"So, what I’m saying is, I think, this: I’m trying to share with you a certain style of life, and an attitude to life, and an insight. I’ve taken you to one side and said, ‘Listen, kids, things aren’t what they seem. Don’t be fooled. There’s a big deception going on, and you’re involved in it, but I just thought that you ought to know it — and enjoy it' […] all around you have only to look and you see this perfect passion for making the world look grizzly. And it isn’t only job builders and garage owners who do this kind of thing, it’s also people who profess to be painters. They’re actually using excrements for painting in Paris today, on the theory that the world is shot to pieces. And since the artist is a representative of his times, he ought to show the times as they really are, as a social critic. And so he makes the most weird—I mean, he paints Campbell's soup can, and then he makes music that shrieks and screams, and the most—he just goes out of his way to make it sound as ugly as he possibly can manage. And the ingenuity about that is endless. Because that is the times. He’s the critic, you see? Instead of being somebody who reveals."
~ Alan Watts, "Out of your mind" Sess.4, The Web of Life (Part 2): An Invitation to Dance (VII)
"Metaphysics" 1998, Acrylic on Canvas