challenge, but I spent probably 15/20 minutes max on this as I was watching some TV, sort of spacing out. I initially intended this to be something entirely different; I started with the Ableton Session in 7/16, with the intent of writing something very rhythmic, and really using that odd meter, but it turned into something much spacier, which didn't really require this odd-meter, since there isn't really an obvious pattern, but it sort of worked out so I didn't bother altering the time signature once I was a few tracks in. Tracks 1 was where I began, playing a C for 8 bars then an F for another 8, then repeating. However, this instrument isn't tuned properly, so what you're hearing is an F down to a Bb, making the song in Fmajor. Track 2 outlines to big chords (Fadd9 and Bb13) with a sort of drum/log sound, one for each 8 bar section, but with an arpeggiator added, set to random. Track 3 just drones on low bass notes, sticking to our roots of F and Bb.

melody line of sorts. I added a few dissonances, including a Db, creating a bVi chord against the F at one point. Track 5 is an audio clip, recorded from one of the Newscool drum sets from Native Instruments' Komplete Start package, which turned out to be a little less bassy than intended, but at least it provides some rhythm for the second half of the song, making it stand apart, without really making the odd-meter super obvious. Track 6 uses a pad from the Equator library, pictured to the left here. This also helps outline that Db chord at the end of the first 8 bars, which turned out to be a good choice, as it makes the melody line feel much more intentional. Finally, we have Track 7, which was recorded from another Newscool kit. I added a super hi-pass EQ, dropping off the low end entirely, and then chopping up the audio clips and tuning them so they fit with the chords.