Life is a dream

Dreams guide the realities and open the door of the new dream journey. Magic is done and removed, beliefs are separated and expectations are gathered together. Making over 40 films over 60 years old, Woody Allen tried to recount issues such as rejecting, disassembling, shredding, repeating his own world of consciousness, following his instincts, foresight, desires and inspiration. When we return and examine many films we create, we can see more clearly that spiritual mechanisms try to discover the different ways of working. Sometimes when a character tries to find a solution to the problem, it causes a new and different problem and leads to a more serious problem. It looks like Alice is at the time of visiting the Chinese healer. Sometimes the characters fall into a sudden shaken state, everything they are always familiar with always comes alien to them, in a different and volatile situation. It is like being in the philosophy of another Gena Rowlands (88). Most of the time they find themselves as a slave to an obsession and then they wake up like a dream. Just as Micahal Caine, a very loyal husband, is so violently and slowly returning to his former sister to his sister, "What I do not know is that I can not live without you, Judas Rosenthal from Martin Landau, then a" crisis " calmly said: "Actually, we are trying to put everything in a position, we reject, we can not go on living."

Often these magic are made by the audience, directors or characters or both. "This girl was one of the most popular events at my home," explains Allen Radio Days (87) at the beginning of the film, "This is just one. Now it's all over. Except memories. "Stage Rockaway Time is childhood. "Allen recalls that everything came to us and was a temporary structure so that we could feel the pain of those spirits more sharply. Rowland's Marion remembers Rilke's "Ancient Bodle of Apollo" - "There is no place you do not look here, so you must change your life" - but Allen's most successful productions are inspiration for Rilke's first Duino trilogy sensuous and different notes, beautiful illusions, delusions and treasure chests, as well as reactionary reactions and reactions and resonating echoes. An endless sense of diversity is "away from immortality" and "a tired nature / personality, a creative force that can not be captured with effort". In our memory, there is a short reality and we can see it repeatedly in Allen's business.

It is inevitable to compare the opening sequence of a Night in Paris, a magnificent miniature city symphony in Paris, and even a little confusing at first glance. With the previous film "Rhapsody in Blue" and a big crescendo effect with an impressive rhythm, Midnight's opening becomes even more mysterious with Sidney Bechet's "Si tu vois ma mere". Eugene Atget + New Wave From different aspects of the Parisian city - Impression + Atget (Eugene Atget) + New - We are trying to bring this romantic spark, shapes and colors to the front of our eyes. Wave distances are very remote, the light is a little boring and tidy and the music is a little sarcastic. Allen is not worth picking up parts of Paris, photographing and organizing parts we know and trying to fill them up like a car waiting for us. In Manhattan, the character reflects his anticipations and desires ("Whatever the season is, this city is still a black-and-white machine and echoes with the melodies of George Gershwin"), without the background noise. and the director quietly throws a movie base that is definitely interested in everything about romance.

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