equality under the slogan "Yes we stopped, the world stops. "
Within this context, the La Neomudéjar Museum, one of the most counter-current and unrestrained art spaces in the capital, begins its exhibition season in 2018, offering shelter to three projects carried out by women artists.
The first one is the Apocalypse of Mahé Boissel. The French artist, who carries out her work halfway between Madrid and Marseille, has compiled for years all kinds of materials related to natural catastrophes: photos, news from newspapers ... The exhibition that can now be seen in Madrid until May 6 It brings together almost 300 works, some of them large format, made of cloth, paper or canvas.
Representative of Art Brut, Boissel shows us his particular vision of the end of the world. "The Apocalypse is now ecological and humans are the first responsible, it is universal and globalized", explains the artist.
The whole project revolves around a main piece: a sculpture in the shape of an angel woman who announces this point and end of humanity. The figure is made with gloves that for years the artist has been found in parks and streets and with which she has also made several roads that signal to the viewer the road to these catastrophes that are coming: earthquakes, floods, fires ...
On the other hand, Alba Rodríguez and Almudena Tapia present two other projects that will remain only until next Saturday, March 10. Rodriguez's piece, entitled All those places are the same room is an installation that combines sound, poetry, video and painting.
Evoking in a subjective way train travel, this installation, in turn, consists of a tunnel in which there is a piece that collects environmental sounds and musical fragments. Inside three lights evoke the train with which the viewer is and there are also six pictures of different formats (four of them reach two meters). One of them, in turn, faces a video projection composed of travel parts and metaphorical scenes. It is completed with a surface on which train tickets without destination have been placed, which include fragments of poetry.
Tapia confronts us with the hardness of Tierras negras, a work that evokes those who died in the Valdenoceda prison. "Flores de Valdenoceda is my second job that runs through the province of Burgos Valdenoceda belongs to the Merindad de Valdivieso and it is the river Ebro that makes this valley fertile and beautiful.The old prison receives you if you come from Villarcayo, but that gives hidden behind a curve if you access from the port of Las Mazorras.The cemetery, behind the church of San Miguel is upholstered with small flowers on the dates I walked there.They gave their name to this work ".