The Structure of a Continuum – 37

The tag image in this post does not just perfectly fit into recent trends, but opens the door to the use case that this Steemit blog shows to be light years ahead in relation to reliance on physical origins. The advancements in digital technology over the past quarter century are not just changing our idea of dimensional objects, but they have opened an evolutionary state in the dimensions of thought. The geometrically contrived sequencing process of a totally virtual-based art has moved ahead in ways where object oriented ontology is now positioned, in a cryptography-ready world, as a whole new value system that won't exist in the world except in the idea of being art.

Steemit's lone use is to place the sequential illustrations of these posts into a blockchain and interpret the value attached to modules 394, 395, 396, 397, 398, 399, 400, 401, 402, 403 and 404, in the illustration of the knot shown here, as the Cryptoknot protocol's part in a methodology that is learned about in relation to the Woodstock collectible on https://www.facebook.com/michaelsullivan.smith/posts/1208899475933590, and in the daily posts on https://twitter.com/MSullivanSmith.
A mainstream platform's association with the concept of uniquities is what is being used to build the cryptoknot concept. The numbers now are strictly used to digitally identify the place this knot falls within the mechanics of a registry. This is put in plain language that now references the physical differences in each of the tags for the Woodstock'94 collectible due to the method of their manufacture.

The numbers of modular squares are the Cryptoknot protocol's standard for describing a specific knot. This was invented as a means of authenticating a knot when distributed designing becomes the way a new knot is created in the context of the White Paper of the http://www.greatknot.com website. When this distributed creativity goes into effect the cryptocurrency assignments in will be issued.