The Origin of Saman Aceh Dance With Pictures And Wallpaper And Video

Saman Dance It is a fusion art of dance, literary art and sound art. Saman art is originally the traditional art of Gayo Luwes that comes from other traditional art that is Pok Ane.

At one time a mubalig named Tengku Syah Saman utilize Pok Ane art as a means of propagation of Islamic religion, and this art is usually done by old people who then lost in the present, changed with the emergence of art saman in other forms that are generally done by children -young adult. The content of saman art is not entirely about religion, but also about other things in everyday life. Saman became an arts competed between two groups.

Each group usually comes from different villages. One group consists of 15-30 men, who are generally young people. In the past the game could last for days, day and night, because it required the physical endurance of the players. Such a match is called Jalu saman.

In a saman match, a group faces its counterpart with a distance of about three meters. Members of each group are in one saf by sitting on their knees in a meeting position. In such a position the players perform a variety of motions. Members of each group are divided into several roles.

One who is in the middle is called ceh, who leads his group in dance (song), singing (ling) and others. The player who is on the left-right ceh is called the clamp. Both as the main aide ceh earlier.

Two people each at the tip of the safi are called penangkang or rider watchers. Keduang as a buffer for the saf it does not collapse or chaotic when there is a movement that blaring. The rest are players that are between the pengapang and penupang called pincers.

Most of the clasps participate in various motions together (songs) and singing together (saur). This arts contest system is guided by certain rules.

One group (A) starts the game with unique movements of their own creations with certain songs and lyrics. Group A that displays the results of this creation is called as the party memangka. The opposing group (B) must try to follow and be able to imitate the opponent's (A) motion.

Group B is referred to as the ngging party. Group A can be declared defeated, if the movements of the dance can be followed or imitated by group B, and the lyrics of group B also proved superior. That is why each group keeps the place and time of practice secret.

Therefore also they always try to show new works, unuk and beautiful. Movements in saman art can be classified in several forms, such as kertek, sparse tepok, tepokdele, kirep, lingang, whining, girik, shake, sam-filter, gintes and others. Saman teachers create certain dance moves by combining certain forms of motion by combining the above motion forms. The dance movement was of course adapted to the singing. The singing itself is brought by one person or together, for example sek, jangin, redet and saur.

Saman Dance Dancers' Performance Shared Being

• 1.Persalaman
  The players show a respectful attitude in a sitting position kneeling, coconut head down and both hands be worshiped. In this solemn respectful attitude came the song of mercy to God with the saying "E Lallah hu, La Illaha Illahlhah", "Assalamu'alaikum". Greetings also addressed to worthy people present and to all spectators.

• 1. Part II of the song
     is a solemn preliminary movement accompanied by an already rising song.

• 3.Anak ni lagu
  This section features more vibrant, unique movements with beautiful looking bodies (sieve-filters). Then continued with the songs that display hand movements stomp chest, interspersed with claps, head shake, body movement forward, backward, left, right and so forth. The movement alternates between slow motion and rapid movement of movement.

• 1. cover
     In this section developed the lyrics of the pathetic. They apologize to the old people, the decent people, and all the audience. The apology is due to any unacceptable behavior or lyrically sung lyrics.

Dance Sari Dancing Costume Apparel

• 1.Bambang teleng / Bulang kerawang
  Is a cloth headband of the players, black or other colors with a decoration as a crown called crown.

• 2.Renggiep
  Is a chain necklace worn dileher players.

• 3.Baju
  is the uniform of the players, short-sleeved shirts with gauges fit in order not to interfere with various complicated movements earlier. The shirt was black base with a golden yellow ornament. The motifs of decoration there are called leladu, gegaping, rino, kerawang and others.

• 1. Long dresses
     Used by the players as subordinates of the basic clothes, the color is black in color with the basic color of the basic clothes.
• 1. Comrade
     Is a name for a sarong, worn outside the trousers so it looks more polite.

• 6.Sensim ketep and topong Sensim
  ketep is a ring and topong is a bracelet, these two objects are not always or only sometimes used by the players.

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