Hello everyone,

For this particular painting, the entire process was completed digitally. For more of my traditional work, head over to my painting pages on my website (below). I would just like to say that I am both a traditional fine artist, and a digital artist. I paint in both mediums.

For my watercolour & gouache paintings; https://www.robbieallenartist.com/watercolour-gouache

For my oil paintings; https://www.robbieallenartist.com/oil-paintings

Some of which are available for sale on my website shop; https://www.robbieallenartist.com/plein-air-paintings

The painting process video link is provided at the bottom of this post, scroll down if you would prefer to watch that first.

(Above image) This is my finished portrait painting commission of Séilah.

Deciding Artistic Direction

In 2019 I was asked to paint my sister’s friend’s daughter as a gift for a family members Birthday present. Skye, who commissioned me for the portrait, chose for me to have the portrait painted digitally instead of traditionally.

I organised to meet up with Skye and her daughter Séilah, so that I could get a sense of her personality and character, and to take reference photos for the portrait. In the end we chose to use an already existing professional photo of Séilah, (the photographers name I’m not aware of), to use to paint my portrait of her. Meeting Séilah in person helped me to make decisions regarding what I wanted to do, and where I wanted to go with the portrait.

I chose to try and emphasise her natural curiosity for all things, her colourful and vibrant personality, and her innocence. She wasn’t even 1 year old at the time of me meeting her.

(Above image) Step 1 - The initial sketch.

My Step-by-step Process For A Digital Portrait Painting

I started off by simply sketching Séilah and the surrounding material on a digital canvas using Adobe Photoshop with a hard round brush. I checked back on a number of occasions to check the proportions, and positioning of the drawing was accurate and true to the original photo reference. Once I had established the initial sketch, I then went on to painting the block-in, with big, broad, brush strokes, filling in areas of local colour and the mid-tones of the skin.

(Above image) Step 2 - The colour block in.

Moving Around The Canvas

Throughout the process I would move around the digital canvas, developing different areas of the painting, raising them up all together, gradually in more and more detail as I progressed. You can see this in action by watching my video below. This is generally considered to be a solid practice by many professional artists who I have studied from. Personally I find that it helps to keep the painting harmonious, I can paint more instances of ‘lost & found’, and I can mix in foreground and background colours in a way on the canvas that helps to create a better sense of realism. This exercise also serves to keep your mind and eye fresher for longer as your attention isn’t focused on just one area for any given length of time.

Useful Digital Techniques

I paint with a MacBook Pro and I hit the keys (command -, and command +) constantly to go closer and further away from the digital canvas. This digital technique ultimately emulates the real life process of constantly standing backwards and forwards from the physical canvas in order to see the bigger picture of the painting, keeping in control of the piece and being able to detect mistakes and better place new brush strokes with confidence. All of which leads to a more fluid painting process and less accident or error prone one.

This process I also find to be fun, creating a sense of enjoyment. If you get stuck on one area, why not move to another momentarily and come back to where you were before? You might just find that you can suddenly solve the problem with fresh eyes within a matter of minutes of not looking at it.

I also get into the habit of rotating the canvas using the ‘rotate’ tool on Adobe Photoshop, which I have set up as a hotkey under ‘r’. This again emulates the traditional art process of rotating the paper or pad on a surface on order to make cleaner and more accurate lines and brush strokes. This isn’t really possible when standing at an easel, however, making this an exclusive benefit of digital painting over traditional.

Below are more of the digital painting steps as the painting gradually progresses.

(Above image) Step 3 - Painting in more of the details.

(Above image) Step 4 - Further refinement.

(Above image) Step 5 - Painting in more details in the face and eyes.

(Above image) Step 6 - Gradually building up more layers all around the painting.

(Above image) Step 7 - Getting closer to working on the final details in this step.

(Above image) The finished painting.

Applying The Final Details

And for the final image I refined the details further focusing in on her facial expression and adding some bounce colour in the surrounding material and drapery. I use a small brush size for the final steps, so I can get into the important areas around the focal point (the face and features) and also to clean up lines and edges where I see I think it is necessary.

I write my signature, save the files, back them up and call the painting finished.

(Above video link) This is the sped up version of my portrait painting process. I explain some of the ways I work, insights, and I also give some tips in the video.

I also shared this video to my previous post on DTUBE

Thank you all for reading, watching, liking and commenting!