Visiting the History; Museu Oscar Niemeyer

Luis Alberto Brusco [CC0]

Museu Oscar Niemeyer is a massive building which is 60 foot long. It is well balanced and gives a feel of the museum when you visit. The bright Cyclops is calm when it reflects over the pool and also greets the visitors pleasantly. This place was designed by Oscar Niemeyer who as a Brazilian architect. The artwork in the gallery is magnificent when you enter it. This museum is also known as the Museum of the Eye. The complete construction stopped in 2002 when the architect reached the age of 95 so you can imagine how enormous it would be.
The fantastic balance of the 200-foot square gallery is a spectacular view for the patrons of the museum. With the amazing gallery, there is a large property of Museu’s which rotates around the artwork of Brazil. The display and the work are impressive along with the artwork which is presented on the walls of the gallery. The museum of the eye is one of the recognized and popular place to visit when you are Brazil. It reminds you of the remarkable legacy of Brazil along with important history for others to learn in various forms.
So before you go there, you have a chance to learn about it and appreciate the efforts on artwork. Beside the museum, you will be able to find restaurants and café to enjoy snacks. You cannot take the meals inside the museum because of the policies, but once you are inside, you will forget to eat or drink anyway. It is a great way to show the artwork which brazil possessed since the beginning. The mesmerizing view will astonish you at Museu Oscar Niemeyer. The museum is on the name of the artist because of his continuous efforts on making it an antique piece for the world. Now it is known as one of the popular destinations for the tourists whenever they are in Brazil. They want to see this so that their trip isn’t left half. So if you are planning to learn about the history of artwork, this will be your stop for sure as it contains extensive history in it.

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Today's author is Julianne.

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