Perfect art from imaginative hands - Using the 2 point perspective.
Perspective, in the world of art we must have heard the word. But do we already understand what is a perspective, here will try to describe what it is actually perspective. Etymologically the perspective comes from the Italian language Prospettiva which means the view image. Therefore perspective means a way of seeing an object or nature with a particular technique, which is then applied to the field of images (paper, canvas). Using the use of perspective construsction allows us to represent a real object or space above a plane (image plane), or to clarify a plan that has been described by projection of geometry (top, front and side view). With the perspective technique of drawing an object will look more volume, not flat (flat), and the creation of spatial.
Since artists try to express a three-dimensional form into a two-dimensional field, consciously or unconsciously they have engaged with some kind of 'perspective'. Realist flows were first introduced into images or paintings with the use of shadows in the Pericles epoch. Shortening of perspective and light lines, some of which were known around the 4th century BC and fragments of this work were not destroyed by the destruction of Pompeii (79 AD).
The development of perspective as a science began in the Renaissance. Paolo Uccello (1397-1475) has spent so much time studying it. His work was followed by another. Spearheaded by Fillipo Brunelleschi (1379-1446) a constructionist, continued further by Leona Battista Alberti (1404-1472) an architect.
Paolo Uccello (1397 - 10 December 1475), was born Paolo di Dono, but other sources that recount the life history of Paolo Uccello include: in the biography of Giorgio Vasari, written 75 years after the death of Paolo, and some contemporary official documents. Uccello was born in Pratovecchio in 1397. The name Uccello, is a nickname of his passion for bird painting. His father, Dono di Paolo, was a barber-a surgeon from Pratovecchio near Arezzo, his mother, Antonia, was the birthplace of Florentine.
Furthermore, perspectives were developed by later generations of renaissance painters such as Filippo Brunelleschi (1379-1446), Leona Battista Alberti (1404-1472), Andrea Mategna (1431-1506), Leonardo Da Vinci (1452-1519), Michael Angelo (1475- 1584) and Raphael (1483-1520). In its development perspective began to dominate the works of painting artists renaisan. Like Leonardo Da vinci painting entitled The Last Supper, in this painting the impression spatial generated is felt. Leonardo is very good at cultivating perspective, resulting in the impression of spatial and far away. The next renaissance painter who often uses perspective is Andrea Mategna. One painter is extraordinary in a perspective perspective, this can be seen in his paintings such as The Lementation Over The Dead Of Christ, and Ceiling Oculus in the Camera degli Sposi. Achieving the perspective of this painter can indeed be said to be perfect, in the early period of perspective. The later period of Piero degli Franceschi (1420-1492) a painter and mathematician, wrote the first textbook on perspective, perhaps from that perspective began to be taught in renaissance art workshops.
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