Abstract art is a skill CHUPAPIC

Abstract art has its origins in the 19th century. The period characterized by so vast a body of elaborately representational art produced for the sake of illustrating anecdote also produced a number of painters who examined the mechanism of light and visual perception. The period of Romanticism had put forward ideas about art that denied classicism’s emphasis on imitation and idealization and had instead stressed the role of imagination and of the unconscious as the essential creative factors. Gradually many painters of this period began to accept the new freedom and the new responsibilities implied in the coalescence of these attitudes. Maurice Denis’s statement of 1890, “It should be remembered that a picture—before being a war-horse, a nude, or an anecdote of some sort—is essentially a flat surface covered with colours assembled in a certain order,” summarizes the feeling among the Symbolist and Postimpressionist artists of his time.

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All the major movements of the first two decades of the 20th century, including Fauvism, Expressionism, Cubism, and Futurism, in some way emphasized the gap between art and natural appearances.

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There is, however, a deep distinction between abstracting from appearances, even if to the point of unrecognizability, and making works of art out of forms not drawn from the visible world.

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