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RE: Concrete Wasteland - Original Music - Miki Brusly
like the found recording / field sampling used to create the bed and slowly warp into the melody here @tripdespider.
The compression and reverb on the cymbol/snare was a bit distracting because it was mixed in a way that didn't reflect the reverb on the bell melody or the slow synth foundation, but I appreciated the more vocal synth melody that layers in.
The bridge stripping to the 'horn' taking over the melody in space set up that dark synth transition into the last third well and gave it more impact.
all in all, enjoyed the spacial experimentation - thank you for the share, mate.
Glad you liked it!
I made this back when I was obsessed with metallic noises and kinda put them into almost every song I made (I'd chalk it up to the amount of JRPG music I was listening to at the time).
Looking back on the mix now, I'd push the anvil sound a bit forward into the mix and make it drier. I'd also eq it like a motherfucker - the deal was to make it sound like it's pinging from outside the ambient (outside the ship Blackbird in this case). I wish I still had the original stems, though. Anyway, thanks for the feedback! I appreciate it!