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Mexican movie producer Fernanda Valadez's puncturing highlight debut is a delicate investigation of her nation's missing people emergency. Somewhere in the range of 70,000 individuals have vanished in Mexico in the previous 15 years, thus Valadez reevaluates a nondescript issue as a progression of crossing human stories.

Single parent Magdalena (Mercedes Hernández) can distinguish her missing child's pack yet not his body. Reluctant to articulate him dead, she looks for him across barren scenes, guided by ongoing deportee Miguel (David Illescas). A dawn stains a lake pink, a brutal flashback is hazy and unsubtitled; Valadez's expressionist pictures offer surface to the theoretical feelings of anger and agony.

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