"Indian Pottery and Corn"
I once had the opportunity to do some studio-sitting for my artist-friend, Rod Goebel, while he was painting in Spain for six months. He needed someone to look after his large Taos home, garden, and studio while he was away so I cheerfully volunteered. He had a massive studio with north light and many still life objects, including these old pots, ears of Indian corn and rugs.
At the time (1985), I was using loads of paint and applying it with painting knives and large brushes. It was a period of breaking loose from years of painting in a more controlled manner.
I hope you enjoy seeing this!
More to come,
Lee
https://www.leegordonseebach.com
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good, and I hope you enjoy my entries
@steemfood1 thanks!
Another lively painting. Using painting knives especially on the pottery emphasizes the rustic feel of this still life. I enjoy your work.
@countrygirl thank you! One important lesson I learned from painting this way: the right color note in the right place creates the illusion of form and the effect of light in a painting. As I experimented with impasto paint applications, as long as those notes were correct and the painting remained fresh and clean (as opposed to becoming a hopeless, muddy mess), I could paint any ole which way I wanted and get away with it. There's a freedom in that which I truly enjoyed.