Inspiration and artistic expression

Although we have not yet confirmed what inspiration is, an inspiration-based perspective has been developed, which creates a possibility to answer what art is.

What is the fact of inspiration? It is a human perceptual intuition that is characterized by non-representation. That is, there is a process of non-representation that precedes artistic representation. It is this distinction between non-representation and representation that distinguishes poetics from artistry.

But artistic representation is still a direct representation. In other words, it is possible to be non-representational, but as long as it is representational, the two are one and the same process. For the artist, this certainly increases the difficulty of trying to identify the inspiration of non-representation.

The connection between non-representation and representation is still the representation itself, and it is on the basis of this connection that the fact of non-representation and representation are essentially the same, because it is the character of non-representation - the "oneness" - that artistic representation seeks to express.

This "oneness", in art, is poetry, which means that the characteristic of inspiration is the poetry in art. Of course, the confirmation of "oneness" - poetry - can be effectively understood only when poetics is completed.

At the same time, it is necessary to realize that the "oneness" itself exists implicitly and becomes explicitly poetic through expression. This is the essence of artistic expression, which is a process of manifestation and implicit operation.

Let's look at the form of the factual existence of inspiration. The fundamental quality of inspiration is that it exists only in the realm of human sensuality. But it is a specific perceptual field, because intuition has already occurred, and the perceptual field is accordingly divided into "one" perception and non-one perception. Of course, it is necessary to confirm what "one" is in order to make a reliable understanding of it.

The so-called specific perceptual field also has a basic way of feeling. Here, it is necessary to examine the relationship between different ways of feeling and perceptual consciousness. Among human sensory modalities, the most abundant are auditory and visual, and thus perceptual intuition from auditory and visual sources is relatively the most abundant.

At the same time, the diversity of perceptual intuition inevitably leads to the diversity of artistic expression. In fact, the expression of inspiration also occurs in the perceptual realm, i.e., artistic expression occurs in the perceptual realm. But the essence of artistic expression is confined to a specific sensual domain, because art is art in the sense that it is the expression of a specific sensual "one".

Of course, different people who are keen on the existence of different specific sensual "ones" may become different types of artists by expressing themselves in the corresponding fields. But different types of artists need to realize the expression of the same "one".

The "one" that is expressed also exists in a specific sensual field in art.