Top post topic//movie review//24-04-2021
Hello Friends
This is yat hayat221 from Bangladesh
Assalamualaikum friends, I hope you are all well. I am also well by the infinite mercy of Alhamdulillah Allah. Today I am going to participate in the "movie review" contest organized by @ steem-bangladesh.
Thanks again for giving us today's top post topic movie review organized by Steam Bangladesh.
📺 movie review 📺
🎵 Aynabaji 🎵
What kind of mirror? You stand in front of the mirror, the mirror becomes "you". If I stand in front of the mirror, the mirror will become "I". When different people stand in front of the mirror, the mirror becomes a reflection of different people, the mirror shows the reflection of social reality. This mirror is the lifeblood of the movie, but not a mirror made of glass, a mirror of blood and flesh is Chanchal Chowdhury. I have never seen such acting in Bangladeshi cinema where there is so much diversity. What Chanchal Chowdhury has done is not commonly seen in Bengali films, in a word, he is impeccable, the film has progressed strongly under his leadership From one character to another, from one character to another, one cannot believe it without seeing the way he has come in different forms.
Ifyou want to see a multi-dimensional pperformancein a single film, you must see Chanchal Chowdhury in Ainabaji. Speaking of Nabila, the producer probably cast her in Nabila's eyes. Very expressive eyes, deep eyes, eyes that can be dipped. Nabila has acted fluently, perpetually loving behavior and dialogues, attracting the audience towards Nabila's character. Everyone in the side character has done well, even remembering a small character of Vrindavan Das, but Perth Barua had more opportunities to act, some of his scenes are wicked due to over-acting.
Filming one of the strongest aspects of mirroring, many days after seeing Mishuk Munir's cinematography Munsiana in the movie "Runway", I saw the magic of Rashed Zaman's camera in mirroring. Mishuk Munir has left but left behind successors like Rashed Zaman. Every frame of mirroring, every shot seems to hold time, holds space. Old Dhaka, New Dhaka, Dhaka of Jam, Dawn and dusk in the sky of Dhaka, rivers, ghats, boats, crowds, Bazar Court Kachari, Dark Jail each and every place has become a living character in the movie. There are a number of objective shots in the film, such as when the character's eyes become the eyes of the camera, such shots are extraordinary. The picture also has a top angle eye-catching frame from the drone. Analyzing the technical aspects like location, costume planning, art direction, color grading, sound design, etc., it is understood that the production team has worked hard enough to make the movie.
Background scores and word combinations are great. The remarkable thing about the addition of words is that with the distance between the camera and the character, the sound of the dialogue becomes less and more, perhaps in terms of reality, which has been done which is commendable. The story is written by Gaosul Alam Shaon. He also played a character. Such a story has never happened before in Bengali cinema. The story is told in a simple linear way while the movie is a thriller.
In linear format: Thrill seems hard to me but Amitabh has done it so skillfully that you can't leave the movie and get up from the seat. If there is to be a flaw in the movie, it can be said that there was a lack of continuity of some scenes and some details, such as the details of the family life of journalist Perth Barua or the details of suddenly finding the journalist Chanchal Chowdhury. I am talking about a dialogue of Chanchal Chowdhury which represents the mirror image, the society speaks of reality. “All around changes, time stops. All the truth for everyone is just acting for me. "
Thanks all friend's