Batman Begins (2005)

in #batman7 years ago

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Batman Begins is a 2005 British-American superhero film based on the DC Comics character Batman, co-written and directed by Christopher Nolan and starring Christian Bale, Michael Caine, Liam Neeson, Katie Holmes, Gary Oldman, Cillian Murphy, Tom Wilkinson, Rutger Hauer, Ken Watanabe, and Morgan Freeman. The film reboots the Batman film series, telling the origin story of the title character (Batman), from his alter ego Bruce Wayne's initial fear of bats, the death of his parents, his journey to become Batman, and his fight to stop Ra's al Ghul (Neeson) and the Scarecrow (Murphy) from plunging Gotham City into chaos. Comic book storylines such as The Man Who Falls, Batman: Year One, and Batman: The Long Halloween served as inspiration.

After a series of unsuccessful projects to resurrect Batman on screen following the critical failure and box office disappointment of Batman & Robin (1997), Nolan and David S. Goyer began to work on the film in early 2003 and aimed for a darker and more realistic tone, with humanity and realism being the basis of the film. The goal was to get the audience to care for both Batman and Bruce Wayne. The film, which was primarily shot in Iceland and Chicago, relied on traditional stunts and miniatures, while computer-generated imagery was used minimally.

Batman Begins opened on June 15, 2005, in the United States and Canada in 3,858 theaters. It grossed over $48 million in its opening weekend in North America, eventually grossing over $374 million worldwide. The film received positive reviews and is considered by many to be one of the best superhero films of the 2000s. The film was nominated for an Academy Award for Best Cinematography and three BAFTA awards. It is followed by The Dark Knight (2008) and The Dark Knight Rises (2012) in a continual story-arc, which has later been referred to as The Dark Knight Trilogy.

Themes[edit]
Comic book writer and author Danny Fingeroth argues that a strong theme in the film is Bruce's search for a father figure, saying "[Alfred] is the good father that Bruce comes to depend on. Bruce's real father died before they could establish an adult relationship, and Liam Neeson's Ducard is stern and demanding, didactic and challenging, but not a father figure with any sympathy. If Bruce is anyone's son, he is Alfred's. [Morgan] Freeman's Lucius is cool and imperturbable, another steady anchor in Bruce's life."[68] Blogger Mark Fisher states that Bruce's search for justice requires him to learn from a proper father figure, with Thomas Wayne and Ra's al Ghul being the two counterpoints. Alfred provides a maternal figure of unconditional love, despite the overall lack of focus on a mother figure in Bruce's life.[69]

Fingeroth also argues that a major theme in the film is fear, which supports the story of Bruce Wayne becoming a hero. Director Christopher Nolan stated that the idea behind the film was "a person who would confront his innermost fear and then attempt to become it". Fingeroth referred to this film's depiction as "the man with fear—but who rises above it". The theme of fear is further personified by the Scarecrow.[68] The film depicts how fear can affect all creatures regardless of might. Allusions to fear are seen throughout, from Bruce's conquering of his demons, to becoming Batman, to the Scarecrow and his deadly fear toxin. The macabre, distorted images presented in the Scarecrow's toxin-induced hallucinations also express the idea of terror to an extreme.

Critic Brian Orndorf considered Batman Begins "fierce" and "demonstrative in brood", giving the film an abundance of gravitas and energy. It strays away from the lighter fare of Joel Schumacher's 1997 Batman film, Batman & Robin, which contained camp one-liners throughout. The theme of fear is intensified with the help of the musical score by Zimmer and Howard, which also "eschews traditional heroic themes".[70] Also contrary to previous Batman films, a psychological investigation of Bruce Wayne's split personality in the bat suit is only lightly touched upon. Orndorf noted that Bruce is a "character constantly striving to do the right thing, not worn down by incessant reexamination".

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